NORDMENDE DeLuxe COLORSONIC 2400 PRESTIGE SK3 COLOR YEAR 1980.

The NORDMENDE DeLuxe COLORSONIC 2400 PRESTIGE SK3 COLOR is a 27 inches color televsion Luxus model from NORDMENDE:

Featuring clock / 6 DAYS programmable timer with large led display programmable television receiver controllers which may be manually programmed by a user to select or to limit the viewing selections for random times, typically in one-half hour intervals, throughout a predetermined time period such as a one week time period. Program selections may be made by setting suitable controls for the day, AM or PM, the half hour of the day and the channel desired, and entered into a memory by a push-button control. Thereafter a digital control clock automatically selects the pre-entered information at the appropriate times and provides a control signal which may be used to automatically select the identified channels to the exclusion of all others. Alternatively, the signal may be used to exclude the selected channel from selection manually. In one embodiment, the programmable controller is incorporated in the original design of the television receiver and in a second embodiment, an external controller is disclosed which can be attached to the antenna terminals of a conventional television. Additional embodiments include means for controlling other functions such as the ON-OFF function of the receiver. 

Toghether with PLL synthesizer search channels: The arrangement is operable in at least two different modes which permit the selection of the television signal and includes, a controllable oscillator the frequency of which is determined by a control loop depending on a binary number N supplied by a processing unit on the basis of coded input data, the loop comprising frequency-dividing means for obtaining from the controllable oscillator a first signal dependent on the number N, means for comparing the said first signal with a second frequency reference signal for obtaining a third signal for required tuning, memory means with a number of cells for memorizing, in digital form, data relative to the signals to be tuned and, finally, means for supplying the number N both in direct response to the said coded input data and by calling up data from the memory means. The system commonly used on television receivers for tuning into the required channels is the so-called FREQUENCY SYNTHESIZER system. This system, made possible by the advent of integrated circuits, offers a number of advantages over other known systems, such as the conventional potentiometer type MECHANICAL MEMORY systems and the more recent so-called VOLTAGE SYNTHESIZER systems. The frequency synthesizer system is fully electronic enabling any channel to be called up directly by the user who formulates the channel number on a keyboard or other control device. The system usually comprises a quartz-controlled reference oscillator, a phase lock loop, a programmable divider and a computer which supplies the number to be sent to the programmable divider in response to the number of the channel set by the user.
Thanks to the phase lock loop, for each channel number set by the user, the frequency of the local oscillator on the set is kept so stable and accurate that the set is tuned to the corresponding channel signal with great precision. Further details about frequency synthesizer tuning systems can be found in the article entitled "A Frequency Synthesizer for Television Receivers" by E. G. Breeze, published in the November, 1974 issue of the "Transactions BTR" magazine, or "Digital Television Tuner Uses MOS LSI and Non Volatile Memory" by L. Penner, published in the Apr. 1, 1976 issue of "Electronics".
The frequency synthesizer system lends itself well to a number of different modes of television channel tuning:
(1) direct selection by formulating the required channel number as described above (television channels are numbered: for example, in the European C.C.I.R. standard, VHF band channels are numbered from 2 to 12 and UHF band channels from 21 to 69; in the American standard, VHF channels are numbered from 2 to 13 and UHF from 14 to 83).
(2) memory selection: each of a certain set of keys corresponds to a preselected and memorized channel;
(3) automatic scanning of all the channels of a given standard, or of all the channels contained in the memory or continuous scanning of all the frequency bands involved.
The first application enables immediate, direct selection of any one of the channels in the relative standard (60 in Europe, 82 in America).
The second enables faster detection of one of a limited number of preferred channels.
The third is a fast, simple way of finding out which standard channels can be received, which channels have been memorized and whether other broadcasting stations exist on non-standard frequencies such as the private broadcasting stations in Italy (there are currently over a hundred operating).  and special HIFI sound features was a top set in the 1980.

The set was ai first Nordmende featuring  Microcomputer Controlled Freq. Synthesizer for TV ,which consists of a microprocessor unit, is designed to generate, among other things, N numbers and bandswitch signals for tuning into specific television broadcasting stations on the basis of data relative to the signals being tuned into supplied by the user from control keyboard


The cabinet design is a compact type even with large screen formats and was even adopted in after models series from THOMSON with completely new chassis type and technology.



The set is equipped with a Room light Contrast control.

It dynamically adjusts brightness and contrast in response to a room light sensor, which is mounted of the front RIGHT bottom side.It is a ambient light sensor which drives, in opportune, way the contrast tracking of the picture as a function of the light in the room were the tellye is running; more particularly to a control system for maintaining proper balance between room lighting conditions and the level of picture tube excitation in a color television receiver. More especially the present invention functions to increase contrast, intensity and chroma signal strength when the room lighting level increases to diminish these parameters when the level of room lighting decreases.

Conventional television receivers, of course, have manually operable controls by means of which a viewer may set the level of contrast, intensity, and chroma signal strength to what he feels to be an optimum level for given room lighting conditions. Under changed room lighting conditions, the viewer will obtain the optimum viewing situation by changing these manual controls to a new preferred level.


As many NORDMENDE sets the power switch has his own "child lock" button to avoid use by childrens without the safety key inserted in the button itself.These series are quite rare because NORDMENDE in few months was passing under the control THOMSON CSF brand going to re-developing a completely new chassis design even with the same models design.




Nordmende was a manufacturer of entertainment electronics based in Bremen, Germany.
The original company, Radio H. Mende & Co, was founded in 1923 by Otto Hermann Mende (1885-1940) in Dresden. Following the destruction of the plant during the bombing raids in 1945, Martin Mende (the founder's son) created a new company in Bremen in 1947, in a former Focke-Wulf plant, under the name North German Mende Broadcast GmbH. The name was subsequently changed to Nordmende: subsequently the company became one of the prominent German manufacturers of radios, televisions, tape recorders and record players in the 1950s and 1960s.

