Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical Obsolete technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
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©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
All posts are presented here for informative, historical and educative purposes as applicable within Fair Use.


Tuesday, January 25, 2011

NORDMENDE INTEGRAL 1712 / 1.220 J YEAR 1980.










The NORDMENDE  INTEGRAL 1712 / 1.220 J  is a  B/W Television with 16 Inches (44Cm) and 12 Programs with sensoric program change buttons.
It has a  sensor keyboard for local commands, includes a plurality of tuning positions each defined by an adjustable potentiometer, a neon bulb indicator, a UHF/VHF switch and a two pole momentary contact touch switch. A common tuning capacitor has a tuning voltage developed thereacross for controlling the tuning of a varactor diode tuner. A source of reference potential is coupled across the tuning potentiometers and closure of any touch switch results in the tuning capacitor being charged from the voltage reference source through the selected one of the tuning potentiometers. The neon bulbs yield a visual indication of the selected tuning position. Circuitry for automatically placing control of the tuner to a preselected one of the tuning positions upon turn on of the receiver is also included.A solid-state voltage-controlled capacitor (varactor or varicap) UHF television tuner is described which includes a varicap preselector tuned circuit, a varicap tuned RF amplifier stage inductively coupled to the preselector circuit, and a varicap tuned oscillator stage, both the oscillator stage and the amplifier stage being inductively coupled to the diode mixer stage from which an IF signal is derived. The tuner employs a single tuning voltage source to tune across the entire UHF range and also includes provision for AGC. Trimmer capacitors and inductance adjusting devices of unique and advantageous configuration are employed to align the tuner. Further disclosed are unique methods of assembly and alignment for the tuner. In the  "recent" introduction (1970's) of several models featuring touch-sensitive tuning is the culmination of a series of developments in television tuning techniques over a long period of time. In the earliest (66/67's) push-button tuner units (v.h.f.) tuning was effected by the extent to which a multiple slug was inserted into the inline signal and oscillator coils. This was an improvement over rotary types of tuner and proved to be very reliable though the reset accuracy tended to diminish after prolonged use. The earlier u.h.f. and integrated or multiband tuners were also purely mechanical in operation and though the designs were considerable technical achievements the push-buttons nevertheless required quite some pressure to effect channel changing.
With the developmente of application covering the use of m.o.s. devices for television and radio channel selection and indication a  device relates to a specially developed m.o.s.-technology integrated circuit which  is already produced in development quantities. The  touch -tuner as the i.c. is designated ans was  intended to replace mechanical push-button TV tuner mechanisms. It provides a sensing system which operates in conjunction with a finger -touch plate, a switching arrangement to control a varicap tuner and in addition outputs to operate channel indicating neon lamps. The sensing system comprises a very high -impedance circuit which is effectively shorted out by the resistance of a finger placed across the external touch plate. One side of the touch plate is connected to the sensing input of the i.c. and the other to a positive voltage which may be d.c. or a.c. When the touch plate is operated the channels are stepped through in sequence: the selected channel latches on and the appropriate indicator lights. The i.c. operates from a standard 33V varicap tuner supply and enables up to eight channels to be selected. Remote control can be applied to the system if required and the set is provided for that. Touch -sensitive control units form a welcome and natural adjunct to the use of varicap tuner units. As they dispense completely with the need for electrical switches and switch contacts they should reduce further the number of service calls for tuning faults. Various circuit arrangements are used in touch operated tuner control units but all operate when a finger tip bridges a pair of contacts which incidentally look at first glance like a single contact. When the finger tip completes the circuit forward bias is applied to a high gain switching transistor. This in turn switches on another transistor or transistors and the net outcome is that the supply to the appropriate tuning potentiometer is connected and held on while the supply to the previously selected potentiometer is switched off. In addition a channel ident fication bulb is usually brought into circuit. As skin resistance is high the touch contacts must be incorporated in a correspondingly high resistance circuit; in practice resistor values in the range 10-22MegaOhm are used. The switching operations are carried out either by discrete transistors or i.c.s. Transistors form almost ideal switches of course.

