Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical Obsolete technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
-----------------------
©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
All posts are presented here for informative, historical and educative purposes as applicable within Fair Use.


Showing posts with label 1959. Show all posts
Showing posts with label 1959. Show all posts

Wednesday, August 1, 2012

DUMONT TELESET MODEL ?? YEAR 1959.





The DUMONT TELESET MODEL ?? is a heavy portable 19 inches B/W Round screen television with VHF channel drum selector and a further added UHF channel selector on rear side.

Tuning is obtained with rotatable drum selectors for VHF and variable rotatable capacitor for UHF.
A rotatable drum containing twelve pre-defined channel-specific filters determines the received channel, where the inductors of the input matching, the channel filter and the LO tank circuit are changed. The tuner is divided into two chambers for maximum isolation between the sensitive RF input and the mixer-oscillator-IF section with its much larger signals. Also on the drum there are eventually two separate sub-modules.
It's completely based on tubes technology.
With this concept, which essentially turned the tuner module into a kind of Lego building block construction, many different tuners became possible. Depending upon the country of destination and its associated standard and IF settings, the required filter modules would be selected. Service workshops and tv fabricants could later even add or exchange modules when new channels were introduced, since every inductor module had its individual factory code and could be ordered separately. As a consequence more versions of the tuner were produced, covering at least standards B, B-for-Italy, C. E, F and M.


The principle of the drum tuner. On an axis two times 12 regularly spaced channel-specific filter modules are mounted. In front are twelve channel filter modules for both the channel filter and LO tank circuit tuning. Seven contacts are available, and one module is shown removed. The second row contains 12 modules with five contacts for the input filter circuit. In the tuner module the front section (for mixer-ocillator and channel filter) is separated by a metal shield from the rear RF input and pre-amp section. [Philips Service "Documentatie voor de kanalenkiezers met spoelenwals", 1954]
Examples of the filter modules as used in the drum tuner. Left the 5-contact input filter, right the 7-contact BPF and LO tank filters. In both modules the coils are co-axial for (maximum) mutual coupling.





The second new valve introduced in the tuners family was the PCF80, a triode-pentode combo valve specifically designed for the VHF mixer-oscillator role. First order the circuit principles didn't change too much from the previous ECC81 based generation, with the triode acting as a Colpitts oscillator with a tuned feedback from anode to grid. The oscillator voltage was minimally 5V at the grid, and would be inductively coupled to the input of the mixer pentode. This inductive coupling was achieved by putting the oscillator coil S7 and the BPF coils S5 and S6 on the same rod inside the drum tuner filter modules, see Fig.5 above. By adjusting the distance between these coils for each channel filter module, the coupling constant could be kept more or less constant across all channels, providing as much as possible a frequency-independent mixer performance. For the mixer the pentode replaced the previous triode, providing more feedback isolation between anode and grid. All in all the new tuner must have given a considerable performance improvement compared to the previous generation.

Television receivers currently being manufactured for consumer use were capable of operation in either the VHF (very high frequency) or UHF (ultra high frequency) bands of frequencies. In order to provide this capability, however, it is necessary to include two separate tuners or tuning circuits in the television receiver with one of these circuits being utilized for VHF reception and the other being used for UHF reception. The VHF tuner conventionally is a turret type of tuner having 13 detented positions which accomplish the coarse tuning or channel selection of the VHF tuner and a separate control is provided to effect the fine tuning at each of the channel positions. Generally, mechanical channel selecting devices for VHF television tuners fall into two groups, namely, the rotary-switching type or the turret types. Turret type tuners include an incrementally rotatable channel selector shaft for selectively connecting certain ones of a plurality of tuned circuit elements to each of a plurality of channel selector positions. UHF tuners generally employ a separate control mechanism or a tuning knob and use a dial indicator of a type commonly found in manual radio receivers. UHF tuners for television receivers are usually of a continuous tuning type similar to the tuning system adapted for radio sets. Therefore, the tuning in UHF channels has been extremely difficult as compared to the tuning in VHF channels. Such continuous tuning systems for the UHF tuners has heretofore been sufficient, since only two or three UHF channels have been authorized in one locality. However, where more UHF channels, namely seven or eight channels, are available for reception, a non-continuous type UHF tuner, which enables simpler tuning operation, is desired. Nevertheless, this continuous tuning system has heretofore been satisfactory, because there were only 2 or 3 UHF band channels or stations available for reception in an area. However, where there are an increased number (7 or 8 or more, for instance) of UHF band channels or stations available for reception, a non-continuous or intermittent tuning system as is adopted for the VHF tuner is preferable.

