Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical Obsolete technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
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©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
All posts are presented here for informative, historical and educative purposes as applicable within Fair Use.


Thursday, July 5, 2018

MIVAR 20M2 YEAR 1999.


 The MIVAR 20M2  is a 20 (19)  inches (50cm) color television with 50 programs 100 channels PLL synthesized tuning, Scart connector  headphone front jack and monofonic sound.

The television receiver has an alphanumeric display  which appears on the picture tube screen, to give the user data on the tuned channel number, colour settings and other operating data.

 The digital processor which generates the characters for display also controls the channel setting, etc., under the control of a digital remote control unit . The processor  has an associated memory circuit  for permanente tuning back up. The control of the capacitance diode tuner  is achieved by the processor  altering the dividing factor of a feedback loop to a phase/frequency comparator . The other input to the comparator is a divided frequency from a quartz oscillator.
In an OSD arrangement for use in an analog video signal processing system, the multiplexing network typically operates to switch in levels corresponding to the desired intensity of respective portions of the graphic image at the time the graphic image portions are to be displayed. In such an arrangement the graphic image representative signals take the form of timing pulses which occur when the graphic image portions are to be displayed and are used to control the multiplexing network. Such an analog OSD arrangement can also be used in a digital video processing system, but requires that the video signals be first converted to analog form. While digital video signal processing systems typically include a digital-to-analog converter section in which the digital video signals are converted to analog form, it may be more cost effective for the OSD arrangement to be incorporated as an integral part of the digital video processing section.


The MIVAR 20M2 is first MIVAR small format screen color TV series featuring the PHILIPS TDA8840 I2C-bus controlled PAL/NTSC/SECAM TV processor: giving the interesting chassis design in only 2 chip fashion, even further adding better picture processing enhancement.Through the use of solid state electronics, printed and integrated circuit art, and similar modern technical advances, television manufacturers have been able to greatly reduce the constructional complexity of the standard color television receiver chassis and to increase the number of instrumentalities that are mountable thereon until only the picture tube and a few relatively bulky parts remain separately mounted. This simplification of construction reduces the cost of initial manufacture, improves the service and repair of the receiver, and enhances the acceptability of the receiver to the consumer by meeting consumer demands for reducing the cost of maintenance and for providing an electronic chassis lending itself to home repair.The M2 from MIVAR Tv series was an example of that.

 Also this model is last Mivar Tv with power supply unit separated from main chassis. After made models will have the PSU in one PCB combined with all parts of the receiver.


It has also 1 AV SCART Socket, Teletext,  and headphones jack.Teletext is a television-based communication technique in which a given horizontal video line is utilized for broadcasting textual and graphical information encoded in a digital binary representation. Such horizontal video line signal that contains teletext data is referred to herein as a Data-line. It is assumed herein, for explanation purposes, that teletext is sent by the broadcaster only during the vertical blanking interval (VBI), when no other picture information is sent. The organization of the binary information in the broadcast signal is determined by the standard employed by the broadcaster. By way of an example only, references are made herein to a teletext based on a standard referred to by the British Broadcasting Corporation (BBC) as CEEFAX.


MIVAR 20M2  Television receiver including a teletext decoder :
 
 PREMISE:
 
 In any normal television system, the transmission of the wide band video signals which are to produce the actual picture elements on the screen of the receiver is interrupted between the scannning periods for line and field synchronization purposes. Consequently, there are periods during which no video signals are being transmitted. It is now possible to use these periods for the transmission of data which is not necessarily concerned with the video transmission itself.

Basically, data representable by standard symbols such as alpha-numeric symbols can be transmitted via a restricted channel provided that the rate of transmission is restricted. It is now possible to use periods as aforesaid especially the line times of the field blanking intervals (i.e. the times of the individual lines occurring between fields which correspond with the times occupied by video signals on active picture lines), for the transmission of pages of data. Typically, using 8-bit digital signals representing alpha-numeric characters (7 bits of data plus 1 bit for protection) at a bit rate of 2.5M bit per second, 50 pages of data each consisting of 22 strips of 40 characters can be transmitted repeatedly in a total cycle time of 90 seconds using only a single line of the field blanking period per field of the 625 lines system as operated in the United Kingdom.

