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The MIVAR 20C1L is a 20 inches (51cm) color television with 18 programs PLL synthesized tuning and remote.
A television tuning system employs a frequency synthesizer system
for establishing the tuning of the receiver. A programmable frequency
divider counter is connected between the output of a reference
oscillator and a phase comparator to which the output of the local
oscillator in the tuner also is applied. The phase comparator output
provides a tuning voltage for controlling the tuning of the local
oscillator. A microprocessor is used to control the count of the
programmable frequency divider and initially to set a count
corresponding to the selected channel in a counter connected between the
output of the local oscillator and the phase comparator. The tuning
consists of three discrete time periods. First, a settling time to
allow channel change transients to settle; second, a short period of
forced search at a relatively rapid rate to insure proper tuning; and
third, a slower rate of step-by-step correction to accomodate for
station drift and the like during reception. This third time period is
initiated either by the passage of a fixed length of time following
the start of the forced search period or by sensing a preestablished
number of changes of state in the output of the frequency
discriminator during the forced/search period.
PLL SYNTHESIZED TUNING System Concepts:
INTRODUCTION
Digital tuning systems are fast replacing the conventional mechanical
systems in AM FM and television receivers The desirability of the
digital approach is mainly due to the following features * Precise
tuning of station frequencies
* Exact digital frequency display
*
Keyboard entry of desired frequency
* Virtually unlimited station memory
* Up down scanning through the band
* Station ‘‘search’’ (stop on next
active station)
* Power on to the last station
* Easy option for
time-of-day clock In addition
" recent "developments in large scale
integrated circuit technology and new varactor diodes for the AM band
have made the cost-benefit picture for digital tuning very attractive
System partitioning is extremely important in optimizing this
cost-benefit picture as will be discussed.
SYSTEM DESCRIPTION
A
simplified block diagram of a typical digitally tuned receiver is shown
in Figure 1 Notice this receiver could be one for
AM FM marine radio or
television it makes no difference The frequency synthesizer block
generates the local oscillator frequency for the receiver just as a
conventional mechanical tuner would However the phase-locked-loop (PLL)
acts as an integral frequency multiplier of an accurate crystal
controlled reference frequency while the mechanical type provides a
continuously variable frequency output with no reference Some method of
controlling the value of the multiplier for channel tuning must be
provided The other RF IF and audio video circuitry will be the same as
in the mechanical tuning method There are many different ways to
partition the frequency synthesizer system to perform the digital tuning
function................
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This model series was introducing the MIVAR 20C series type and was using a Videocolor PIL CRT TUBE and is the last mivar set in this here shown type of cabinet form design.
The present invention relates to an improved in-line electron gun
for a cathode ray tube, particularly a shadow mask type color
picture tube. The new gun is primarily intended for use in a color
tube having a line type color phosphor screen, with or without light
absorbing guard bands between the color phosphor lines, and a mask
having elongated apertures or slits. However, the gun could be used
in the well known dot-type color tube having a screen of
substantially circular color phosphor dots and a mask with
substantially circular apertures.
An in-line
electron gun is one designed to generate or initiate at least two,
and preferably three, electron beams in a common plane, for example,
by at least two cathodes, and direct those beams along convergent
paths in that plane to a point or small area of convergence near the
tube screen. Various ways have been proposed for causing the beams
to converge near the screen.
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The set is very well made and robust even if it was relatively cheap.
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The cabinet is made of a high quality plastic which doesn't know age or degradation at all.
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The television set here shown was introducing a circuit arrangement for generating a sawtooth deflection current through a line deflection coil in an image display apparatus, which circuit arrangement comprises a deflection network including the deflection coil, a trace capacitor and a retrace capacitor and a first diode through which the deflection current flows during part of the trace interval whilst during the remainder of the trace interval this current flows through a second diode and a controllable switch, which switch and which second diode are connected in parallel with the first diode, the circuit arrangement further comprising an inductive element which is connected to the switch and is coupled to the deflection network via a third diode, and a transformer which has a core of a magnetic material and a winding of which is coupled, in series with a capacitor, to the deflection network.
Such a circuit arrangement is described in "IEEE Transactions on Broadcast and Television Receivers," August 1972, volume BTR-18, Nr. 3, pages 177 to 182, and is a combination of a line deflection circuit and a switched-mode supply voltage stabilizing circuit, the controllable switch being used to perform both the said functions. This known circuit arrangement has the advantage that it can be fed with an unstabilised supply voltage and is capable of supplying a satisfactorily stabilized deflection current, a stabilized high voltage and, if desired, auxiliary voltages, the stabilization being obtained by control of the conduction time of the swtich.