More desirably, the fine tuning control is presettable, so that the desired channel may be readily selected by merely turning the main channel switch-over shaft. The use of two separate tuning control mechanisms in order to effect the VHF and UHF tuning of the receiver is  at best; and when a receiver is provided with remote control capabilities, generally only the VHF band of frequencies may be remote controlled and the UHF channels still must be selected manually at the receiving set location.Conventional turret tuners still leave room for improvement, especially as far as minimizing the tuner size and dimension, and simplifying the assembly, as well as lowering the manufacture costs and improving the tuner performance are concerned.


The rear cover lid is a full steel panel directly grounded chassis mains live !!!!

A voltage changer is present but the set is originally powered at 125volt.

Completely based on tubes technology even in power supply.

The set is last DUMONT set fabricated before closing activity in 1960.


The B/W Tubes Television set was powered with a External Voltage stabiliser unit for Television (portable metal box) which relates to voltage regulators of the type employed to supply alternating current and a constant voltage to a load circuit from a source in which the line voltage varies. Conventional AC-operated television receivers exhibit several undesirable performance attributes. For example, under low-line voltage conditions such as those encountered during peak load periods or temporary power brown-outs imposed during times of power shortage, picture shrinkage and defocusing are encountered and under extreme brown-out conditions the receiver loses synchronization with a resultant total loss of picture intelligibility.

On the other hand, abnormally high-line voltage conditions are sometimes encountered, and this can lead to excessive high voltage and X-ray generation. In addition, either abnormally high steady state line voltage conditions or high voltage transients such as those encountered during electrical storms or during power line switching operations may subject the active devices and other components of the receiver to over-voltage stresses which can lead to excessive component failure.

It is a principal object of the present invention to provide a new and improved AC-operated television receiver having greatly improved performance characteristics in the presence of fluctuating power supply voltages.

A more specific object of the invention is to provide an AC-operated television receiver affording substantially undegraded performance under even extremely low-line voltage conditions without excessive high voltage and X-ray generation under even extremely high-line voltage conditions.

Still another and extremely important object of the invention is to provide a new and improved AC-operated television receiver having greatly improved reliability against component failure. Such regulators are frequently provided employing saturable core reactors and condensers connected in circuit...  in such manner as to provide a plurality of variable voltage vectors which vary in different senses, as the line voltage varies, but which add vectorially in such manner that their vector sum remains substantially constant upon variations in line voltage, for providing automatic voltage stabilization of single or multiphase A. C. circuits where the supply voltage and frequency are subject to variation above and below normal value and where the load is subject to variation between normal limits.
voltage stabilization is automatically effected by the provision of an inductive pilot control device which is adapted to provide two excitation supply voltages for producing excitation or satuation of two magnetic circuits of a reversible booster transformer unit or units and diversion of flux from one magnetic circuit to the other, the booster unit being energized by primary windings from the A. C. supplysystem and being provided with a secondary winding or windings connected between the supply system and the corresponding inain or distribution circuit and in series therewith, through which a corrective boost voltage is
introduced into the circuit under the influence of the pilot control device, of an amount equal to that of the supply voltage fluctuation which initiated it and appropriate in polarity and direction for restoring the voltage to normal value and providing automatic stabilization of the circuit voltage against supply voltages which fluctuate above and below normal value.


The pilot control device which may be employed singly or may comprise three units or their equivalent when applied to multiphase supply systems comprises a pair of closed magnetic circuits or cores constructed of strip wound magnetic material or stacked laminations, the two
circuits forming a pair being constructed of materials possessing dis~similar magnetic characteristics when jointly energized by identical windings in series or by a collective primary winding, the said magnetic circuits being suitably proportioned to provide equal fluxes when ener-
gized at normal voltage.