It's a Circuit arrangement for establishing a reference potential of a chassis of an electrical device such as a radio and/or TV receiver, such device being provided with at least one contactless touching switch operating under the AC voltage principle. The device is switched by touching a unipole touching field in a contactless manner so as to establish connection to a grounded network pole. The circuit arrangement includes in combination an electronic blocking switch and a unidirectional rectifier which separates such switch from the network during the blocking phase.In electronic devices, for example TV and radio receivers, there are used in ever increasing numbers electronic touching switches for switching and adjusting the functions of the device. In one known embodiment of this type of touching switch, which operates on a DC voltage principle, the function of the electronic device, is contactlessly switched by touching a unipole touching field, the switching being carried out by means of an alternating current voltage.


(To see the Internal Chassis Just click on Older Post Button on bottom page, that's simple !)


Nordmende was a manufacturer of entertainment electronics based in Bremen, Germany.
The original company, Radio H. Mende & Co, was founded in 1923 by Otto Hermann Mende (1885-1940) in Dresden. Following the destruction of the plant during the bombing raids in 1945, Martin Mende (the founder's son) created a new company in Bremen in 1947, in a former Focke-Wulf plant, under the name North German Mende Broadcast GmbH. The name was subsequently changed to Nordmende: subsequently the company became one of the prominent German manufacturers of radios, televisions, tape recorders and record players in the 1950s and 1960s.
In the 1970s, Nordmende televisions were renowned for their innovative chassis, and for the rigorous testing and quality control of their finished products. Both created high costs, however, which soon proved a competitive disadvantage when the price of colour televisions began to plunge.
In 1969, Mende's sons took over the company, and in 1977 a majority shareholding was sold to the French Thomson Brandt company and the chassis remains the original NordMende until CHASSIS F9. The following year, the family sold their remaining shares to Thomson. In the 1980s, the factories in Bremen were closed, Nordmende becoming purely a Thomson trademark (Starting from chassis F10 F11 they're all THOMSON).








In the 1990s, the name Nordmende was used with decreasing frequency, and it eventually disappeared in favour of the Thomson name. In 2005 Videocon Group acquired all cathode ray tube activities from Thomson. This led to the creation of VDC Technologies, which manufactures TV sets using the Nordmende brand under licence from Thomson.
The Nordmende brand name was relaunched in Ireland in September 2008 by the KAL Group. Although Nordmende was well known for its televisions throughout Ireland during the 1970s and 1980s, the company bought the rights to the name and launched a range of white goods including fridges, freezers, washing machines, and dishwashers, alongside a revamped range of flat-screen TVs and stereos.


     
NORDMENDE HISTORY IN GERMAN:

Die Vorkriegsgeschichte findet sich unter Mende. Nach dem Totalverlust in Dresden gründet Martin Mende (30.12.1898-1982) unter Mitwirkung von Hermann Weber am 26. August 1947 [FT5901] in Bremen-Hemelingen die Norddeutsche Mende-Rundfunk GmbH.

Die ersten Gehäuse liefert ein Tischler in Achim gegen Kompensation von fünf Gehäusen zu einem Rundfunkgerät. Der frühere Mende-Konstrukteur, Obering. Heer zeichnet wieder für die Geräte verantwortlich [FT49??].

Ab 27. Juli 1948 liefert die neue, zuerst 18 und bald 60 Personen umfassende Firma auf Grund von Währungsreform, Krediten und Zulieferverträgen die neue Radioproduktion.

Das Regime in Ostdeutschland lässt den Namen Mende nicht zu, so dass Martin Mende mit grafischen Konstruktionen im Zusammenhang mit «Nord» an seinen Vorkriegserfolg anschliesst.

Die Hallen der ehemaligen Focke-Wulf AG beim Bahnhof Seebaldsbrück dienen als Werkstätten. 1950 beschäftigt das Unternehmen 700, 1959 schon 3500 und im Zenit 6300 Personen.

