Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical Obsolete technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
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©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
All posts are presented here for informative, historical and educative purposes as applicable within Fair Use.


Wednesday, January 12, 2011

GRUNDIG SUPER COLOR A6681 / 96 SERIE M4020 SUPER SOUND "MONOLITH" YEAR 1982.
















































































  A6681 / 96  SERIE M4020   SUPER SOUND  "MONOLITH"

 A 20 Inches (51Cm) color television with Stereo Sound and 2 Way 4 Speakers system.

From GRUNDIG 's MONOLITH SERIES this heavy set has even furthermore possibility to connect to various devices such VCR and External Additional speakers.
This is an example showing what  in a elegant front fumè glass 20 inches color screen set superb pictures toghether with super stereo sound plus enhancement of the wide stereo band possibility.
It has 30 programs PLL frequency synthesized tuning system, a television tuning system employs a frequency synthesizer system for establishing the tuning of the receiver, featured with a Microcomputer driven synthesis system.
This color television is featured with PLL frequency synthesized tuning system, a television tuning system employs a frequency synthesizer system for establishing the tuning of the receiver, featured with a Microcomputer driven synthesis system.A tuning system is provided in which the tuning function is substantially integrated in a microprocessor. A fixed modulus counter is cascaded with a programmable counter (or timer) found within the microprocesor thereby extending the counting range of the programmable counter. Then by prescaling the output of the local oscillator to a value below the toggle frequency of the microprocessor counter, the microprocessor may periodically measure the output frequency of the oscillator and, if necessary, generate correction signals therefor.
Some prior art tuning systems for use with a voltage tunable tuner have utilized a plurality of preset potentiometers each adjusted to supply a voltage required to tune the tuner to a desired channel. Mechanical or electronic switches have been employed to connect one of the preset voltages at a time to the tuner. With this method of tuning, the channel being received is not accurately identified by the system. Initially, in order to set each of the potentiometers to permit reception of desired channels, a viewer must determine the channel being received by channel call letters and/or channel number identification periodically transmitted from the television station. Typically, after the channel being received has been identified, a plastic insert having the channel number printed thereon is placed in front of a lamp which will be illuminated whenever this channel is selected.
Television receivers of the type under consideration frequently include a frequency synthesizer for tuning the receiver's local oscillator to the nominal carrier frequency of a selected television channel. Generally, the frequency synthesizer compares the local oscillator frequency to a reference frequency associated with the selected channel, and then varies the local oscillator frequency until it equals the reference frequency. Presumably, the receiver will now be correctly tuned to the selected channel.
This method of tuning the receiver relies, of course, on the frequency of the incoming television signal being equal to its nominal or standard frequency.
The object of this invention is to provide a tuning system which uses a frequency synthesizer implemented with a microprocessor.A further object of this invention is to provide a tuning system in which the tuning function occurs primarily within the microprocessor.
These objects are achieved in a frequency synthesized tuning system comprising a variable oscillator and a microprocessor coupled to said variable oscillator for the control thereof, said microprocessor having a programmable counter therein, wherein the tuning function of said tuning system is substantially integrated within said microprocessor, characterized in that said tuning system further comprises means coupled between said oscillator and said microprocessor for extending the capacity of said programmable counter, whereby said programmable counter may be used for measuring the output frequency of said variable oscillator.
The system employed in the tv permits utilization of a frequency synthesizer tuning system which correctly tunes to a desired television station or channel even if the transmitted signals from that station are not precisely maintained at the proper frequencies even in combination of a fine tuning adjustable by the user.
Accordingly, it is an object of this invention to provide an improved tuning system for a television receiver.
It is an additional object of this invention to provide an improved frequency synthesizer tuning system for a television receiver.
It is an additional object of this invention to provide an improved frequency synthesizer tuning system for a television receiver; and remote and many AV and sound connectivity are all featured in this set.



The remote control is the Telepilot 360 which contains all functions except stations programming.

This version Incorporates a Stereo band expansion Unit.

A system and method for enhancing the stereo sound effect produced by speaker systems having two or more speakers fed by two or more channels or audio, respectively. Second-order high pass filtering is applied to first and second audio signals of a stereo signal. A phase shift of approximately 180 degrees is applied to the resulting signals.



 AV 6 pins DIN socket is present rear side toghether with AV Grundig data connector to connect it with VCR V2000 systems and allowing the control of both television and VCR with one remote.This is the DIN connector, a member of a family of circular connectors that were initially standardized by Deutsches Institut fur Normung (DIN  (45323 (6-pin)) for analog audio signals. Some of these connectors have also been used in analog video applications and digital interfaces. All male connectors (plugs) of this family of connectors feature a 13.2 mm diameter metal shield with a notch that limits the orientation in which plug and socket can mate. Electrical connectors of the DIN type are known and they include a dielectric housing in which three to eight electrical terminals are molded. The terminals are soldered to electrical conductors of a shielded cable. Metal clamshell members are mounted onto the housing with one of the clamshell members having a U-shaped ferrule that is crimped onto the metal shield of the cable to terminate the shield and provide strain relief. An insulating strain relief member is disposed or molded onto the clamshell members and engages the cable adjacent the U-shaped ferrule thereby holding the clamshell members in position on the housing and providing a strain relief.These sets were higly reliable and durable and almost everlasting.

Was first GRUNDIG TV CHASSIS (CUC220) featuring new deflection (BU208A) outputs stages and Switching power supply type and video IC TDA3560 AND TDA3561 one chip PAL DECODER, and a even new tuner unit and Main controls system was even introduced.
This here is therefore fitted with the CUC220 chassis.

 The CUC220 or generally referred CUC (Compact Universal Chassis) chassis series is fittable even in bigger models from 16 to 26 inches with few variants. The CUC (Compact Universal Chassis) is a monocarrier modular chassis completely transistorized and abandoning definitely any older technology of earlier chassis design like ancient thyristor horizontal beam deflections, complex chroma units,complex off line supply,complex tuning system,many parts . The CUC is constructed of individual plug- in modules, in which a number of generally smaller structural elements and components are enclosed, together with a printed circuit board in a unit which is generally functional in its own right and named therefore.
It has a Transistorized horizontal deflection circuits  made up of a horizontal switching or output transistor, a diode, one or more capacitors and a deflection winding. The output transistor, operating as a switch, is driven by a horizontal rate square wave signal and conducts during a portion of the horizontal trace interval. A diode, connected in parallel with the transistor, conducts during the remainder of the trace interval. A retrace capacitor and the deflection yoke winding are coupled in parallel across the transistor-diode combination. Energy is transferred into and out of the deflection winding via the diode and output transistor during the trace interval and via the retrace capacitor during the retrace interval.
In some television receivers, the collector of the horizontal output transistor is coupled to the B+ power supply through the primary windings of the high voltage transformer.