The pilot control device is provided with a main and an auxiliary secondary winding or group of windings, the main secondary winding or windings being adapted to provide a voltage representing the difference in the fluxes of the two circuits to which it is jointly associated, while
the auxiliary secondary winding embraces only one circuit, preferably that subject to the least amount of flux variation. Either of the windings consists of two equal sections or in effect a double winding with a center tapping to which one end of the single winding is connected.

The voltage in the single secondary winding of the pilot device becomes directionally additive to that in one half of the tapped secondary winding and substractive in respect to that in the other half. When the supply voltage is normal the voltage provided by the single secondary winding is zero, since there is no difference of flux in the two magnetic circuits, and the two excitation voltages
produced in the halves of the other secondary winding are equal and when connected to the two excitation windings of the booster units, do not produce any diversion of flux between the two circuits or sets of circuits in the magnetic system of the booster transformer unit become equal, and since the series winding on the booster unit is arranged to provide a voltage due to the difference of
the fluxes in its two magnetic circuits or sets of magnetic circuits, no corrective voltage is introduced into the main circuit by the booster. If, however, the supply voltage varies from normal the pilot control device provides a voltage across the one secondary winding due to the difference in the fluxes of the two dis-similar magnetic circuits of which it is comprised, which voltage is combined with thosc in the halves of the other secondary winding to provide two excitation voltages which vary complementarily to each other as the supply voltage fluotuates, and cause a transference of flux between the two
circuits or groups of circuits in the booster unit and automatically provide a corrective boost voltage in the main circuit in which the series winding of the booster transformer is includcd of a value equal to that of the variation in supply voltage which initiated it.
The pilot device may be arranged in various ways, forboth single phase and multiphase operation, as exemplified by the constructions hereinafter more fully described.Similarly, numerous arrangements of the booster transformer unit are possible, some of which are hereinafter described in detail. The booster transformer unit embodies thc principles of the inductive devices described in my co-pending Application No. 411,189, filed February 18, 1954.

As an alternative to the provision of an auxiliary secondary winding on the pilot control device this may be
replaced by an independent or external source of supply,which may be either subject to or independent of supply voltage variation, provided such supply may be arranged with a center tapping if required.

Feed-back arrangements may be employed for providing compensation against voltage drop due to the effects of load in various ways. These are preferably providedon the booster transformer unit and may comprise a current transformer in one or more lines of the main circuit,
the secondary output of the transformer being rectified and arranged to energize an additional excitation winding on the booster transformer unit which in clfect increases the amount of the corrective boost voltage as the load increases.

History:DuMont Labs, Allen B., Inc. (USA)


Founded: 1931
Closed: 1960
Radioproduction: 1938 - 1958

Allen B. DuMont supervised electron tube production for Westinghouse starting in 1924. In 1931 he founded his own company in Montclair, NJ. In 1932 he invented the "Magic Eye" cathode ray tube, and sold the rights to RCA. In 1933 he invented an early form of radar, which he was asked to keep secret (not patent) by the U.S. military. In 1934, DuMont Labs moved to Passaic, NJ. DuMont sold the first all-electronic TV (Model 180) in the U.S. in 1938. DuMont was an influential member of the National Television Standards Committee (NTSC). In 1946, the DuMont TV Network was established, with stations WABD (New York) and WTTG (Washington D.C.). The DuMont Network eventually grew to 200 stations and was sold to Metromedia in 1956. DuMont Labs produced high quality (and expensive) TVs until 1958, when the consumer products business was sold to Emerson. Notable models include the "Royal Sovereign" with its 30-inch CRT. DuMont's cathode ray tube division was sold to Fairchild Camera and Instrument in 1960 to become the A. B. DuMont Division of Fairchild, which developed the Sony Trinitron CRT under contract.



Foundation of Allen B. DuMont Laboratories, Inc.

- In 1931, Allen B. DuMont founded Allen B. DuMont Laboratories, Inc., in his garage with $1000-half of it borrowed. The company achieved its initial success as the primary U.S. manufacturer of cathode-ray tubes, which had become critical to the electronics industry. DuMont entered into television broadcasting---first experimentally, then as a commercial venture-in 1938. In fact, the only way to receive NBC-RCA's historic public broadcast of television outside their 1939 World's Fair pavilion was on sets made by DuMont Labs.