Data transmission as described above is already commercially available in the United Kingdom under the name "Teletext", and transmitters and receivers are described in more detail in our U.K. Pat. Nos. 1,486,771; 1,486,772; 1,486,773 and 1,486,774.

Existing teletext displays consist of 40 characters per row and 24 rows per page. The U.K. teletext transmission standard specifies a data rate of 6.9375 Mbits per second (which has proven to be at the upper reasonable limit of transmission rate for system I, B/G system) so as just to achieve transmission of a complete row of text on one video line of the field blanking time.

The advantage of conveying one row of text on one video line is to achieve maximum economy in requirements for transmission of addressing information needed to correctly position the text information on the displayed page. Since whole rows of text are transmitted on each line, only a row number need be transmitted with each data line of text. Row zero which acts as the page demarcation signal requires additional page numbering information and also incorporates various display and interpretation codes appropriate to the particular page. In order to facilitate parallel magazine working every row of text also incorporates a 3-bit magazine number, being the most significant digit of the page number.

The above structure incorporating as it does one text row on every data line thus results in a very efficient utilization of the transmission facility. However, the existing Teletext transmissions do have limitations in so far as they are less satisfactory when in a "graphics" mode as compared with an "alpha-numeric" mode.


 In a teletext decoder circuit the character generator supplies picture elements at a rate of nominally approximately 6 MHz under the control of display pulses occurring at the same rate. These display pulses are derived from reference clock pulses which occur at a rate which is not a rational multiple of 6 MHz. The character generator comprises a generator circuit which receives the reference clock pulses and selects, from each series of N reference clock pulses, as many pulses as correspond to the number of horizontal picture elements constituting a character, while the time interval of N reference clock pulses corresponds to the desired width of the characters to be displayed. The character generator supplies picture elements of distinct length, while the length of a picture element is dependent on the ordinal number of this picture element in the character.   
 

A SCART Connector (which stands for Syndicat des Constructeurs d'Appareils Radiorécepteurs et Téléviseurs) is a standard for connecting audio-visual equipment together. The official standard for SCART is CENELEC document number EN 50049-1. SCART is also known as Péritel (especially in France) and Euroconnector but the name SCART will be used exclusively herein. The standard defines a 21-pin connector (herein after a SCART connector) for carrying analog television signals. Various pieces of equipment may be connected by cables having a plug fitting the SCART connectors. Television apparatuses commonly include one or more SCART connectors.
Although a SCART connector is bidirectional, the present invention is concerned with the use of a SCART connector as an input connector for receiving signals into a television apparatus. A SCART connector can receive input television signals either in an RGB format in which the red, green and blue signals are received on Pins 15, 11 and 7, respectively, or alternatively in an S-Video format in which the luminance (Y) and chroma (C) signals are received on Pins 20 and 15. As a result of the common usage of Pin 15 in accordance with the SCART standard, a SCART connector cannot receive input television signals in an RGB format and in an S-Video format at the same time.
Consequently many commercially available television apparatuses include a separate SCART connectors each dedicated to receive input television signals in one of an RGB format and an S-Video format. This limits the functionality of the SCART connectors. In practical terms, the number of SCART connectors which can be provided on a television apparatus is limited by cost and space considerations. However, different users wish the input a wide range of different combinations of formats of television signals, depending on the equipment they personally own and use. However, the provision of SCART connectors dedicated to input television signals in one of an RGB format and an S-Video format limits the overall connectivity of the television apparatus. Furthermore, for many users the different RGB format and S-Video format are confusing. Some users may not understand or may mistake the format of a television signal being supplied on a given cable from a given piece of equipment. This can result in the supply of input television signals of an inappropriate format for the SCART connector concerned.
This kind of connector is todays obsoleted !


The cabinet is made of a high quality plastic which doesn't know age or degradation at all.

The set features a Samsung  CRT tube   with blackStripe frit mask which technology have had the purpose to prevent any quality reduction of a shadow mask screen by preventing any clear boundary of a frit glass layer from geing formed by placing a shield facing the area of the shadow mask on which the frit glass layer is not formed and making a liquid frit glass suspension to flow toward said area.It was invented by TOSHIBA In 1986.