It features first time a completely new Power supply base around the "Historical" SIEMENS TDA4600;  Switching regulators serve as efficient and compact power supplies for instruments such as television receivers. A switching regulator may typically comprise a power transformer having a primary winding coupled to an input voltage source and to a power switch and a secondary winding coupled to a rectifier arrangement for developing a DC supply voltage for the instrument. A regulator control circuit generates pulse width modulated control signals that control the duty cycle of the power switch. A power switch is coupled to an inductance and a source of input voltage. A control circuit is coupled to the power switch for producing the switching thereof to transfer energy from the input voltage source to a load circuit coupled to the inductance. The control circuit is responsive to control voltages for varying the duty cycle of the power switch to control the transfer of energy to the load. A first control voltage representative of a variation in an energy level of the load circuit is developed to control the duty cycle in a manner that regulates the energy level. ; the invention relates to a blocking oscillator type switching power supply for supplying power to electrical equipment, wherein the primary winding of a transformer, in series with the emitter-collector path of a first bipolar transistor, is connected to a d-c voltage obtained by rectification of a line a-c voltage fed-in via two external supply terminals, and a secondary winding of the transformer is provided for supplying power to the electrical equipment, wherein, furthermore, the first bipolar transistor has a base controlled by the output of a control circuit which is acted upon in turn by the rectified a-c line voltage as actual value and by a set-point transmitter, and wherein a starting circuit for further control of the base of the first bipolar transistor is provided. This Power supply Provides first time all GRUNDIG Tv sets with a SMPS power supply comprising furthermore the separation from mains feature.........,

 ............. and introducing an integrated tuner IF UNIT ;The size problem is not as serious as the others although it is desirable to make a tuner compact to minimize the distances over which the low level high frequency signals must be translated. Also from a packaging point of view, a housing having a plurality of blocks each of which is surrounded by shielding partitions; a compact unit is much to be preferred and yields numerous advantages to the television stylist. These here aforementioned tuners compared to modern tuners are 200 times bigger ! Because television tuner circuits process high frequency signals at low signal levels and generally exhibit high signal gains, they are necessarily very sensitive and susceptible to oscillation and interference problems. It is thus common practice to enclose the circuitry within an electro-magnetically shielded housing.

The set is build with a Modular chassis design because as modern television receivers become more complex the problem of repairing the receiver becomes more difficult. As the number of components used in the television receiver increases the susceptibility to breakdown increases and it becomes more difficult to replace defective components as they are more closely spaced. The problem has become even more complicated with the increasing number of color television receivers in use. A color television receiver has a larger number of circuits of a higher degree of complexity than the black and white receiver and further a more highly trained serviceman is required to properly service the color television receiver.
Fortunately for the service problem to date, most failures occur in the vacuum tubes used in the television receivers. A faulty or inoperative vacuum tube is relatively easy to find and replace. However, where the television receiver malfunction is caused by the failure of other components, such as resistors, capacitors or inductors, it is harder to isolate the defective component and a higher degree of skill on the part of the serviceman is required.
Even with the great majority of the color television receiver malfunctions being of the "easy to find and repair" type proper servicing of color sets has been difficult to obtain due to the shortage of trained serviceman.
At the present time advances in the state of the semiconductor art have led to the increasing use of transistors in color television receivers. The receiver described in this application has only two tubes, the picture tube and the high voltage rectifier tube, all the other active components in the receiver being semiconductors.
One important characteristic of a semiconductor device is its extreme reliability in comparison with the vacuum tube. The number of transistor and integrated circuit failures in the television receiver will be very low in comparison with the failures of other components, the reverse of what is true in present day color television receivers. Thus most failures in future television receivers will be of the hard to service type and will require more highly qualified servicemen.
The primary symptoms of a television receiver malfunction are shown on the picture tube of the television receiver while the components causing the malfunction are located within the cabinet. Also many adjustments to the receiver require the serviceman to observe the screen. Thus the serviceman must use unsatisfactory mirror arrangements to remove the electronic chassis from the cabinet, usually a very difficult task. Further many components are "buried" in a maze of circuitry and other components so that they are difficult to remove and replace without damage to other components in the receiver.
Repairing a modern color television receiver often requires that the receiver be removed from the home and carried to a repair shop where it may remain for many weeks. This is an expensive undertaking since most receivers are bulky and heavy enough to require at least two persons to carry them. Further, two trips must be made to the home, one to pick up the receiver and one to deliver it. For these reasons, the cost of maintaining the color television receiver in operating condition often exceeds the initial cost of the receiver and is an important factor in determining whether a receiver will be purchased.
Therefore, the object of this invention is to provide a transistorized color television receiver in which the main electronic chassis is easily accessible for maintenance and adjustment. Another object of this invention is to provide a transistorized color television receiver in which the electronic circuits are divided into a plurality of modules with the modules easily removable for service and maintenance. The main electronic chassis is slidably mounted within the cabinet so that it may be withdrawn, in the same manner as a drawer, to expose the electronic circuitry therein for maintenance and adjustment from the rear closure panel after easy removal. Another aspect is the capability to be serviced at eventually the home of the owner.

The GRUNDIG CUC contains all functions of the TV SET except for the front end which is model related.

Grundig AG is (WAS) a German manufacturer of consumer electronics for home entertainment which transferred to Turkish control in the period 2004-2007. Established in 1945 in Nuremberg, Germany by Max Grundig the company changed hands several times before becoming part of the Turkish Koç Holding group. In 2007, after buying control of the Grundig brand, Koc renamed its Beko Elektronik white goods and consumer electronics division Grundig Elektronik A.Ş., which has decided to merge with Arçelik A.Ş. as declared on February 27, 2009


Max Grundig (7 May 1908 – 8 December 1989) was the founder of electronics company Grundig AG.Max Grundig is one of the leading business personalities of West German post-war society, one of the men responsible for the German “Wirtschaftswunder” (post-war economic boom).