DuMont first became involved in broadcasting by building a radio transmitter and transmitter and receiver out of an oatmeal box while suffering from polio. In 1924, he received an electrical engeneering degree from Rensselaer Polytechnical Institute. After graduation, he joined the Westinghouse Lamp Company as an engineer at a time when 500 tubes a day were being produced. Later DuMont became supervisor and initiated technical improvements that increased production to 5,000 tubes per hour. In 1928, he worked closely with Dr. Lee DeForest on expanding radio, but left later to explore television.

DuMont achieved a number of firsts in commercial television practice, but with little success. He tried to expand his network too rapidly both in the number of affiliates and the number of hours of programming available to affiliates each week. Even as DuMont was developing into the first commercial television network, the other networks, most notably CBS and NBC, were preparing for the time when rapid network expansion was most feasible-experimenting with various program formats and talent borrowed from their radio networks, as well as encouraging their most prestigious and financially successful radio affiliates to apply for television licenses.

Prime-time programming was a major problem for DuMont. The network would not or could not pay for expensive shows that would deliver large audiences, thereby attracting powerful sponsors. When a quality show drew a large audience in spite of its budget, it was snatched by CBS or NBC. DuMont televised the occasional successful show, including Cavalcade of Stars (before Jackie Gleason left), Captain Video, and Bishop Fulton J. Sheen's Life Is Worth Living. The network never seemed to generate enough popular programming to keep it afloat, however-possibly be- cause it lacked the backing of a radio network.

The NBC, CBS and ABC radio networks provided financial support for their television ventures while the fledgling industry was growing-creating what the FCC deemed 'an ironic situation in which one communications medium financed the development of its competitor." DuMont's only outside financial assistance came from Paramount Studios between 1938 and 1941. The company created and sold class-B common stock exclusively to Paramount for one dollar per share and a promise to provide affiliation with CBS and NBC. Analysts have suggested that DuMont's lack of primary affiliates was a key factor in the network's demise.

One important factor contributing to the demise of the DuMont Network was Allen B. DuMont himself. Many people thought of him as a "bypassed pioneer" with no head for business. Major stockholders began to publicly question the soundness of his decisions, especially his desire to keep the TV network afloat despite major losses. In 1955, concerned holders of large blocks of DuMont stock began to wrest control from the company founder.

When the fiscally weakened DuMont corporation spun off its television broadcasting facilities in 1955, Business Week claimed that DuMont had been forced into television programming in order to provide a market for his TV receivers. No evidence has been found to support this claim, however. In markets where licenses for television stations were being granted during the postwar period, there were sufficient license applicants to provide audiences with programming to stimulate set sales. One reason DuMont television sales lagged behind other manufactures was that his sets were of higher quality, and consequently much more expensive. In fact, in 1951 DuMont cut back television set production by 60%-although profits from this division had been subsidizing the TV network-because other manufactures were undercutting DuMont's prices.

After the DuMont Television Network and its owned- and-operated stations were spun off into a new corporation, there remained only two major divisions of Allen B. DuMont Laboratories, Inc. In 1958 Emerson Electric Company purchased the DuMont consumer products manufacturing division. DuMont was no longer employed by his own company when the last division-oscillograph and cathode-ray tube manufacturing--was sold to Fairchild in 1960. DuMont was hired by Fairchild as group general manager of the A. B. DuMont Division of Fairchild Camera and Instrument Corporation until his death in 1965.

DuMont may have remained in television broadcasting despite fiscal losses in order to uphold the title once given him, 'the father of commercial television."

His company pioneered many important elements necessary to the growth and evolution of the industry. DuMont engineers perfected the use of cathode-ray tubes as TV screens, developed the kinescope process, as well as the "magic eye cathode-ray radio tuning indicator, and the first electronic viewfinder. DuMont was an intelligent and energetic engineer who took risks and profited financially from them-becoming history's first television millionaire. But when the big radio networks entered the field of television, DuMont was unable to compete with these financially powerful, considerably experienced broadcaster.