It's made by
MIVAR an Italian Brand
NO MORE ACTIVE In television manufacturing.
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MIVAR Sets have had great features and extreme simplicity toghether with
compactness and combined with reliability and durability.
(Basically all what today you won't see anymore !)
A brief note about on Television sets reliability and durability..........................
ANYONE
with even the smallest experience of television engineering is bound to
come up against that embarrassing question which is always so difficult
to answer-"which TV shall I get?" The questioner is usually concerned
about obtaining the cheapest and most reliable receiver that is
available, and this same approach generally governs the choice between
buying when new - restoring in this time. This is perfectly reasonable and often applies to
other consumer products apart from TV.
What does seem a little strange
however is that no one ever seems to ask "which TV set gives the best
picture?" Why not? Doesn't anyone care, or is the question too
complicated to discuss?
Yet the average person spends five and a half
hours a day, every day, watching TV garbage:
The Propaganda TV Machine a.k.a. The Ministry of Truth delivers The Truth from The Government to the people.
At
least, that's what they say. In fact, a Propaganda Machine is only
employed by The Empire and used to brainwash people into Gullible
Lemmings who believe that everything is all right when in fact, it
isn't, and that the very people who could help them are their
enemies..............
................... so the quality of the picture must
be important........................
expecially
for those football idiots so the they have the motivation to glue their
assface on the screen all day long to discover better somewaht in their
ignorance.
........Now................It
is high time that people began to realise this simple fact, and to take
an interest in the quality of the product that absorbs so much of their
spare time. There are of course plenty of people who are genuinely
interested in good picture quality. It is unlikely for example that so
many readers of this Blog would be taking part in the magnificent TELEVISION colour receiver project,
but more likely restoring monochrome receivers or adapting old color
ones, if they were
indifferent to the quality of the picture obtained at the end of the
day. But today times seems changing, the trend started by many readers
of Obsolete Technology Tellye ! have had a significative rise up in
recovering and restoring old CRT's TV's and started to build up
collections by people in many lands worldwide.
Good CRT picture quality cannot however be achieved merely by
connecting together the appropriate groups of circuits. Sometimes in
fact even well established designs can present problems if they are
assembled in a different way to the original or with non-standard
components.
So what constitutes good picture quality and what do you do
when things go wrong?
It is not much use delving into the textbooks
because they are strangely unhelpful about this sort of thing.
At least
however we can here at Obsolete Technology Tellye ! establish some
basic principles to use as a starting point. There is a difference
between the kind of picture quality defects that you would expect to
find in a manufactured receiver compared to one made by a home restorer /
constructor.
A CRT manufactured receiver usually has only minor faults
and one wants to'assess how well it compares with the products of other
set - makers.
Todays trade, threw a rather different light on matters
however. Briefly, we found that during CRT boom periods for the
setmakers reliability increased whilst during periods of diminishing
sales a fall in the standard of reliability became evident, so you will find excellent sets from the 70s/80s. I had
tended to think that a boom meant an attitude of anything goes to get as
many sets out to meet the demand, with consequent corner cutting and
use of whatever alternative components could be got hold of if
necessary. The overriding point seems to be however that in boom
conditions with a seller's market prices can be maintained and quality
standards kept up whilst in flat market conditions there is overwhelming
pressure on prices and reliability tends to fall. It is difficult to be
too sure about this since the worst trading period coincided with the
era of dual standard analog TV sets which may eventually but not certainly inevitably less
reliable than the single -standard chassis which preceeded and succeeded
them. It would however tie up about the comparative reliability of
colour and monochrome sets, since the era of colour boom coincides with a
very flat period in monochrome set production and sales, that in
talking about reliability means overall dependability rather than
initial statistics for unboxed set condition.
That all said is very
applicable to todays times, with completely different technically means, reality where
unfair market conditions focibly applied to European firms by an elite which has
only the will and target to destroy European eritage at all
levels with the main point in destroying local economy.
It includes:
- A number of areas of law involving acts by one
competitor or group of competitors which harm another in the field, and
which may give rise to criminal offenses and civil causes of
action.
- Trade libel, the spreading of false information about the quality
or characteristics of a competitor's products, is prohibited at common
law but still high present and unstopped.
- Various unfair business
practices such as fraud, misrepresentation, and unconscionable contracts
may be considered unfair competition, if they give one competitor an
advantage over others expecially all from the so called ASIATIC MARKET.