GRUNDIG Early years

Max Grundig was born in Nuremberg on May 7, 1908. His father died early, so Max and his three sisters grew up in a home without a father. At 16, Max Grundig began to be fascinated by radio technology, which at the time was gaining in popularity. He built his first detector in the family’s apartment, which he had turned into his own laboratory. In 1930, he turned his hobby into his profession and opened a shop for radio sets in Fürth with an associate. The business prospered and soon Grundig was able to employ his sisters and buy out his associate. By 1938, he was already manufacturing 30,000 small transformers.


GRUNDIG Success after World War II

Max Grundig’s real success story began after World War II. On May 15, 1945, Grundig opened a production facility for universal transformers at Jakobinerstraße 24 in Fürth. Using machines and supplies from the war era, he established the basis for what would turn into a global company at this address. In addition to transformers, Grundig soon manufactured tube-testing devices. As manufacturing radios was subject to a licence, Grundig had the brilliant idea of developing a kit that would allow anyone to quickly build a radio on their own. This kit was sold as a “toy” called “Heinzelmann”.


Following the monetary reform, Max Grundig quickly expanded his production under the new company name “Grundig Radio-Werke GmbH” and served the expanding mass market. From 1952, his company was the biggest European manufacturer of radios and the worldwide leader in the production of audio tape recorders.



Grundig became a real pioneer in consumer electronics. From 1951, the company’s portfolio also included the production and distribution of television sets, and dictaphones were added in 1954. The company was turned into a shareholding company, the Grundig AG, in 1971. In the 1970s, the company was one of the leading companies in Germany, employing more than 38,000 people in 1979. Max Grundig had built a strong company from the ruins of the war.


GRUNDIG and the rules are changing

In the second half of the 1970s, another innovation entered the market for consumer electronics, the VCR. And with the VCR, competitors from Japan and later other countries of the Far East entered the world market. Even though the European competitors Philips and Grundig had developed the superior technology for recording video, the Japanese VHS succeeded on the market. The rules of the game changed dramatically in the field of consumer electronics. The competition for establishing the video standard proved that companies could only succeed in consumer electronics with the financial power of global corporations. In 1979, Max Grundig decided to sell some shares to his Dutch competitor Philips, and in 1984 he began the process of restructuring the ownership of the Grundig companies, which would be completed two decades later.



Max Grundig died on December 8, 1989 in Baden-Baden. The Grundig name continues to be known to this day and is now a globally recognised brand for innovative consumer electronics. Max Grundig is remembered in Germany as a dynamic entrepreneur from the post-war era.


He was married lastly to Chantal Grundig.



Early history

The history of the company began in 1930 with the establishment of a store named Fuerth, Grundig & Wurzer (RVF), which sold radios. After World War II Max Grundig recognized the need for radios in Germany, and in 1947 produced a kit, while a factory and administration centre were under construction at Fürth. In 1951 the first televisions were manufactured at the new facility with the company and the surrounding area growing rapidly. At the time Grundig was the largest radio manufacturer in Europe. Divisions in Nuremberg, Frankfurt and Karlsruhe were set up.

Grundig in Belfast

A plant was opened in 1960 to manufacture tape recorders in Belfast, Northern Ireland, the first production by Grundig outside Germany. The managing director of the plant Thomas Niedermayer, was kidnapped and later killed by the Provisional IRA in December 1973. The factory was closed with the loss of around 1000 jobs in 1980.

Philips takeover

In 1972, Grundig GmbH became Grundig AG. After this Philips began to gradually accumulate shares in the company over the course of many years, and assumed complete control in 1993. Philips resold Grundig to a Bavarian consortium in 1998 due to unsatisfactory performance.

Later history

At the end of June 2000 the company relocated its headquarters in Fürth and Nuremberg. Grundig lost €1.281 million the following year. In autumn 2002, Grundig's banks did not extend the company's lines of credit, leaving the company with an April 2003 deadline to announce insolvency. Grundig AG declared bankruptcy in 2003, selling its satellite equipment division to Thomson. In 2004 Britain's Alba plc and the Turkish Koc's Beko jointly took over Grundig Home InterMedia System, Grundig's consumer electronics division. In 2007 Alba sold its half of the business to Beko for US$50.3 million, although it retained the licence to use the Grundig brand in the UK until 2010, and in Australasia until 2012.




















................The Federal Republic of Germany: struggling to stay on its feet ?

The interesting analysis on how Europe is being DESTROYED Todays since then.

For more than thirty years after the Second World War, consumer
electronics in West Germany, as elsewhere, was a growth industry.
Output growth in the industry was sustained by buoyant consumer
demand for successive generations of new or modified products,
such as radios (which had already begun to be manufactured, of
course, before the Second World War), black-and-white and then
colour television sets, hi-fi equipment.” Among the largest West
European states, West Germany had by far the strongest industry.
Even as recently as 1982, West Germany accounted for 60 per cent
of the consumer electronics production in the four biggest EEC
states. The West German industry developed a strong export
orientation--in the early 1980s as much as 60 per cent of West
German production was exported, and West Germany held a larger
share of the world marltet than any other national industry apart
from the]apanese.ltwas also technologicallyextremelyinnovative-
the first tape recorders, the PAL colour television technology, and
the technology which later permitted the development of the video
cassette recorder all originated in West Germany.

The standard-bearers of the West German consumer electronics
industry were the owner-managed firm, Grundig, and Telefunken,
which belonged to the electrical engineering conglomerate, AEG-
Telefunlten. The technological innovations for which the West
German industry became famous all stemmed from the laboratories
of Telefunlten, which, in the 19605, still constituted one of AEG’s
most profitable divisions. Telefunlcen and Grundig together prob-
ably accounted for around one-third of employment in the German
Industry in the mid-1970s. Both had extensive foreign production
facilities. At the same time, compared with the other EEC states,
there was still a relatively large number of small and medium-sized
consumer electronics firms in Germany. Besides Grundig and
Telefunken, the biggest were Blaupunkt, a subsidiary of Bosch, the
automobile components manufacturer, Siemens, and the sub-
sidiaries of the ITT-owned firm, SEL. Up until the late 1970s, there
was relatively little foreign-owned manufacturing capacity in the
West German consumer electronics industry.

GOVERNMENTS, MARKETS, AND REGULATION
During the 1970s, this picture of a strong West German
consumer electronics industry began slowly to change and, by the
end of the 19705, colour television manufacture no longer offered a
guarantee for the continued prosperity or even survival of the
German industry. The market for colour television sets was
increasingly saturated——by 1978 56 per cent of all households in
West Germany had a colour television set and 93 per cent of all
households possessed a television set of some kind.2° From 1978
onwards, the West German market for colour television sets began
to contract. Moreover, the PAL patents began to expire around
1980 and the West German firms then became exposed to more
intense competition on the (declining) domestic market.