Allen B(alcom) DuMont Born in Brooklyn, New York, U.S.A., 29 January 1901. Educated at Rensselaer Polytechnic Institute, Troy, New York, B.S. in electrical engineering 1924. Married: Ethel; children: Allen B.,Jr., and Yvonne. Began career with the Westinghouse Lamp Company; conducted TV experiments in his garage,
1920s; developed an inexpensive cathode- ray tube that would last for thousands of hours (unlike the popular German import CRT, which lasted only 25 to 30 hours), DeForest Radio Company,
1930; left to found his laboratory,

1931; incorporated DuMont Labs,
1935; sold a half-interest to Paramount Pictures Corporation to raise capital for broadcasting stations, 1938; DuMont Labs was first company to market home television receiver,
1939; granted experimental TV licenses in Passaic, New Jersey, and New York,
1942; DuMont TV Network separated from DuMont Labs, sold to the Metropolitan Broadcasting Company; Emerson Radio and Phonograph Corp. purchased DuMont's television, phonograph, and stereo producing division; remaining DuMont interests merged with the Fairchild Camera and Instrument Corp.,

1960; named group general manager of DuMont divisions of Fairchild,
1960; named senior technical consultant,
1961. Honorary doctorates: Rensselaer and Brooklyn Polytechnic Institutes. Recipient: Marconi Memorial Medal for Achievement,
1945; American Television Society,

1943; several trophies for accuracy in navigation and calculations in power-boat racing.

Died in Montclair, New Jersey, 16 November 1965.


See also

References


  • Weinstein, David (2009). The Forgotten Network: DuMont and the Birth of American Television. Temple University Press. ISBN 9781592134991.

  • Adams, Edie (March 1996). "Television/Video Preservation Study: Los Angeles Public Hearing". National Film Preservation Board. Library of Congress.

  • External links

    DUMONT TELESET MODEL ?? CHASSIS 120600A INTERNAL VIEW.










    A heavy steel structure holds on all parts of the receiver from power supply, signal parts on left side, in the middle the deflections circuits and on the right side line + EHT sections.

    Above is located the further added UHF tuner.

    TUBES USED:

    6CB6A
    6CB6A
    6CB6A
    12BY7A
    6BU8
    6AU6
    6T8A
    6AQ5A
    6CM7
    6AL5
    6CG7
    6DQ6A
    6AX4GT
    1B3GT
    5U4GB
    6ER5
    6CG8A


    DUMONT TELESET MODEL ?? CHASSIS 120600A CRT TUBE ALLEN B DUMONT 21DAP4.







    Wednesday, August 3, 2011

    TELEFUNKEN TTV32-17 YEAR 1959.





    The TELEFUNKEN TTV32-17 was first Telefunken 17 inches Screen B/W television using a 110° degree CRT TUBE and was anyway a sligltly rounded screen type.

    VHF channel drum selector is present and an UHF Tuner was added after time.

    Tuning is obtained with rotatable drum selectors for VHF and variable rotatable capacitor for UHF.
    A rotatable drum containing twelve pre-defined channel-specific filters determines the received channel, where the inductors of the input matching, the channel filter and the LO tank circuit are changed. The tuner is divided into two chambers for maximum isolation between the sensitive RF input and the mixer-oscillator-IF section with its much larger signals. Also on the drum there are eventually two separate sub-modules.
    It's completely based on tubes technology.
    With this concept, which essentially turned the tuner module into a kind of Lego building block construction, many different tuners became possible. Depending upon the country of destination and its associated standard and IF settings, the required filter modules would be selected. Service workshops and tv fabricants could later even add or exchange modules when new channels were introduced, since every inductor module had its individual factory code and could be ordered separately. As a consequence more versions of the tuner were produced, covering at least standards B, B-for-Italy, C. E, F and M.


    The principle of the drum tuner. On an axis two times 12 regularly spaced channel-specific filter modules are mounted. In front are twelve channel filter modules for both the channel filter and LO tank circuit tuning. Seven contacts are available, and one module is shown removed. The second row contains 12 modules with five contacts for the input filter circuit. In the tuner module the front section (for mixer-ocillator and channel filter) is separated by a metal shield from the rear RF input and pre-amp section. [Philips Service "Documentatie voor de kanalenkiezers met spoelenwals", 1954]
    Examples of the filter modules as used in the drum tuner. Left the 5-contact input filter, right the 7-contact BPF and LO tank filters. In both modules the coils are co-axial for (maximum) mutual coupling.





