Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical Obsolete technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
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©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
All posts are presented here for informative, historical and educative purposes as applicable within Fair Use.


Wednesday, July 12, 2023

NORDMENDE SPECTRA SK3-COLOR TP4330 YEAR 1981

 
The NORDMENDE  SPECTRA SK3 COLOR TP4330  2.522 A is a compact 20 inches (51cm) color television with 16 programs PLL synthesized tuning system.

Following features as:
  •   Four position digital program indicator    with indication of infra-red function
  •    ASC socket
  •    TR socket
  •    Peri television socket
  •    Decoder socket  (2.522 A, 2.534 A,)
  •    Loudspeaker socket
  •    Infra-red remote control with 43 push-buttons. (NORDMENDE TELECONTROL 2301)
  •   6 Rotary controls for color, volume, brightness,  contrast, tone (bass, treble)
  • Is first NORDMENDE model with small screeen under 22" with a 110 degree deflection and TOSHIBA Blackstripe CRT tube Autoconvergent.  Problems encountered where the dynamic convergence is carried out are becoming more and more remarkable with the widening of a deflection angle for the electron beams of the color picture tube (at present, there is a tendency that a wide-angled Braun tube of 110° or more is favourably used), or with application of higher anode voltage. In the case of, for example, a color picture tube 20 inch in screen size and 110° in electron beam-deflecting angle, the dynamic convergence control circuit 11 has 10 or more portions to be readjusted. In such a case, the manufacturer needs a long time to perform the convergence-correcting operation, which results in a costly color picture tube. Further, there is an inconvenience that difficulties are encountered in performing quickly and properly the above-mentioned readjustment upon a domestic replacement of the color picture tube.
    The color picture tube of in-line arranged beam system is somewhat simplified in respect of the construction of its circuit device for effecting the above-mentioned dynamic convergence as compared with the conventionally widely used color picture tube of Δ-arranged beam system but if possible, it is strongly desired for the color picture tube to require no dynamic convergence-operation at all.
    There have in the years been contemplated various color picture tubes which eliminate the necessity of performing the dynamic convergence, for example, through making the magnetic field distribution of the deflection device appropriate and yet reducing the manufacturing errors. For example, U.S. Pat. No. 2,764,628 describes in its specification that three horizontally arranged electron beams are allowed to scan directly the fluorescent screen without being converged, and three primary color signals for modulating the three electron beams are delayed by a length of time corresponding to the interval between the three parallel emitted electron beams, thereby to prevent the color pictures from being subjected to color displacement. This system will indeed well serve the purpose if the deflection field is not distorted at all by the deflection yoke, but in the case of an actual deflection yoke it is impossible to zero the distortion of the deflection field.
  • Is first NORDMENDE model series featuring a SCART SOCKET, and because the quick THOMSON transition was allowing a new CHASSIS technology development and was maintaining for brief time NORDMENDE production before the real end with the NORDMENDE CHASSIS F9.
  • Is first NORDMENDE model series featuring THE CHASSIS F9  characterized by implementing the MOTOROLA TDA 3300 Motorola's third generation colour processing,Motorola's third generation PAL decoder system (Chroma III) employs a single 40 -pin i.c., type TDA3300. Amongst the features of this i.c. are low dissipation, typically 600mW, with a single 12V supply; a patented 90° phase - shift system requiring no adjustment; and direct inputs for on -screen (data, TV games, etc.) displays, with a complementary fast blanking input. Of particular interest is the beam limiting and automatic black -level adjustment system, the latter making it unnecessary to incorporate preset controls to set up the black level. These arrangements rely on three high -voltage transistors to monitor the beam currents, providing feedback signals for the i.c. If the reference voltage is exceeded, the beam current limiting action comes into operation, reducing the contrast. The system has been designed to enhance the set's video and digital signal handling capability. During the flyback time the feedback input impedance rises, activating a further internal comparator. This compares the tube's cut-off current (a hot cathode doesn't cut off completely) with another internal reference voltage. The resultant signal is integrated and added to the output (at the output clamp) to provide the automatic black -level correction. Readers may recall that a similar idea, using discrete circuitry, is employed in certain B and 0 colour chassis. The advantage is that the black level is held constant throughout the tube's life, with no grey scale drift.
    The device will accept a PAL or NTSC composite video
    signal and output the. three colour signals—needing only a simple
    driver amplifier to interface with the picture tube ,furthermore it features first time an apparatus and method for the automatic setup of a CRT operating point, or dc signal level (black), as well as the contrast, or gain level (gray), of a video display by sampling the CRT signal level of the individual cathodes and locking the dc signal level to a common dc setup reference and gain level to a value determined by a common contrast control signal and gain reference. An apparatus and method in which a common brightness control signal is modulated by a common contrast control signal such that a brightness control pedestal is added to each video signal path of a video display whereby picture black level does not change with contrast. the system is provided for achieving and maintaining gray scale tracking in a multibeam, cathode ray display device, despite fluctuations in the electrical characteristics of the display device and of video amplifiers driving the device. Tracking is accomplished by measuring the actual beam currents produced during the applications of test signals to the amplifiers and automatically adjusting the biases and gains of the amplifiers in response to differences between the measured beam currents and predefined beam currents which should be produced. The invention can also be used to automatically stabilize the beam current in a single beam cathode ray display device.
  • Is first NORDMENDE model series featuring an Isolated mains  big power supply transforner  An isolating power supply for electrical equipment comprises a transformer having an input for a mains alternating current (AC) power supply, a rectifier by which the output of the transformer can be rectified, and a primary energy storage device for electrically smoothing the output of the rectifier....A video apparatus, such as a television receiver or a computer monitor, may incorporate user accessible terminals or jacks to facilitate input or output of video or audio signals. These user accessible terminals or jacks must be electrically isolated from the AC line supply in order to protect the user from shock hazard. Electrical isolation may be provided by isolation transformers like the case here shown.