1950 beginnt die Firma mit UKW-, 1953 mit Fernseh- und 1954 mit Mess- und Prüfgeräten. Gegen Ende der 50er Jahre heisst die Firma Norddeutsche Mende Rundfunk KG [RP7901].

Nachdem sich Nordmende bislang nicht mit Magnettongeräten befasst hat, bringt das Werk 1958 das erste deutsche Heim-Tonbandgerät mit drei Motoren auf den Markt. Allerdings dominieren auf diesem Sektor eindeutig andere Firmen wie AEG/Telefunken und Grundig. Von Nordmende kommen jeweils nur ein bis zwei Geräte (1960 keines) in die Kataloge. Dafür hat die Firma Erfolg mit einem anderen Neueinstieg:


1958 stellt Nordmende mit «Mambo» ihr erstes Reisegerät vor - aber nicht «das erste deutsche, serienmässig hergestellte und volltransistorisierte Koffergerät», wie man aus einer Quelle nachlesen kann. Danach wird Nordmende in Deutschland auf dem Sektor Reisegeräte besonders stark, obwohl sie keine Röhren-Koffer baute. Immerhin kosten die in «Mambo» verwendeten 8 Halbleiter dann im Einzelhandel DM 98.70, während für die vier D-Röhren der 90er-Serie - auch zum Katalogpreis - etwa DM 35.- auszugeben wären. Preis des ganzen Gerätes: DM 189.- plus zwei Flachbatterien von 4,5 V.

Bis 1969 gibt es ca. 92 Modelle der tragbaren Radios (Koffer- bzw. «Handradios», d.h. «Hand held radios»). Beispielsweise finden sich im Katalog 1961/62 [448] je 11 Tischradios und Radiomöbel sowie 8 Modelle von Reiseradios. 17 verschiedene Fernsehmodelle zeigen dagegen, wo in jener Zeit der Erfolg zu holen war.

Gemäss [FT7901] liegt Nordmende während kurzer Zeit mit der sogenannten «Tippomatik-Bedienung» sogar technisch vorne. Siehe auch Philips etc.

Auch Konzertschränke scheinen Ende der 50er bis Anfang 60er Jahre eine tragende Säule für Nordmende zu sein. Dabei verwendet die Firma immer wieder gleiche Namen wie «Cabinet», «Caruso», «Casino», «Cosima» sowie «Arabella» und «Isobella» mit wechselnden Zusatz-Nummern oder den Zusatz «Stereo», z.B. in den Jahren 1959 und 1960/61.

Im März 1967 nimmt das Werk die Produktion von Farbfernsehgeräten auf. Zum Firmenjubiläum erscheint eine Gerätereihe mit der Bezeichnung 'Goldene 20'. 1969 übernehmen die Mende-Söhne Karl und Hermann die Geschäftsführung.

1977 führt der verschärfte Wettbewerb zum Verkauf der Mehrheit an den französischen Konzern Thomson-Brandt; die Familie Mende zieht sich anschliessend ganz aus dem Unternehmen zurück. Martin Mende stirbt 1982.

Weblinks:

 Commons: Nordmende – Sammlung von Bildern, Videos und Audiodateien
Tote Marke NORDMENDE – Verblasster Stolz. Artikel im Manager-Magazin
Ein neues Programm. Artikel in der Zeit
Fernseher: Inder produzieren neue Nordmende. Artikel bei itespresso.de
Videocon produziert Plasmaschirme für Nordmende. Artikel im pressetext.de

Einzelnachweise

Spectra Color Studio und Spectra SK2 Color de Luxe Studio auf radiomuseum.org
Marke Nordmende mit Digital- und Internetradios zurück, teltarif.de, Artikel vom 2. September 2017.


Company profile. Phillar, archiviert vom Original am 6. März 2008; abgerufen am 26. April 2013 (englisch).


Broschüre – Sprachmanager24. Abgerufen am 5. Januar 2015.



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