    The second new valve introduced in the tuners family was the PCF80, a triode-pentode combo valve specifically designed for the VHF mixer-oscillator role. First order the circuit principles didn't change too much from the previous ECC81 based generation, with the triode acting as a Colpitts oscillator with a tuned feedback from anode to grid. The oscillator voltage was minimally 5V at the grid, and would be inductively coupled to the input of the mixer pentode. This inductive coupling was achieved by putting the oscillator coil S7 and the BPF coils S5 and S6 on the same rod inside the drum tuner filter modules, see Fig.5 above. By adjusting the distance between these coils for each channel filter module, the coupling constant could be kept more or less constant across all channels, providing as much as possible a frequency-independent mixer performance. For the mixer the pentode replaced the previous triode, providing more feedback isolation between anode and grid. All in all the new tuner must have given a considerable performance improvement compared to the previous generation.

    Television receivers currently being manufactured for consumer use were capable of operation in either the VHF (very high frequency) or UHF (ultra high frequency) bands of frequencies. In order to provide this capability, however, it is necessary to include two separate tuners or tuning circuits in the television receiver with one of these circuits being utilized for VHF reception and the other being used for UHF reception. The VHF tuner conventionally is a turret type of tuner having 13 detented positions which accomplish the coarse tuning or channel selection of the VHF tuner and a separate control is provided to effect the fine tuning at each of the channel positions. Generally, mechanical channel selecting devices for VHF television tuners fall into two groups, namely, the rotary-switching type or the turret types. Turret type tuners include an incrementally rotatable channel selector shaft for selectively connecting certain ones of a plurality of tuned circuit elements to each of a plurality of channel selector positions. UHF tuners generally employ a separate control mechanism or a tuning knob and use a dial indicator of a type commonly found in manual radio receivers. UHF tuners for television receivers are usually of a continuous tuning type similar to the tuning system adapted for radio sets. Therefore, the tuning in UHF channels has been extremely difficult as compared to the tuning in VHF channels. Such continuous tuning systems for the UHF tuners has heretofore been sufficient, since only two or three UHF channels have been authorized in one locality. However, where more UHF channels, namely seven or eight channels, are available for reception, a non-continuous type UHF tuner, which enables simpler tuning operation, is desired. Nevertheless, this continuous tuning system has heretofore been satisfactory, because there were only 2 or 3 UHF band channels or stations available for reception in an area. However, where there are an increased number (7 or 8 or more, for instance) of UHF band channels or stations available for reception, a non-continuous or intermittent tuning system as is adopted for the VHF tuner is preferable.

    More desirably, the fine tuning control is presettable, so that the desired channel may be readily selected by merely turning the main channel switch-over shaft. The use of two separate tuning control mechanisms in order to effect the VHF and UHF tuning of the receiver is  at best; and when a receiver is provided with remote control capabilities, generally only the VHF band of frequencies may be remote controlled and the UHF channels still must be selected manually at the receiving set location.Conventional turret tuners still leave room for improvement, especially as far as minimizing the tuner size and dimension, and simplifying the assembly, as well as lowering the manufacture costs and improving the tuner performance are concerned.


    Even with 17 Inches it's big and heavy.

    Completely based on tubes technology.

    The tellye here in collection is fabricated in Italy by TELEFUNKEN RADIO TELEVISIONE MILANO in Italy which was at the time the Italian TELEFUNKEN factory.

    This factory was even well known for his radio production in ancient times.

    TV set kindly donated to me by Marshall Elia Z.


    The B/W Tubes Television set was powered with a External Voltage stabiliser unit for Television (portable metal box) which relates to voltage regulators of the type employed to supply alternating current and a constant voltage to a load circuit from a source in which the line voltage varies. Conventional AC-operated television receivers exhibit several undesirable performance attributes. For example, under low-line voltage conditions such as those encountered during peak load periods or temporary power brown-outs imposed during times of power shortage, picture shrinkage and defocusing are encountered and under extreme brown-out conditions the receiver loses synchronization with a resultant total loss of picture intelligibility.