  • This NORDMENDE model series was introducing at the time the (ITT) PLL synthesizer tuning system first time. The system employed in the tv permits utilization of a frequency synthesizer tuning system which correctly tunes to a desired television station or channel even if the transmitted signals from that station are not precisely maintained at the proper frequencies even in combination of a fine tuning adjustable by the user.
    Accordingly, it is an object of this invention to provide an improved tuning system for a television receiver.
    It is an additional object of this invention to provide an improved frequency synthesizer tuning system for a television receiver.

    PLL SYNTHESIZED TUNING System Concepts:

    INTRODUCTION Digital tuning systems are fast replacing the conventional mechanical systems in AM FM and television receivers The desirability of the digital approach is mainly due to the following features * Precise tuning of station frequencies
    * Exact digital frequency display
    * Keyboard entry of desired frequency
    * Virtually unlimited station memory
    * Up down scanning through the band
    * Station ‘‘search’’ (stop on next active station)
    * Power on to the last station
    * Easy option for time-of-day clock In addition
    " recent "developments in large scale integrated circuit technology and new varactor diodes for the AM band have made the cost-benefit picture for digital tuning very attractive System partitioning is extremely important in optimizing this cost-benefit picture as will be discussed.

    SYSTEM DESCRIPTION
    A simplified block diagram of a typical digitally tuned receiver is shown in Figure 1 Notice this receiver could be one for AM FM marine radio or television it makes no difference The frequency synthesizer block generates the local oscillator frequency for the receiver just as a conventional mechanical tuner would However the phase-locked-loop (PLL) acts as an integral frequency multiplier of an accurate crystal controlled reference frequency while the mechanical type provides a continuously variable frequency output with no reference Some method of controlling the value of the multiplier for channel tuning must be provided The other RF IF and audio video circuitry will be the same as in the mechanical tuning method There are many different ways to partition the frequency synthesizer system to perform the digital tuning function................

  • A SCART Connector (which stands for Syndicat des Constructeurs d'Appareils Radiorécepteurs et Téléviseurs) is a standard for connecting audio-visual equipment together. The official standard for SCART is CENELEC document number EN 50049-1. SCART is also known as Péritel (especially in France) and Euroconnector but the name SCART will be used exclusively herein. The standard defines a 21-pin connector (herein after a SCART connector) for carrying analog television signals. Various pieces of equipment may be connected by cables having a plug fitting the SCART connectors. Television apparatuses commonly include one or more SCART connectors.
Although a SCART connector is bidirectional, the present invention is concerned with the use of a SCART connector as an input connector for receiving signals into a television apparatus. A SCART connector can receive input television signals either in an RGB format in which the red, green and blue signals are received on Pins 15, 11 and 7, respectively, or alternatively in an S-Video format in which the luminance (Y) and chroma (C) signals are received on Pins 20 and 15. As a result of the common usage of Pin 15 in accordance with the SCART standard, a SCART connector cannot receive input television signals in an RGB format and in an S-Video format at the same time.
Consequently many commercially available television apparatuses include a separate SCART connectors each dedicated to receive input television signals in one of an RGB format and an S-Video format. This limits the functionality of the SCART connectors. In practical terms, the number of SCART connectors which can be provided on a television apparatus is limited by cost and space considerations. However, different users wish the input a wide range of different combinations of formats of television signals, depending on the equipment they personally own and use. However, the provision of SCART connectors dedicated to input television signals in one of an RGB format and an S-Video format limits the overall connectivity of the television apparatus. Furthermore, for many users the different RGB format and S-Video format are confusing. Some users may not understand or may mistake the format of a television signal being supplied on a given cable from a given piece of equipment. This can result in the supply of input television signals of an inappropriate format for the SCART connector concerned.
This kind of connector is todays obsoleted !
 