The set was used HEAVILY allday from 1999 and never serviced before !

(Television set kindly donated to me by Marshal Elia Z.)



It's made by MIVAR an Italian Brand no more active since 20/12/2013.


MIVAR is a Factory site in the near of Milan (italy) in a Industrial city conglomerate called Abbiate Grasso.

Founded in 1945 by Mr. Carlo Vichi class of 1923, The activity started in 1945 - in Milano, Via Ugo Tommei 5 street with fabrication of little radio apparates.


HISTORY OF MIVAR.

1945 - Milan, Via Ugo Tommei 5: Begin the activity
assembling small radios.


1950 - Via Curtatone 12: developed with the construction of more direct major radio components fabricants.

1956 - 13 Street Strigelli: industrial production is manily targeted to first radio devices with frequency modulation (FM).

1958 - Via P. 30 Jordani: TV become a reality, the industries is doubling his ACTIVITY, always in Milan, we build the first "real" plant with 400 employees.

1963 - Abbiategrasso, Via Dante 45: in the wake of decentralization and the rampant success of the television, building a facility that will become important in place 800 employees occupying between 1968-70.

1990 - Abbiategrasso Canal towpath: aware of the physiological importance that television plays in society? Modern, rich expertise and resources, we began construction of a factory area of ​​120,000 m? which covered 30.00o , for the viabilit with parking spaces and 60,000 park trees.

In origin the factory was brand named as Radio Var and indeed the tellye here in collection is internally marked as Radio VAR. After 1985 they were marked rightly MIVAR.
Today's activity is oriented in virtual production of LCD crap but with very low market penetration due to "unfair" asian competitors presence and a local governement which don't care about.

(You call it global
market, I call it WORLD DESTRUCTION combined toghether with mass Afro scum crap Immigration (EUROPEAN INVASION) to obtain destruction on a large scale in all places and to help more and better the loose of all OUR workplaces and firms , lives, people).



 “If our buildings, our highways, and our railroads should be wrecked, we could rebuild them.

If our cities should be destroyed, out of the very ruins we could erect newer and greater ones.

Even if our armed might should be crushed, we could rear sons who would redeem our power.


Anyway Obsolete Technology Tellye will show even this model as a Time machine which looses nothing of the good tellyes ! ! !







    Further Notes:

^ "MIVAR: tutto iniziò in via Tommei", articolo tratto dal sito quattronet.it Archiviato il 14 novembre 2011 in Internet Archive.^ [Maker], Mivar ; Milano from Audiphon to Trader, 703 pictures, 124 sc, su www.radiomuseum.org. URL consultato il 13 giugno 2018.^ NUOVO ASSALTO AL CARROZZONE REL - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ LA MIVAR FA UTILI SENZA SPENDERE PER LA PUBBLICITA' - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ MIVAR, MIRACOLO AD ABBIATEGRASSO - la Repubblica.it, in Archivio - la Repubblica.it. URL consultato l'11 gennaio 2018.^ Archivio Corriere della Sera, su archiviostorico.corriere.it. URL consultato l'11 gennaio 2018.^ Archivio Corriere della Sera, su archiviostorico.corriere.it. URL consultato l'11 gennaio 2018.^ notizia del sito Adnkronos del 4 maggio 2005 Archiviato il 19 ottobre 2006 in Internet Archive.^ JOB MILANO, in archive.is, 10 dicembre 2012. URL consultato l'11 gennaio 2018 (archiviato dall'url originale il 10 dicembre 2012).^ Mivar rilancia in Full Hd - Il Sole 24 ORE, su www.ilsole24ore.com. URL consultato l'11 gennaio 2018.^ (IT) Mivar In Crisi Ma Il Riscatto Avverrà Con I Led, su www.paid2write.org. URL consultato l'11 gennaio 2018.
MonrifNet, Televisori Mivar: fine dei programmi il 30 novembre - Il Giorno - Legnano, su www.ilgiorno.it. URL consultato l'11 gennaio 2018.
^ “La mia Mivar chiude, l’affitto gratis a chi assume 1200 italiani”, in Fanpage. URL consultato l'11 gennaio 2018.

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