The West German firms’ best chances for maintaining or
expanding output and profitability lay in their transition to the
manufacture of a new generation of consumer electronics products,
that of the video cassette recorder (VCR). Between 1978 and 1983,
the West German market for VCRs expanded more than tenfold, so
that, by the latter year, VCRs accounted for over a fifth of the
overall consumer electronics market.“ However, in this product
segment, Grundig was the only West German firm which, in
conjunction with Philips, managed to establish a foothold, while
the other firms opted to assemble and/or sell VCRs manufactured
according to one or the other of the two Japanese video
technologies. By 1981, the West German VCR market was more
tightly in the grip of Japanese firms than any other segment of the
market. More than any other, this development accounted for the
growing crisis of the West German consumer electronics industry in
the early 1980s. The West German market stagnated, production
declined as foreign firms conquered a growing share of the
domestic market and this trend was not offset by an expansion of
exports, production processes were rationalized to try to cut costs
as prices fell, employment contracted,” and more and more plants
were either shut down or—more frequently——taken over.

The relationship between the state and the consumer electronics
industry in the long post-war economic ‘boom’ was of the ‘arm’s
length’ kind which corresponded to the West German philosophy
of the ‘social market economy’. The state's role was confined
largely to ‘holding the ring’ for the firms and trying to ensure by
means of competition policy that mergers and take-overs did not
enable any single firm or group of firms to achieve a position of
market domination and suspend the ‘free play of market forces’.

The implementation of competition policy was the responsibility of
the Federal Cartel Office (FCO), which must be informed of any
planned mergers or take-overs if the two firms each have a turnover
exceeding 1 DM billion or one of them has a turnover of more than
2 DM billion. The FCC must reject any proposed merger which, in
its view, would lead to the emergence of a, or strengthen any
existing, position of market domination.“

Decisions of the FCO may be contested in the Courts, and firms
whose merger or take-over plans have been rejected by the Cartel
Office may appeal for permission to proceed with their plans to the
Federal Economics Minister. He is empowered by law to grant such
permission when it is justified by an ‘overriding public interest’ or
‘macroeconomic benefits’, which may relate to competitiveness on
export markets, employment, and defence or energy policy.”
However, the state had no positive strategy for the consumer
electronics industry and industry, for its part, appeared to have no
demands on the state, other than that, through its macroeconomic
policies, it should provide a favourable business environment. This
situation changed only when, as from the late 1970s onwards, the
Japanese export offensive in consumer electronics plunged the West
German industry into an even deeper crisis.

The Politics of European Restructuring
The burgeoning crisis of not only the West German, but also the
other national consumer electronics industries in the EC in the
early 1980s prompted pleas from the firms (and also organized
labour) for protective intervention by the state——by the European
Community as well as by its respective national Member States.
The partial ‘Europeanization’ of consumer electronics politics
reflected the strategies chosen and pursued by the major European
firms to try to counter, or avoid, the Japanese challenge. These
strategies contained two major elements:  measures of at least
temporary protection against Japanese imports to give the firms
breathing space to build up or modernize their production
capacities and improve their competitiveness uis-ci-uis the Japanese
and partly also to put pressure on the Japanese to establish
production facilities in Europe and produce under the same
conditions as the European firms and (b), through mergers, take-
overs, and co-operation agreements, to regroup forces with the aim
of achieving similar economies of scale to those enjoyed by the most
powerful Japanese firms. The first element of these strategies
implicated the European Community in so far as it is responsible
for the trade policies of its Member States. The second element did
not necessarily involve the European Community, but had a Euro-
pean dimension to the extent that most of the take-overs and mergers
envisaged in the restructuring of the industry involved firms from
two or more of the EEC Member States, including the French state-
owned Thomson (see above). As this ‘regrouping of the forces’ of
the European consumer electronics industry was to unfold at first
largely on the West German market, the firms could only
implement their strategies once they had obtained the all-clear of
the FCO or, failing that, of the Federal Economics Ministry.

The Politics of Video Recorder Trade between japan and the EEC:

The Dutch-based multinational conglomerate, Philips, 
was the first
firm in the world to bring a VCR on to the market. Between 1972
and 1975, it had no competitors at all in VCR manufacture and, as
late as 1977, it split up the European market with Grundig, with
which Philips developed the V2000 VCR which came on to the
market in 1980. By this time, the Japanese consumer electronics
firms had already built up massive VCR production capacities and
had cornered first their own market and then, unchallenged by the
European firms, the American as well. With the advantage of much
greater economies of scale, they were able to manufacture and offer
VCRs more cheaply than Philips and Grundig when the VCR
market did eventually ‘take off‘ in Western Europe. German
imports of VCRs, for example, increased almost eightfold between
1978 and 1981.2

The immediate background to the calls for protection against
imported Japanese VCRs by European VCR manufacturing firms
was formed by massive cuts in prices for Japanese VCRs, as a
consequence of which, in 1982, the market share held by the V2000
VCR manufactured by Philips and Grundig declined sharply.”
Losses incurred in VCR manufacture led to a dramatic worsening
of Grundig’s financial position. In November 1982 Philips and
Grundig announced that they were considering taking a dumping
case against the Japanese to the European Commission. The case,
which was later withdrawn, can be seen as the first move in a
political campaign designed to secure controls or restraints on
Japanese VCR exports to the EEC states. This campaign was
pursued at the national and European levels, both through the
national and European trade associations for consumer electronics
firms and particularly through direct intervention by the firms at
the national governments and the European Commission. However,
the European firms, many of whom had licensing agreements with
the Japanese, were far from being united behind it.

Philips, seconded by its VCR partner, Grundig, was the ‘real
protagonist’ of protectionist measures against Japanese VCRs. In
pressing their case on EEC member states and the European
Commission, they emphasized the unfair trading practices of the
Japanese in building up production capacities which could meet the
entire world demand for VCRs (‘laser-beaming’), and the threats
which the Japanese export offensive posed to jobs in Western
Europe and to the maintenance of the firms’ R. 8: D. capacity and
technological know-how. Above all, however, was the threat which
the crisis in VCR trade and the consumer electronics industry
generally posed to the survival of a European microelectronic
components industry, over half of whose output, according to
Grundig, was absorbed in consumer electronics products.”