  •   It has a Transistorized horizontal deflection circuits  made up of a horizontal switching or output transistor, a diode, one or more capacitors and a deflection winding. The output transistor, operating as a switch, is driven by a horizontal rate square wave signal and conducts during a portion of the horizontal trace interval. A diode, connected in parallel with the transistor, conducts during the remainder of the trace interval. A retrace capacitor and the deflection yoke winding are coupled in parallel across the transistor-diode combination. Energy is transferred into and out of the deflection winding via the diode and output transistor during the trace interval and via the retrace capacitor during the retrace interval.
In some television receivers, the collector of the horizontal output transistor is coupled to the B+ power supply through the primary windings of the high voltage transformer. 

  •  NORDMENDE  SPECTRA SK3-COLOR TP4330   is Last NORDMENDE SET, after models even in the same fashion like this here are THOMSON sets with THOMSON CHASSIS (ICC3). 

 



NORDMENDE HISTORY

  Nordmende was a manufacturer of entertainment electronics based in Bremen, Germany.
The original company, Radio H. Mende & Co, was founded in 1923 by Otto Hermann Mende (1885-1940) in Dresden. Following the destruction of the plant during the bombing raids in 1945, Martin Mende (the founder's son) created a new company in Bremen in 1947, in a former Focke-Wulf plant, under the name North German Mende Broadcast GmbH. The name was subsequently changed to Nordmende: subsequently the company became one of the prominent German manufacturers of radios, televisions, tape recorders and record players in the 1950s and 1960s.

In the 1970s, Nordmende televisions were renowned for their innovative chassis, and for the rigorous testing and quality control of their finished products. Both created high costs, however, which soon proved a competitive disadvantage when the price of colour televisions began to plunge.
In 1969, Mende's sons took over the company, and in 1977 a majority shareholding was sold to the French Thomson Brandt company and the chassis remains the original NordMende until CHASSIS F9. The following year, the family sold their remaining shares to Thomson. In the 1980s, the factories in Bremen were closed, Nordmende becoming purely a Thomson trademark (Starting from chassis F10 F11 they're all THOMSON).








In the 1990s, the name Nordmende was used with decreasing frequency, and it eventually disappeared in favour of the Thomson name. In 2005 Videocon Group acquired all cathode ray tube activities from Thomson. This led to the creation of VDC Technologies, which manufactures TV sets using the Nordmende brand under licence from Thomson.
The Nordmende brand name was relaunched in Ireland in September 2008 by the KAL Group. Although Nordmende was well known for its televisions throughout Ireland during the 1970s and 1980s, the company bought the rights to the name and launched a range of white goods including fridges, freezers, washing machines, and dishwashers, alongside a revamped range of flat-screen TVs and stereos.


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3xnAiSBPHMLSrxFD6xX7I_-e4XPgZtz8X0Bq5NXMQwskQwNkASGcgSqZtQkkT0vBasQPHNS7z-3Pr2i_HHhTsHWn2Eu7ytRM5Uzjirhmu9Nq7EbtGKQs64MMrp3eRtsgsCnplhrIWZ5o_/s1600/NORDMENDE-L2UT-AD1.jpg
The pre-war history can be found under Mende. After the total loss in Dresden, Martin Mende (Dec. 30, 1898-1982) founds Norddeutsche Mende-Rundfunk GmbH in Bremen-Hemelingen on August 26, 1947, with the assistance of Hermann Weber.

  • The first housings are supplied by a carpenter in Achim in exchange for five housings to make one radio set. The former Mende designer, Obering. Heer is again responsible for the equipment.
  • From July 27, 1948, the new company, first 18 and soon 60 people, supplies the new radio production on the basis of currency reform, loans and subcontracts.
  • The regime in East Germany does not allow the name Mende, so Martin Mende continues his pre-war success with graphic designs in connection with "Nord".
  • The hangars of the former Focke-Wulf AG near Seebaldsbrück station serve as workshops. In 1950, the company employs 700 people, in 1959 already 3500 and at its zenith 6300.
  • In 1950, the company starts with VHF, in 1953 with television and in 1954 with measuring and testing equipment. Towards the end of the 1950s, the company is called Norddeutsche Mende Rundfunk KG .