Therefore:
All of todays apparates are literally absolute GARBAGE when
new and resulting often broken when out of the box after purchase. Poor
engineering, manufacturing and materials in the main part, combined with unfair massive
import to Europe of such DUMP goods, at cheap prices in closed hard
tight market (so they can be the only 2 3 competitor in foreign lands
and all locals firms brought to death by heavy taxations, troublesome difficulties at all
levels) and sold with medium to high prices respect to initial build costs !!
For that
there can't be a comparation of reliability between a CRT TV SET and any one of
todays sets, which often are resulting in a SCAM mainly under the technological
part, emerging, even, from the first repair attempt !
...... And in the end you will NEVER SEE a restoring of ANY of the Actual todays electronic GARBAGE !
R.I.P. EUROPE !
It's made by
MIVAR an Italian Brand
no more active since 20/12/2013.
MIVAR is a Factory site in the near of Milan (italy) in a Industrial city conglomerate called Abbiate Grasso.
HISTORY OF MIVAR.
1945 - Milan, Via Ugo Tommei 5: Begin the activity assembling small radios.
1950 - Via Curtatone 12: developed with the construction of more direct major radio components fabricants.
1956 - 13 Street Strigelli: industrial production is manily targeted to first radio devices with frequency modulation (FM).
1958 - Via P. 30 Jordanians: TV become a reality, the industries is doubling his ACTIVITY, always in Milan, we build the first "real" plant with 400 employees.
1963 - Abbiategrasso, Via Dante 45: in the wake of decentralization and the rampant success of the television, building a facility that will become important in place 800 employees occupying between 1968-70.
1990 - Abbiategrasso Canal towpath: aware of the physiological importance that television plays in society? Modern, rich expertise and resources, we began construction of a factory area of 120,000 m? which covered 30.00o , for the viabilit with parking spaces and 60,000 park trees.
In origin the factory was brand named as Radio Var and indeed the tellye here in collection is internally marked as Radio VAR. After 1985 they were marked rightly MIVAR.
Today's activity is oriented in
virtual production of LCD crap but with very low market penetration
due to "unfair" asian competitors presence and a local governement
which don't care about.
(You call it global market,
I call it WORLD DESTRUCTION combined toghether with mass Afro scum
crap Immigration (EUROPEAN INVASION) to obtain destruction on a large scale in all places
and to help more and better the loose of all OUR workplaces and firms , lives, people).
“If our buildings, our highways, and our railroads should be wrecked, we could rebuild them.
If our cities should be destroyed, out of the very ruins we could erect newer and greater ones.
Even if our armed might should be crushed, we could rear sons who would redeem our power.
Anyway Obsolete Technology Tellye will show even this model as a Time machine which looses nothing of the good tellyes ! ! !
Further Notes:
^ "MIVAR: tutto iniziò in via Tommei", articolo tratto dal sito quattronet.it Archiviato il 14 novembre 2011 in Internet Archive.^ [Maker], Mivar ; Milano from Audiphon to Trader, 703 pictures, 124 sc, su www.radiomuseum.org. URL consultato il 13 giugno 2018.^ NUOVO ASSALTO AL CARROZZONE REL - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ LA MIVAR FA UTILI SENZA SPENDERE PER LA PUBBLICITA' - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ MIVAR, MIRACOLO AD ABBIATEGRASSO - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ Archivio Corriere della Sera, su archiviostorico.corriere.it. URL consultato l'11 gennaio 2018.^ Archivio Corriere della Sera, su archiviostorico.corriere.it. URL consultato l'11 gennaio 2018.^ notizia del sito Adnkronos del 4 maggio 2005 Archiviato il 19 ottobre 2006 in Internet Archive.^ JOB MILANO, in archive.is, 10 dicembre 2012. URL consultato l'11 gennaio 2018 (archiviato dall'url originale il 10 dicembre 2012).^ Mivar rilancia in Full Hd - Il Sole 24 ORE, su www.ilsole24ore.com. URL consultato l'11 gennaio 2018.^ (IT) Mivar In Crisi Ma Il Riscatto Avverrà Con I Led, su www.paid2write.org. URL consultato l'11 gennaio 2018.
MonrifNet, Televisori Mivar: fine dei programmi il 30 novembre - Il Giorno - Legnano, su www.ilgiorno.it. URL consultato l'11 gennaio 2018.
^ “La mia Mivar chiude, l’affitto gratis a chi assume 1200 italiani”, in Fanpage. URL consultato l'11 gennaio 2018.
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