These arguments found by all accounts a very receptive audience
at the European Commission, where, by common consent of
German participants in the policy-formation process, Philips wields
great political influence. By all accounts, Philips‘s pressure was also
responsible for the conversion to the protectionist camp of the
Dutch Government, which hitherto had been a bastion of free trade
philosophy within the EEC. By imposing unilateral import controls
through the channelling of imported VCRs through the customs
depot at Poitiers (see above), the French Government had already
staked out its position on VCR trade with Japan. It presumably
required no convincing by Philips and Grundig on the issue,
although it is interesting to speculate over the extent to which its
stance also reflected the preferences of Thomson which in the past
had been the ‘chief of the protectionists’ in the European
industry.”

With the Dutch Government having been shifted into the
protectionist camp by Philips, the greatest resistance to the

mposition of some form of import controls on Japanese VCRs

could have been expected to come from the West German
Government. Along with the Danish and (hitherto) the Dutch
Governments, the West German Government had generally been
the stoutest defender of free trade among the EEC Member States.
The Federal Economics Ministry’s antipathy towards import
controls may in fact have had some impact on the form of
protection ultimately agreed by the EEC Council of Ministers,
which was a ‘voluntary self-restraint agreement’ with japan.
However, even such self-restraint agreements had in the past been
vetoed by West Germany in the Council. The West German
Government’s abstention in the vote on the agreement in the
Council of Ministers signified if not a radical, then none the less a
significant, modification of its past trade policy.

Within the Bonn Economics Ministry, the section for the
electrical engineering industry-—characteristically—had the most
receptive attitude to the V2000 firms’ case. Elsewhere in the
Ministry, in the trade and European policy and policy principles
divisions and at the summit, the Ministry’s traditional policy in
favour of free trade was given up much more reluctantly. The
Ministry did not oppose the voluntary restraint agreement after it
had been negotiated, but it may be questioned whether the
Ministry’s acquiescence in the agreement was motivated solely by its
feeling of impotence vis-£1-vis the united will of the other Member
States. Abstaining on the vote in the Council of Ministers enabled
the V2000 protectionist lobby to reap its benefits without the West
German Government being held responsible for its implementation.
The Govemment’s abstention may equally have been the result of
the pressure exerted on the Economics Ministry by the V2000
firms, particularly Philips and Grundig, both of which engaged in
bilateral talks with the Ministry, and from the consumer electronics
sub-association of the electrical engineering trade association of the
ZVEI (Zentralverband der Elektrotechnischen lndustrie), in which
a majority of the member firms had sided with Philips and Grundig.
The Ministry, by its own admission, did not listen as closely to the
firms which were simply marketing Japanese VCRs as to those
which actually manufactured VCRs in Europe: ‘we were interested
in increasing the local content (of VCRs) to preserve jobs.’

The success of the V2000 firms in obtaining any agreement at all
from the Japanese to restrain their exports of VCRs to the EEC
does not mean that they were happy with all aspects of the
agreement, least of all with its contents concerning VCR prices and
concrete quotas which were agreed with the Japanese. As the
market subsequently expanded less rapidly than the European
Commission had anticipated, the quota allocated to Japanese
imports (including the ‘kits’ assembled by European licensees of
Japanese firms) amounted to a larger share of the market than
expected and the European VCR manufacturers did not sell as
many VCRs as the agreement provided. Ironically, within a year of
the adoption of the agreement, both Philips and Grundig announced
that they were beginning to manufacture VCRs according to the
Japanese VHS technology and by the time the agreement had
expired (to be superceded by increased tariffs for VCRs) in 1985,
the two firms had stopped manufacturing V2000 VCRs altogether.

The Politics of Transnational European Mergers and Take-overs
The wave of merger and take-over activity in the European
consumer electronics industry which peaked around 1982 and
1983 had begun in West Gemany in the late 1970s, when Thomson
swallowed up several of the smaller West German firms- Normende,
Dual, and Saba ...and Philips, apparently reacting to the threat it
perceived Thomson as posing to its West German interests, bought
a 24.5 per cent shareholding in Grundig.3° The frenzied series of
successful and unsuccessful merger and take-over bids which
unfolded in 1982 and 1983 is inseparable from the growing crisis of
the European industry and the major European firms’ perceptions
as to how they could restructure in order to survive in the face of
Japanese competition.

The first candidate which emerged for take-over on the West
German market was Telefunken, for which AEG, itself in desperate
financial straits, had been seeking a buyer since the late 1970s.
Telefunken’s heavy indebtedness, which was largely a consequence
of losses it had incurred in its foreign operations, posed a
formidable obstacle to its disposal, however, and first Thomson,
which had bought AEG’s tube factory, and then Grundig, baulked
at taking it on as long as AEG had not paid off its debts. While talks
on Telefunken’s possible sale to Grundig were still going on in
1982, Grundig’s own financial position was quickly worsening as a
result primarily of its mounting losses in VCR manufacture.

Grundig confessed publicly that if the firm carried on five more
years as it was doing, it would ‘go under like AEG’, which, in
summer 1982, had become insolvent. Grundig intensified his search
for stronger partners, which he had apparently begun by talking
with Siemens in 1981. In late 1982, at the same time as Grundig
and Philips were pressing for curbs on Japanese VCR imports,
Grundig floated the idea of creating, based around Grundig, a
European consumer electronics ‘superfirm’ involving Philips,
Thomson, Bosch, Siemens, SEL, and Telefunken. Most of the
prospective participants in such a venture were unenthusiastic
about Grundig’s plans, however, and the outcome of Grundig’s
search for a partner or partners to secure its survival was that
Thomson offered to buy a 75.5 per cent shareholding in the firm.

Political opinion in West Germany was overwhelmingly, if not
indeed uniformly, hostile to Thomson’s plan to take over Grundig.
The political difficulties which Thomson and Grundig faced in
securing special ministerial permission for their deal were exacer-
bated by the probability of job losses given a rapidly deteriorating
labour market situation, and by the fact that, as late as 1982 and
early 1983, an election campaign was in progress. Moreover, the
Federal Economics Ministry was apparently concerned that, if
Thomson took over Grundig, the West German Government would
have been exposed to the danger of trade policy blackmail from the
French Government, which could then have demanded increased
protection for the European consumer electronics industry as the
price for Thomson not running down employment at Grundig (and
in other West German subsidiaries).