Having not previously been involved with magnetic sound equipment, Nordmende launches the first German home tape recorder with three motors in 1958. However, other companies such as AEG/Telefunken and Grundig clearly dominate this sector. From Nordmende, only one or two devices (none in 1960) appear in the catalogs. But the company is successful with another new entry:


In 1958, Nordmende introduces its first travel set, "Mambo" - but not "the first German, mass-produced and fully transistorized portable set," according to one source. After that, Nordmende becomes particularly strong in Germany in the travel set sector, although they did not build tube suitcases. After all, the 8 semiconductors used in "Mambo" then cost DM 98.70 at retail, while for the four D-tubes of the 90 series - even at the catalog price - about DM 35 would have to be spent. Price of the whole unit: DM 189.- plus two flat batteries of 4.5 V.

Until 1969, there are about 92 models of portable radios (suitcase radios or "hand held radios"). For example, in the 1961/62 catalog, there are 11 table radios and radio furniture as well as 8 models of travel radios. 17 different television models, on the other hand, show where success was to be found in those days.

According to ], Nordmende was even technically ahead for a short time with the so-called "Tippomatik operation". See also Philips etc.

Also concert cabinets seem to be a mainstay for Nordmende in the late 50s to early 60s. The company repeatedly uses the same names like "Cabinet", "Caruso", "Casino", "Cosima" as well as "Arabella" and "Isobella" with changing additional numbers or the addition "Stereo", e.g. in 1959 and 1960/61.

  • In March 1967, the plant started production of color TV sets. For the company's anniversary, a series of sets called 'Golden 20' is published. In 1969, the Mende sons Karl and Hermann take over the management.
  • In 1977, increased competition leads to the sale of a majority stake to the French group Thomson-Brandt; the Mende family then withdraws completely from the company. Martin Mende dies in 1982.
  • In 1977, shares in the company were sold to the French Thomson-Brandt Group. A year later, the family also sold its remaining share in Thomson-Brandt.
The Bremen-based company always consisted of two companies. Production was handled by Norddeutsche Mende Rundfunk KG; sales and advertising were handled by Nordmende Vertriebs GmbH & Co. oHG.


  • During Thomson's control, the production company changed its name several times: Norddeutsche AG für Unterhaltungselektronik & Co. oHG (NAGFU), later Deutsche AG für Unterhaltungselektronik & Co. oHG (DAGFU). DAGFU became the holding company for the German Thomson companies.
  • Production was transferred to Deutsche Elektronik-Werke GmbH (DEWEK), which was formed from Süddeutsche Elektronikwerke GmbH (SEWEK), the former SABA production company. In the late 1980s, DEWEK was merged with Norddeutsche Elektronikwerke GmbH (NEWEK), the Telefunken production company, to form Elektronik-Werke Deutschland GmbH (EWD). EWD later operated under the name Thomson Television Germany GmbH (TTG).
  • The sales company (oHG) was dissolved in the mid-1980s. Distribution in Germany was continued by Nordmende Vertriebs GmbH, which changed its name to Nordmende GmbH. Nordmende GmbH was merged with Telefunken Fernseh und Rundfunk GmbH with plants in Hanover and Celle, SABA GmbH, TTG and other companies in the mid-1990s to form Thomson Multimedia Sales GmbH.


The other company involved in Nordmende Vertriebs GmbH & Co. oHG, Nordmende Verkaufs GmbH, changed its name to Nordmende International GmbH and, under the umbrella of European Consumer Electronics GmbH (ECE), held the trademark rights to Nordmende for the export business, while the export business itself was handled by ECE. Nordmende International GmbH was sold to Thomson Consumer Electronics S.A. in Paris in the mid-1990s, changed its name to Thomson Consumer Electronics GmbH and acquired a share in DAGFU, as a result of which DAGFU changed its name to Thomson Consumer Electronics GmbH & Co. oHG.


Thomson's acquisition of Telefunken Fernseh und Rundfunk GmbH in Hanover in 1983 meant that all German Thomson production facilities now continued to operate under the name Elektronik Werke Deutschland (EWD).

While at the Villingen-Schwenningen site of SABA (SEWEK), Thomson's complete television set development and chassis production (printed circuit boards) were combined and television production was discontinued, the Bremen plant advanced to become the headquarters of color television set assembly for Thomson's German and European subsidiary brands. Only Telefunken was still allowed to build its own sets with its own chassis at the Celle plant (closed in 1997) because of its strong position in the German market.