In the 1970s, Nordmende televisions were renowned for their innovative chassis, and for the rigorous testing and quality control of their finished products. Both created high costs, however, which soon proved a competitive disadvantage when the price of colour televisions began to plunge.

In 1969, Mende's sons took over the company, and in 1977 a majority shareholding was sold to the French Thomson Brandt company and the chassis remains the original NordMende until CHASSIS F9. The following year, the family sold their remaining shares to Thomson. In the 1980s, the factories in Bremen were closed, Nordmende becoming purely a Thomson trademark (Starting from chassis F10 F11 they're all THOMSON).








In the 1990s, the name Nordmende was used with decreasing frequency, and it eventually disappeared in favour of the Thomson name. In 2005 Videocon Group acquired all cathode ray tube activities from Thomson. This led to the creation of VDC Technologies, which manufactures TV sets using the Nordmende brand under licence from Thomson.
The Nordmende brand name was relaunched in Ireland in September 2008 by the KAL Group. Although Nordmende was well known for its televisions throughout Ireland during the 1970s and 1980s, the company bought the rights to the name and launched a range of white goods including fridges, freezers, washing machines, and dishwashers, alongside a revamped range of flat-screen TVs and stereos.

     
NORDMENDE HISTORY IN GERMAN:

Die Vorkriegsgeschichte findet sich unter Mende. Nach dem Totalverlust in Dresden gründet Martin Mende (30.12.1898-1982) unter Mitwirkung von Hermann Weber am 26. August 1947 [FT5901] in Bremen-Hemelingen die Norddeutsche Mende-Rundfunk GmbH.

Die ersten Gehäuse liefert ein Tischler in Achim gegen Kompensation von fünf Gehäusen zu einem Rundfunkgerät. Der frühere Mende-Konstrukteur, Obering. Heer zeichnet wieder für die Geräte verantwortlich [FT49??].

Ab 27. Juli 1948 liefert die neue, zuerst 18 und bald 60 Personen umfassende Firma auf Grund von Währungsreform, Krediten und Zulieferverträgen die neue Radioproduktion.

Das Regime in Ostdeutschland lässt den Namen Mende nicht zu, so dass Martin Mende mit grafischen Konstruktionen im Zusammenhang mit «Nord» an seinen Vorkriegserfolg anschliesst.

Die Hallen der ehemaligen Focke-Wulf AG beim Bahnhof Seebaldsbrück dienen als Werkstätten. 1950 beschäftigt das Unternehmen 700, 1959 schon 3500 und im Zenit 6300 Personen.

1950 beginnt die Firma mit UKW-, 1953 mit Fernseh- und 1954 mit Mess- und Prüfgeräten. Gegen Ende der 50er Jahre heisst die Firma Norddeutsche Mende Rundfunk KG [RP7901].

Nachdem sich Nordmende bislang nicht mit Magnettongeräten befasst hat, bringt das Werk 1958 das erste deutsche Heim-Tonbandgerät mit drei Motoren auf den Markt. Allerdings dominieren auf diesem Sektor eindeutig andere Firmen wie AEG/Telefunken und Grundig. Von Nordmende kommen jeweils nur ein bis zwei Geräte (1960 keines) in die Kataloge. Dafür hat die Firma Erfolg mit einem anderen Neueinstieg:


1958 stellt Nordmende mit «Mambo» ihr erstes Reisegerät vor - aber nicht «das erste deutsche, serienmässig hergestellte und volltransistorisierte Koffergerät», wie man aus einer Quelle nachlesen kann. Danach wird Nordmende in Deutschland auf dem Sektor Reisegeräte besonders stark, obwohl sie keine Röhren-Koffer baute. Immerhin kosten die in «Mambo» verwendeten 8 Halbleiter dann im Einzelhandel DM 98.70, während für die vier D-Röhren der 90er-Serie - auch zum Katalogpreis - etwa DM 35.- auszugeben wären. Preis des ganzen Gerätes: DM 189.- plus zwei Flachbatterien von 4,5 V.

Bis 1969 gibt es ca. 92 Modelle der tragbaren Radios (Koffer- bzw. «Handradios», d.h. «Hand held radios»). Beispielsweise finden sich im Katalog 1961/62 [448] je 11 Tischradios und Radiomöbel sowie 8 Modelle von Reiseradios. 17 verschiedene Fernsehmodelle zeigen dagegen, wo in jener Zeit der Erfolg zu holen war.

Gemäss [FT7901] liegt Nordmende während kurzer Zeit mit der sogenannten «Tippomatik-Bedienung» sogar technisch vorne. Siehe auch Philips etc.

Auch Konzertschränke scheinen Ende der 50er bis Anfang 60er Jahre eine tragende Säule für Nordmende zu sein. Dabei verwendet die Firma immer wieder gleiche Namen wie «Cabinet», «Caruso», «Casino», «Cosima» sowie «Arabella» und «Isobella» mit wechselnden Zusatz-Nummern oder den Zusatz «Stereo», z.B. in den Jahren 1959 und 1960/61.

Im März 1967 nimmt das Werk die Produktion von Farbfernsehgeräten auf. Zum Firmenjubiläum erscheint eine Gerätereihe mit der Bezeichnung 'Goldene 20'. 1969 übernehmen die Mende-Söhne Karl und Hermann die Geschäftsführung.

1977 führt der verschärfte Wettbewerb zum Verkauf der Mehrheit an den französischen Konzern Thomson-Brandt; die Familie Mende zieht sich anschliessend ganz aus dem Unternehmen zurück. Martin Mende stirbt 1982.