The decisive obstacle to Thomson's taking over Grundig,
however, lay not with the position of the Federal Economics
Ministry (or that of the Government or the FCO or the Deutsche
Bank), but rather in that of Grundig’s minority shareholder,

Philips. Against expectations, the FCO announced that it would
approve the take-over, but only provided that Philips gave up its
shareholding in Grundig and that Grundig also abandoned its plans
to assume control of Telefunken. As talks on Grundig’s plan to take
over Telefunken had already been suspended, the latter condition
posed no problem to Thomson’s taking over Grundig.

Once it had been put on the spot by the FCO's decision, Philips
was forced to leave its cover and declare that it would not withdraw
from Grundig. Apart from its general concern at being confronted
with an equally strong competitor on the European consumer
electronics market, Philips’s motives in thwarting Thomson's take-
over of Grundig were probably twofold. First, Thomson evidently
did not want to commit itself to continue manufacturing VCRs
according to the Philips—-Grundig V2000 technology, but wanted
rather to keep the Japanese (VHS) option open and, according to its
public declarations, to work with Grundig on the development of a
new generation of VCRs. Secondly, Philips was, ahead of Siemens,
Grundig’s biggest components supplier, with annual sales to
Grundig worth several hundred million Deutschmarks. lf Thomson
had taken over Grundig, this trade would have been lost.

A sequel to the failure of Thomson's bid for Grundig was that in
1984, with bank assistance, Philips assumed managerial control of
Grundig. Thus, at the end of this phase of the restructuring
programme of the European consumer electronics industry, two
main groups have emerged, one centred around Philips, the other
around Thomson, and Blaupunkt is the only significant firm in
West Germany left under West German control. But a common
European response (i.e. one involving Philips and Thomson) to the
Japanese challenge of the kind which Max Grundig
had envisaged
in 1982 had not come about, and may be less likely given
Thomson’s acquisitions in Britain and the US which make it a much
more powerful competitor to Philips. But the acceleration in
Japanese and also Korean inward investment in Europe in 1986-7,
especially in VCR production where there are now a total of twenty
Far Eastern-owned plants, suggests that the process of restructuring
within Europe is far from complete.

The recent experience of the European consumer electronics
industry points to the critical role of the framework and instruments
of regulation in trying to account for the different responses of the
various national industries and governments to the challenges
posed by growing Japanese competitive strength and technological
leadership. At one extreme is self-regulation by individual firms,
where governments eschew any attempt to determine the responses
which particular firms make to changing market conditions, whilst
adopting policy regimes such as tax and tariff structures and
openness to inward investment which critically affect the conditions
under which self-regulation takes place." At the other extreme is
regulation by government intervention at the level of firm strategy,
where governments seek specific policy outcomes by offering
specific forms of inducement to selected firms and denying them to
others.”

HISTORY OF GRUNDIG IN GERMAN:
Max Grundig wurde am Donnerstag, dem 7. Mai 1908 in Gostenhof (Nürnberg), Denisstrasse 3 geboren. Er war das erste Kind vom 29jährigen Emil Grundig und seiner 27-jährigen Frau Marie Grundig, geb. Hebeisen. Max hatte noch 3 Schwestern. Sein Vater starb 1920 früh. Im April 1922 begann Max eine Lehre bei der Firma Jean Hilpert (Gas-/Wasserinstallation). 1924 begann er, sich für Radios zu interessieren. 1927 wurde der Installationsbetrieb von

C.Blödel aus Nürnberg übernommen und Max wurde Filial-chef. Die Firma konnte einem Grossauftrag eines Nürnberger Krankenhauses entgegennehmen. Neben den 60 Mark Lohn bekam er so noch 3% Provision auf alles, was verkauft wurde. 1930 wurde der Betrieb an jemanden aus Thüringen verkauft, was Max nicht besonders gut fand. Kurze Zeit darauf nahm er sein Erspartes zusammen, lieh sich weiteres Geld, kündigte seine alte Arbeit und eröffnete in der Sternstr. 4 einen eigenen Laden. Damit begann nun für den 27jährigen Max die Karriere, die schliesslich in den Fürther Grundig-Werken enden sollte. In der Nordbayerischen Zeitung vom 20 und 22. November und 5. Dezember 1930 war folgende Anzeige zu lesen:

"Rundfunk-Geräte, Lautsprecher und Schallplatten, Lumophon, die Weltmarke, kaufen Sie am besten und zu billigsten Preisen bei der Fa. radioVertrieb Fürth, Stern-strasse 4. Besichtigen Sie unsere reichhaltige Ausstellung. Kostenlos und unverbindlich wird Ihnen jedes Funkgerät und Lautsprecher vorgeführt."

1934 zog der Laden in die Schwabacherstr. 1 um und öffnete

dort am 21.Juni 1034 seine Pforten. Hier wurde Max in 4 Jahren Umsatz-Millionär.

Hier hat er auch die ersten Trafo-Wickelmaschinen gekauft und in Betrieb gesetzt. Zu dieser Zeit hatte Fürth noch Gleichstrom und Nürnberg bereits Wechselstrom im Netz und so ging immer wieder einiges kaputt, so dass Grundigs Leute neue Trafos wickeln konnten. Zur besseren Belieferung seiner Kundschaft kaufte er ein DKW Lieferfahrzeug. 1936 zogen Max, seine Mutter und seine Schwester Wilhelmine um in die Amalienstrasse 55. 1938 lernte er seine Frau Anneliese kennen und am 3. Dezember 38 wurden sie getraut.1938 produzierte die Firma bereits 30.000 kleine Trafos. Am 3. Dezember zog Max mit seiner Frau um in die Moststr. 17. Dort blieb er 14 Jahre lang wohnhaft. 1939 stand er zusammen mit einem Kollegen ganz oben in der Radioindustrie. Zwischen 1940 und 45 wurden hauptsächlich Trafos hergestellt.