Originally, Thomson had planned to close the Bremen site and abandon it completely. However, the company had not counted on the resistance of the employees and the support of the Bremen Senate and the great media response. Since Thomson already had a reputation in Germany as a "job killer" and did not want to put itself in a bad light again, the company backed down. Instead, production in Villingen-Schwenningen was closed and relocated to Bremen.

Then, in the mid-1980s, the Bremen Thomson plant was also on the verge of going out of business. In 1987, the managing directors took over the company in a management buy-out. With the social plan funds from Thomson, an investment from the state-owned Hanseatische Industrie-Beteiligungen GmbH (HIBEG) and loans from leading Bremen banks, the television set and plastic parts production was continued with a greatly reduced workforce under the name Europart (the planned name was initially Eurotec).
End of production

At the end of the 1980s, after Thomson had stopped purchasing plastic parts from Europart for its television set production, which had been relocated in the meantime, the company plunged into a crisis from which it never recovered. The company's own developments were unable to establish themselves on the market in parallel with supplier production, so that despite rescue attempts by the Bremen Senate and a plant occupation lasting several weeks, the company went into insolvency because the banks had cancelled their credit lines.

Nordmende brand under Thomson

Immediately after acquiring the company, Thomson separated production and sales into two companies. While production was controlled directly from the headquarters in Paris, sales initially remained independent. The production of audio equipment was discontinued in Germany and relocated to France. After the closure of several factories in the Bremen area, the television production in Bremen and the Kit Center in Bremerhaven remained. At the Kit Center, kits were assembled for countries that required a domestic production content (local content).

The main markets for Nordmende were Germany and Italy. Qualified specialist retailers were used as the sales channel in Germany and general importers for the export markets. After the export activities of the group brands Nordmende, Telefunken and SABA were combined under the umbrella of ECE GmbH in Hanover in 1987, domestic sales continued to operate independently from Bremen for several years.

In the early 1990s, Thomson was forced to reorganize its domestic sales operations as a result of the cut-throat competition from low-cost large-scale sales organizations. The distribution of the Nordmende, Telefunken and SABA brands was centralized in Hanover. Brand families were established: SABA and Brandt (France) as price-oriented brands for the large-scale distribution forms, Telefunken as a quality brand for the retail trade, and Nordmende and Thomson (France) as design-oriented brands for the upper price segment.

When the Thomson Group became involved in Germany, it avoided using the Thomson name for a long time, which was also expressed in company names such as SEWEK, EWD or DAGFU. In the 1990s, a change occurred. Various companies were rebranded with the Thomson name. As a final consequence, the Nordmende brand was also taken off the market and replaced by Thomson, which led to an even faster decline in Germany.
Nordmende today

Since the end of 2007, the Nordmende brand name has again appeared sporadically in connection with LCD televisions. The Indian consumer electronics group Videocon took over a television tube factory in Anagni, Italy, from the French Thomson Group, acquiring the trademark rights of the formerly traditional German brand Nordmende. The Phillar Group has been using the Nordmende name since 2008.

In Italy in particular, design-oriented flat-screen televisions are sold under the Nordmende brand. Since 2014, the Nordmende brand name has also been used in connection with electronic hearing aid-like devices.

In April 2017, TechniSat acquired the license to use the Nordmende brand for Germany, Austria, Switzerland as well as Poland from the brand owner Technicolor S.A.. The first Nordmende devices from the TV sets and DAB+ digital radios segments were presented at IFA 2017.

     

NORDMENDE HISTORY IN GERMAN:

Die Vorkriegsgeschichte findet sich unter Mende. Nach dem Totalverlust in Dresden gründet Martin Mende (30.12.1898-1982) unter Mitwirkung von Hermann Weber am 26. August 1947  in Bremen-Hemelingen die Norddeutsche Mende-Rundfunk GmbH.

Die ersten Gehäuse liefert ein Tischler in Achim gegen Kompensation von fünf Gehäusen zu einem Rundfunkgerät. Der frühere Mende-Konstrukteur, Obering. Heer zeichnet wieder für die Geräte verantwortlich .

Ab 27. Juli 1948 liefert die neue, zuerst 18 und bald 60 Personen umfassende Firma auf Grund von Währungsreform, Krediten und Zulieferverträgen die neue Radioproduktion.

Das Regime in Ostdeutschland lässt den Namen Mende nicht zu, so dass Martin Mende mit grafischen Konstruktionen im Zusammenhang mit «Nord» an seinen Vorkriegserfolg anschliesst.