1941 bis 43 konnte er seinen Soldatendienst in Nürnberg mit der Arbeit in seinem Betrieb kombinieren. 1943 zog die Firma um nach Vach. hier wurden täglich 200 defekte Trafos neu gewickelt. 1944 standen hier bereits 10 Wickelmaschinen und es wurden 50.000 Trafos in diesem Jahr hergestellt. Ausserdem kamen grosse Aufträge von AEG und Siemens hinzu. AEG wollte 10.000 Trafos pro Tag und so wurden 150 russische Frauen in Dienst gestellt. Diese wohnten auch beim Betrieb und Max regelte alles für sie. Am 17. April legten die Amerikaner die Produktion still. Max war jetzt 37 Jahre alt, ein Unternehmer mit 150 Beschäftigten und ein Vermögen von 17,5 Millionen. Das Material stapelte sich in der Fabrik, aber er durfte nichts bauen. Am 18. Mai 1945 wurde die Produktion wieder langsam angefahren, wobei die gesamte Produktion wieder in die Schwabacher Str. verlegt wurde. Die grossen Schulden, die AEG und Siemens bei Grundig hatten, wurden mit Material bezahlt. Im Juni 1945 zog man in die

Jakobinerstr. 24 in Fürth um. Zunächst reparierte man Radiogeräte. Bezahlt wurde mit Zigaretten und allem, was zum Tausch geeignet war. Komplette Geräte durften in den Besatzungszonen noch nicht gebaut werden, Grundig kam hier auf eine geniale Idee. Mit dem sog. "Heinzelmann" stellte er einen Bausatz her, der ein Verkaufshit wurde: 1946 verkaufte er bereits 391 Geräte zum Preis zwischen 176 und 198 Reichsmark. Am 19. März 1946 bekam Max das Grund-stück Kurgartenstr. zugewiesen und am 17. September 1947 wurde dort eine neue Fabrik eingeweiht. Die RVF Elektro-technische Fabrik wurde am 7. Juli zum Grundig Radiowerk GmbH. Die Lumophonwerke wurden am 16. Mai 1951 über-nommen. Am 27. September wurde das Fernsehen aus der Taufe gehoben. Am 22. Februar 1970 wurde die Familien-stiftung unter dem Namen 'Max Grundig Familien-Stiftung' angemeldet. 1952 wurde das erste Tonbandgerät gebaut: der Reporter 300, ein Einbaugerät. Es folgten die Reporter 500, 600 und 700 in verschiedenen Ausführungen. In den fünfziger Jahren wurden die Modelle 5,50,54,55,819,820,830,919,920 und die Stenoretten gefertigt. Die verschiedenen Modelle erhielten die Zusätze: TM, TS bzw. TR, welche folgende Bedeutung haben:
TM = Tonmöbel
Hier handelt es sich um Einbaugeräte, die vor allem in die
damals weit verbreiteten Möbelschränke / Truhen eingebaut
wurden. Diese Tonbandgeräten hatten auch keinen
Verstärker, dazu wurde das Radiogerät aus der Musiktruhe
verwendet.

Folgende Modelle sind bekannt: TM5,7,8,9,19,20,27,30,45,50,54,55,58,60,64,64U,64USA,64WE,
245,320B,340,700,819,830,919.

TR = Tonradio
Hier handelt es sich um preiswerte Ausführungen, die als
Beistellgerät zu einem radio fungierten. Es gab die Modelle
TR3, TR5 und TR20.

TS = Tonstereo
Diese Geräte verfügten entweder über einen eigenen
Verstärker oder nicht. Diese Geräte waren teuer. Es gab
folgende Modelle:
TS19,19A,23,58,320,320Hifi,320U,321,340B,340Deluxe,
340Studio Hifi,600,925,945,1000.
Die TS19 und die TS 23 wurden in Schränke eingebaut und
dienten als Beistellgerät zu Radios. Das TS58 hatte ein
eingebautes Radio.

TK = Tonkoffer
Diese Modelle sind die meistbekannten. Es gibt hiervon
ungefähr 190 verschiedene Modelle! Die Kennzeichnung steht zumeist unter den Geräten. Es gab Sonderausführungen ohne Teller für bestimmte Firmen. Ein Modell enthielt ein Stereoradio: TK 850 FM. Die Modelle erhielten auch Städtenamen, z.B. Würzburg, Nürnberg, Beyreuth, Augsburg und wurden speziell für eine Firma aus Hamburg gemacht. Ausserdem gibt es Kennzeichnungen wie a,b,g,h,k,t,tr,u, usa,we. Hier ist noch nicht ganz klar, was sie zu bedeuten haben. Ausserdem wurden Geräte für den englischen und amerikanischen Markt gefertigt. Diese haben die Bezeichnungen: Dual De Jur Professional TK820. Auf
Diesem Tonbandgerät findet man das Firmenlogo von

Lumophon. Die Bezeichnung 'De Jur' gab es auch bei
einigen Stenorette-Geräten. Die letzten Grundig-Bandmaschinen war die TS 1000, welche zwischen 1976 und 77 produziert wurde und für grosse 26,5 cm Spulen geeignet war. Danach kamen noch die Modelle 925 (2-Spur) und 945 (4-Spur) und 22 cm-Spulengrösse. Ab ca. 1979/80 wurden dann nur noch Kassettendecks gebaut. Gebaut wurde auch 8-Spur-Recorder für den kanadischen und amerikanischen
Markt. Der Konzern geriet wie alle anderen deutschen
HiFi- und Fernsehunternehmen auch, in der 80er Jahren
in die Verlustzone, bekam jedoch mit dem Philips Konzern einen grossen Partner. Im Jahr 2003 hat Grundig nach dem Ausstieg von Philips Insolvenz angemeldet. Das Haupt-gebäude von Grundig in Fürth und das alte Wohnhaus von Grundig wurden zu Rundfunkmuseen umgebaut. Es ist sicher den Aufwand wert, dort einmal vorbeizuschauen,
allerdings sieht man dort wenig Grundig-Tonbandgeräte, aber das soll sich bald ändern.
Das modell TK18 und TK18 luxe und die TK12 sind produciert in England. Die TK12 ist fur 22 cm spulen. Die modellen TK200 und die TK400 sind produciert in Belfast Irland.