Die Hallen der ehemaligen Focke-Wulf AG beim Bahnhof Seebaldsbrück dienen als Werkstätten. 1950 beschäftigt das Unternehmen 700, 1959 schon 3500 und im Zenit 6300 Personen.

1950 beginnt die Firma mit UKW-, 1953 mit Fernseh- und 1954 mit Mess- und Prüfgeräten. Gegen Ende der 50er Jahre heisst die Firma Norddeutsche Mende Rundfunk KG .

Nachdem sich Nordmende bislang nicht mit Magnettongeräten befasst hat, bringt das Werk 1958 das erste deutsche Heim-Tonbandgerät mit drei Motoren auf den Markt. Allerdings dominieren auf diesem Sektor eindeutig andere Firmen wie AEG/Telefunken und Grundig. Von Nordmende kommen jeweils nur ein bis zwei Geräte (1960 keines) in die Kataloge. Dafür hat die Firma Erfolg mit einem anderen Neueinstieg:


1958 stellt Nordmende mit «Mambo» ihr erstes Reisegerät vor - aber nicht «das erste deutsche, serienmässig hergestellte und volltransistorisierte Koffergerät», wie man aus einer Quelle nachlesen kann. Danach wird Nordmende in Deutschland auf dem Sektor Reisegeräte besonders stark, obwohl sie keine Röhren-Koffer baute. Immerhin kosten die in «Mambo» verwendeten 8 Halbleiter dann im Einzelhandel DM 98.70, während für die vier D-Röhren der 90er-Serie - auch zum Katalogpreis - etwa DM 35.- auszugeben wären. Preis des ganzen Gerätes: DM 189.- plus zwei Flachbatterien von 4,5 V.

Bis 1969 gibt es ca. 92 Modelle der tragbaren Radios (Koffer- bzw. «Handradios», d.h. «Hand held radios»). Beispielsweise finden sich im Katalog 1961/62  je 11 Tischradios und Radiomöbel sowie 8 Modelle von Reiseradios. 17 verschiedene Fernsehmodelle zeigen dagegen, wo in jener Zeit der Erfolg zu holen war.

Gemäss ] liegt Nordmende während kurzer Zeit mit der sogenannten «Tippomatik-Bedienung» sogar technisch vorne. Siehe auch Philips etc.

Auch Konzertschränke scheinen Ende der 50er bis Anfang 60er Jahre eine tragende Säule für Nordmende zu sein. Dabei verwendet die Firma immer wieder gleiche Namen wie «Cabinet», «Caruso», «Casino», «Cosima» sowie «Arabella» und «Isobella» mit wechselnden Zusatz-Nummern oder den Zusatz «Stereo», z.B. in den Jahren 1959 und 1960/61.

Im März 1967 nimmt das Werk die Produktion von Farbfernsehgeräten auf. Zum Firmenjubiläum erscheint eine Gerätereihe mit der Bezeichnung 'Goldene 20'. 1969 übernehmen die Mende-Söhne Karl und Hermann die Geschäftsführung.

1977 führt der verschärfte Wettbewerb zum Verkauf der Mehrheit an den französischen Konzern Thomson-Brandt; die Familie Mende zieht sich anschliessend ganz aus dem Unternehmen zurück. Martin Mende stirbt 1982.

1977 wurden Anteile des Unternehmens an den französischen Thomson-Brandt-Konzern verkauft. Ein Jahr später veräußerte die Familie auch ihren verbliebenen Anteil an Thomson-Brandt.
Das Bremer Unternehmen bestand stets aus zwei Gesellschaften. Die Produktion erfolgte bei der Norddeutsche Mende Rundfunk KG; den Vertrieb und die Werbung übernahm die Nordmende Vertriebs GmbH & Co. oHG.


Während der Beherrschung durch Thomson änderte die Produktionsgesellschaft mehrfach ihren Namen: Norddeutsche AG für Unterhaltungselektronik & Co. oHG (NAGFU), später Deutsche AG für Unterhaltungselektronik & Co. oHG (DAGFU). Die DAGFU wurde zur Holding der deutschen Thomson-Gesellschaften.


Die Produktion ging auf die Deutschen Elektronik-Werke GmbH (DEWEK) über, die aus der Süddeutschen Elektronikwerke GmbH (SEWEK), der ehemaligen SABA-Produktionsgesellschaft, entstanden ist. Ende der 1980er Jahre wurde die DEWEK mit der Norddeutschen Elektronikwerke GmbH (NEWEK), der Telefunken-Produktionsgesellschaft, zur Elektronik-Werke Deutschland GmbH (EWD) fusioniert. Die EWD firmierte später als Thomson Television Germany GmbH (TTG).


Die Vertriebsgesellschaft (oHG) wurde Mitte der 1980er Jahre aufgelöst. Der Vertrieb in Deutschland wurde von der Nordmende Vertriebs GmbH fortgeführt, die sich in Nordmende GmbH umbenannte. Die Nordmende GmbH wurde Mitte der 1990er Jahre zusammen mit der Telefunken Fernseh und Rundfunk GmbH mit Werken in Hannover und Celle, der SABA GmbH, der TTG und anderen Gesellschaften zur Thomson Multimedia Sales GmbH verschmolzen.


Die andere, an der Nordmende Vertriebs GmbH & Co. oHG beteiligte Gesellschaft, die Nordmende Verkaufs GmbH, firmierte in Nordmende International GmbH um und hielt unter dem Dach der European Consumer Electronics GmbH (ECE) die Markenrechte an Nordmende für das Export-Geschäft, während das Export-Geschäft an sich von der ECE wahrgenommen wurde. Die Nordmende International GmbH wurde Mitte der 1990er Jahre an die Thomson Consumer Electronics S.A. in Paris verkauft, firmierte in Thomson Consumer Electronics GmbH um und erwarb einen Anteil an der DAGFU, wodurch die DAGFU in Thomson Consumer Electronics GmbH & Co. oHG umfirmierte.


Durch Thomsons Übernahme der Telefunken Fernseh und Rundfunk GmbH in Hannover im Jahr 1983 wurden nunmehr alle deutschen Thomson-Produktionsstätten unter dem Namen Elektronik Werke Deutschland (EWD) weitergeführt.

Während am Standort Villingen-Schwenningen bei SABA (SEWEK) die komplette Fernsehgeräte-Entwicklung und Chassis-Produktion (Leiterplatten) von Thomson zusammengefasst und die Fernseher-Produktion aufgegeben wurde, avancierte das Bremer Werk zur Zentrale der Farbfernsehgerätemontage der deutschen und europäischen Thomson-Tochtermarken. Lediglich Telefunken durfte im Werk Celle (1997 geschlossen) wegen seiner starken Position am deutschen Markt noch eigene Geräte mit eigenem Chassis bauen.

Ursprünglich hatte Thomson geplant, den Standort Bremen zu schließen und komplett aufzugeben. Der Konzern hatte jedoch nicht mit dem Widerstand der Beschäftigten und der Unterstützung durch den Bremer Senat und dem großen Medienecho gerechnet. Da Thomson in Deutschland bereits einen Ruf als „Jobkiller“ hatte und sich nicht erneut ins schlechte Licht rücken wollte, machte das Unternehmen einen Rückzieher. Stattdessen wurde die Produktion in Villingen-Schwenningen geschlossen und nach Bremen verlagert.

Mitte der 1980er Jahre stand dann auch das Bremer Thomson-Werk vor dem Aus. 1987 übernahmen die Geschäftsführer im Zuge eines Management Buy Outs das Unternehmen. Mit den Sozialplan - Geldern von Thomson, einer Beteiligung der landeseigenen Hanseatischen Industrie-Beteiligungen GmbH (HIBEG) und Krediten führender Bremer Banken wurden die Fernsehgeräte- und Kunststoff teile produktion, mit einer stark reduzierten Belegschaft, unter dem Namen Europart (geplanter Name war zunächst Eurotec) fortgeführt.
Ende der Produktion

Nachdem Thomson Ende der 1980er Jahre seine Kunststoffteile für die inzwischen verlagerte Fernsehgeräte produktion nicht mehr von Europart bezog, stürzte das Unternehmen in eine Krise, von der es sich nicht mehr erholte. Eigene Entwicklungen konnten sich parallel zur Zulieferproduktion am Markt nicht etablieren, so dass das Unternehmen trotz der Rettungsversuche durch den Bremer Senat und einer mehrwöchigen Werksbesetzung in die Insolvenz ging, da die Banken ihre Kreditlinien gekündigt hatten.

Marke Nordmende unter Thomson

Unverzüglich nach Erwerb des Unternehmens trennte Thomson Produktion und Vertrieb in zwei Gesellschaften auf. Während die Produktion direkt von der Zentrale in Paris gesteuert wurde, blieb der Vertrieb zunächst eigenständig. Die Produktion von Audio-Geräten wurde in Deutschland eingestellt und nach Frankreich verlagert. Nach Schließung mehrerer Fabriken im Bremer Umland blieben die Fernsehproduktion in Bremen und das Kit Center in Bremerhaven übrig. Im Kit Center wurden Bausätze für Länder zusammengestellt, die einen inländischen Produktionsanteil (local content) forderten.