1930 gründet der Kaufmann und Radiobastler Max Grundig (1908-1989) den Radio-Vertrieb Fürth, Grundig & Wurzer (RVF), ein Radio-Fachgeschäft mit Werkstatt. Bald fabriziert der Betrieb auch Transformatoren und Spulen, später zudem Prüfgeräte. 1934 zahlt Grundig den Teilhaber und Freund Karl Wurzer aus. 1938 beträgt der Umsatz mehr als 1 Mio. RM. Während des Krieges fabriziert Grundig im Dorf Vach mit etwa 600 Personen, darunter vielen Ukrainerinnen, Kleintrafos, elektrische Zünder und Steuergeräte für die V-Raketen. Das Grundig-Vermögen schätzt man am Kriegsende auf 17,5 Mio. RM

Ab 18. Mai 1945 kann Grundig wieder in Fürth produzieren. Er lässt Transformatoren wickeln, Reparaturen ausführen und stellt kurz darauf das Röhrenprüfgerät «Tubatest» und das Fehler-Suchgerät «Novatest» her. Ab 15.1.46 lässt Grundig den externen Ing. Hans Eckstein, den früheren Konstrukteur bei Lumophon, einen Einkreiser-Baukasten mit späterem Namen «Heinzelmann» entwickeln. Anfang 1946 beschäftigt Grundig ca. 100 Personen. Ab Oktober 1946 läuft die Produktion des «Heinzelmann» und die Firma stellt bis Ende 1946 391 Baukästen her. Die vierseitige Geschichte dazu findet sich in der Zeitschrift «rft» 1991, ab Seite 421. Grundig hat auch 1947 grossen Erfolg, denn ein Baukasten ist ohne Bezugsschein erhältlich. Das erste Modell (A) ist ein Zwei-Röhren-Allstromempfänger mit Wehrmachtsröhren RV12P2000. Die Produktion findet bald mit 120 Mitarbeitern auf 400 qm statt. Anfang 1947 folgt Modell W [634701]. Der Baukasten erreicht 1948 eine Stückzahl von 39'256 [DRM].

Am 15.3.47 beginnt Grundig mit dem Bau eines modernen Fabrikgebäudes auf 8000 qm Fläche. Mitte 1948 kann die Firma den Superhet «Weltklang» anbieten; er findet ebenfalls guten Absatz. 400 Personen arbeiten auf 3000 qm Fläche. Im Juli 1948 benennt Grundig seine Firma in Grundig-Radiowerke GmbH um. Jetzt arbeiten 650 Personen im Betrieb. 1949 kommt als erstes deutsches Nachkriegs-Koffergerät der «Grundig-Boy» auf den Markt. Die Firma bringt eine Neukonstruktion des «Heinzelmann» auf den Markt. Zudem entsteht der Vier-Kreis-Super «Weltklang 268GW». Im Mai 1949 erreicht der Betrieb in der Bizone (eigentlich Trizone!) 20 % Marktanteil [664905]. Die Bizone ist der Zusammenschluss der amerikan. und brit. Besatzungszone von 1947 bis 8.4.49, die sich ab dann durch den Anschluss der frz. Besatzungszone zur Trizone erweitert.

Am 16. Mai 1951 übernimmt Grundig die Lumophon-Werke (ebenfalls in Fürth) für den Betrag von 1,7 Mio. DM. Im gleichen Jahr entstehen erste Grundig-Tonbandgeräte. 1952 beginnt die Produktion von Fernsehgeräten. Das Unternehmen beschäftigt nun 6000 Personen und feiert am 12. Mai 1952 den millionsten Rundfunkempfänger. Die Baureihe von 1952/53 ist erstmals technisch und formal einheitlich gestaltet, wobei Grundig die prinzipielle Form bis 1956/57 beibehält. Ausser Typ 810 mit Flankengleichrichter enthalten alle Geräte einen integrierten FM-Teil mit Ratiodetektor. 1955 bezeichnet sich Grundig als den grössten Tonbandgeräte-Hersteller der Welt. 1956 kauft er das Telefunken-Rundfunkgerätewerk Dachau [639071]. 1959 besteht Grundig aus sieben Werken, zwei Tochtergesellschaften plus einer Neugründung in den USA. 1964 übernimmt Grundig die Tonfunk-Werke, Karlsruhe. 1969 beteiligt sich Grundig mehrheitlich an der Kaiser-Radio in Kenzingen. Max Grundig ist seit 1970 gesundheitlich angeschlagen.

1978 gehören 31 Werke, 9 Niederlassungen mit 20 Filialen und drei Werksvertretungen, 8 Vertriebs- und 200 Exportvertretungen zur Grundig AG. 1979 beschäftigt das Unternehmen 38'000 Personen; der Umsatz liegt bei 3 Mrd. DM. Ein Hauptstandort ist Nürnberg. Grundig muss sich jedoch einer Umstrukturierung unterziehen und Philips erhält 1979 eine Beteiligung von rund 25 %. 1980/81 muss Grundig einen Verlust von 187 Mio. DM hinnehmen. Zusätzlich scheitert das Gerät «VIDEO 2000» finanziell.

Eine detaillierte Firmengeschichte enthält das 1983 erschienene Buch: «Sieben Tage im Leben des Max Grundig» von Egon Fein.

Allerdings lässt sich aus [481, Saba] auch wenig Schmeichelhaftes über das Machtstreben von Max Grundig erfahren.

1984 erhöht Philips die Beteiligung um 7 % und übernimmt die unternehmerische Verantwortung. 1986/87 kann das Unternehmen mit noch 19'500 Mitarbeitern wieder schwarze Zahlen schreiben. 1987/88 beschäftigt Grundig noch 18'700 Personen bei einem Umsatz von

3,2 Mrd. DM, wovon 90 % auf die Unterhaltungselektronik entfallen. In diesem Geschäftsjahr verlassen 2 Mio. Farbfernsehgeräte und 750'000 Videorecorder die Bänder. Max Grundig stirbt im Dezember 1989 [639071] - letztlich hatte er nicht das vierblättrige, sondern das dreiblättrige Kleeblatt als Firmenemblem gewählt.

Philips hat das Unternehmen vollständig übernommen. Mitte 90er Jahre beschäftigt Grundig noch 8000 Personen. Eine detaillierte Firmengeschichte findet sich in «kleeblatt radio» ab 5/93 des Förderverein des Rundfunkmuseums der Stadt Fürth eV.

1998 verkaufte Philips das Unternehmen an ein Konsortium unter Führung von Anton Kathrein von den Kathrein-Werken. Im Jahre 2001 wurde bei einem Umsatz von 1,2 Milliarden Euro ein Verlust von 150 Millionen Euro erwirtschaftet. Daher verlängerten die Banken im Herbst 2002 die Kreditlinien nicht mehr, was zur Insolvenz im April 2003 führte. In der Folgezeit wurden gewinnbringende Sparten (wie z.B. Bürogeräte, Autoradios) aus dem Konzern herausgelöst und einzeln verkauft. Verlustreiche Sparten wurden stillgelegt und die Mitarbeiter entlassen. Heute erhältliche Neuware von Grundig ist kaum noch "made in Germany".



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