Die Hauptmärkte für Nordmende waren Deutschland und Italien. Als Vertriebskanal in Deutschland wurde der qualifizierte Facheinzelhandel und für die Exportmärkte Generalimporteure genutzt. Nachdem die Exportaktivitäten der Konzernmarken Nordmende, Telefunken und SABA im Jahr 1987 unter dem Dach der ECE GmbH in Hannover zusammengefasst worden waren, agierte der Inlandsvertrieb noch einige Jahre eigenständig von Bremen aus.

Durch den Verdrängungswettbewerb der preisgünstigen Großvertriebsformen sah sich Thomson Anfang der neunziger Jahre gezwungen, den Inlandsvertrieb neuzuordnen. Die Vertriebe der Marken Nordmende, Telefunken und SABA wurden in Hannover zentralisiert. Es wurden Markenfamilien gegründet: SABA und Brandt (Frankreich) als preisorientierte Marken für die Großvertriebsformen, Telefunken als Qualitätsmarke für den Einzelfachhandel sowie Nordmende und Thomson (Frankreich) als designorientierte Marken für das gehobene Preissegment.

Als der Thomson-Konzern sich in Deutschland engagierte, wurde es lange Zeit vermieden, unter dem Namen Thomson aufzutreten, was sich auch in Gesellschaftsbezeichnungen wie SEWEK, EWD oder DAGFU ausdrückte. In den 1990er Jahren trat ein Wandel ein. Verschiedene Gesellschaften wurden mit dem Namensbestandteil Thomson umfirmiert. Als letzte Konsequenz wurde auch die Marke Nordmende vom Markt genommen und durch Thomson ersetzt, was zu einem noch schnelleren Niedergang in Deutschland führte.
Nordmende heute

Seit Ende 2007 taucht wieder vereinzelt der Markenname Nordmende in Zusammenhang mit LCD-Fernsehgeräten auf. Der indische Unterhaltungselektronik-Konzern Videocon hat von der französischen Thomson-Gruppe ein Fernsehröhrenwerk im italienischen Anagni übernommen und dabei die Markenrechte der ehemals deutschen Traditionsmarke Nordmende erworben. Seit 2008 verwendet die Phillar Group die Bezeichnung Nordmende.

Besonders in Italien werden unter der Marke Nordmende gestaltungsorientierte Flachbild-Fernsehgeräte vertrieben. Seit 2014 wird der Markenname Nordmende auch im Zusammenhang mit elektronischen hörgeräteähnlichen Geräten verwendet.

Im April 2017 erwarb TechniSat vom Markeninhaber Technicolor S.A. die Lizenz zur Nutzung der Marke Nordmende für Deutschland, Österreich, Schweiz sowie Polen. Zur IFA 2017 wurden die ersten Nordmende-Geräte aus den Segmenten TV-Geräte und DAB+-Digitalradios präsentiert.


  • ------------------------------------------------------------------------------------------------------------


    Further reading

  • Jean-Pierre, Thierry (16 October 2003). Taïwan Connection : Scandales et meurtres au cœur de la République [Taiwan Connection – Scandals and Murders at the Heart of the Republic] (in French). Robert Laffont. ISBN 978-2221100820.
  • L'entreprise partagée ? Une pratique différente des relations sociales : l'expérience Thomson-CSF, Robert Thomas (pseudonym for a team-work with Pierre Beretti and Jean-Pierre Thiollet), Paris, Maxima-Laurent du Mesnil Ed., 1999
Tote Marke NORDMENDE – Verblasster Stolz. Artikel im Manager-Magazin
«Annual Report 2010». STMicroelectronics. Consultado el 17 de noviembre de 2011.
Castelletto en ST


http://www.st.com/content/st_com/en/contact-us.html#EUROPE

«SGS-Thomson Microelectronics Becomes STMicroelectronics | EE Times». EETimes. Consultado el 6 de julio de 2017.

Peter Robin Morris (1990). A History of the World Semiconductor Industry. The Institution of Engineering and Technology. ISBN 9780863412271.

Okada, Yoshitaka (2006). Struggles for Survival. Institutional and Organizational Changes in Japan's High-Tech Industries. Springer. ISBN 9784431288749.

Franco Malerba (1985). The Semiconductor Business: The Economics of Rapid Growth and Decline (Economics of Technological Change). Madison, University of Wisconsin Press. ISBN 9780299104603.



 
 «China puts hopes in Loongson CPU». Linux.com | The source for Linux information (en inglés).
 
 


 

 

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