    On the other hand, abnormally high-line voltage conditions are sometimes encountered, and this can lead to excessive high voltage and X-ray generation. In addition, either abnormally high steady state line voltage conditions or high voltage transients such as those encountered during electrical storms or during power line switching operations may subject the active devices and other components of the receiver to over-voltage stresses which can lead to excessive component failure.

    It is a principal object of the present invention to provide a new and improved AC-operated television receiver having greatly improved performance characteristics in the presence of fluctuating power supply voltages.

    A more specific object of the invention is to provide an AC-operated television receiver affording substantially undegraded performance under even extremely low-line voltage conditions without excessive high voltage and X-ray generation under even extremely high-line voltage conditions.

    Still another and extremely important object of the invention is to provide a new and improved AC-operated television receiver having greatly improved reliability against component failure. Such regulators are frequently provided employing saturable core reactors and condensers connected in circuit...  in such manner as to provide a plurality of variable voltage vectors which vary in different senses, as the line voltage varies, but which add vectorially in such manner that the
    voltage stabilization
    is automatically effected by the provision of an inductive pilot control device which is adapted to provide two excitation supply voltages for producing excitation or satuation of two magnetic circuits of a reversible booster transformer unit or units and diversion of flux from one magnetic circuit to the other, the booster unit being energized by primary windings from the A. C. supplysystem and being provided with a secondary winding or windings connected between the supply system and the corresponding inain or distribution circuit and in series therewith, through which a corrective boost voltage is
    introduced into the circuit under the influence of the pilot control device, of an amount equal to that of the supply voltage fluctuation which initiated it and appropriate in polarity and direction for restoring the voltage to normal value and providing automatic stabilization of the circuit voltage against supply voltages which fluctuate above and below normal value.



    Their vector sum remains substantially constant upon variations in line voltage, for providing automatic voltage stabilization of single or multiphase A. C. circuits where the supply voltage and frequency are subject to variation above and below normal value and where the load is subject to variation between normal limits.
    The pilot control device which may be employed singly or may comprise three units or their equivalent when applied to multiphase supply systems comprises a pair of closed magnetic circuits or cores constructed of strip wound magnetic material or stacked laminations, the two
    circuits forming a pair being constructed of materials possessing dis~similar magnetic characteristics when jointly energized by identical windings in series or by a collective primary winding, the said magnetic circuits being suitably proportioned to provide equal fluxes when energized at normal voltage.

    The pilot control device is provided with a main and an auxiliary secondary winding or group of windings, the main secondary winding or windings being adapted to provide a voltage representing the difference in the fluxes of the two circuits to which it is jointly associated, while
    the auxiliary secondary winding embraces only one circuit, preferably that subject to the least amount of flux variation. Either of the windings consists of two equal sections or in effect a double winding with a center tapping to which one end of the single winding is connected.

    The voltage in the single secondary winding of the pilot device becomes directionally additive to that in one half of the tapped secondary winding a nd substractive in respect to that in the other half. When the supply voltage is normal the voltage provided by the single secondary winding is zero, since there is no difference of flux in the two magnetic circuits, and the two excitation voltages
    produced in the halves of the other secondary winding are equal and when connected to the two excitation windings of the booster units, do not produce any diversion of flux between the two circuits or sets of circuits in the magnetic system of the booster transformer unit become equal, and since the series winding on the booster unit is arranged to provide a voltage due to the difference of
    the fluxes in its two magnetic circuits or sets of magnetic circuits, no corrective voltage is introduced into the main circuit by the booster. If, however, the supply voltage varies from normal the pilot control device provides a voltage across the one secondary winding due to the difference in the fluxes of the two dis-similar magnetic circuits of which it is comprised, which voltage is combined with thosc in the halves of the other secondary winding to provide two excitation voltages which vary complementarily to each other as the supply voltage fluotuates, and cause a transference of flux between the two
    circuits or groups of circuits in the booster unit and automatically provide a corrective boost voltage in the main circuit in which the series winding of the booster transformer is included of a value equal to that of the variation in supply voltage which initiated it.
    The pilot device may be arranged in various ways, forboth single phase and multiphase operation, as exemplified by the constructions hereinafter more fully described.Similarly, numerous arrangements of the booster transformer unit are possible, some of which are hereinafter described in detail. The booster transformer unit embodies thc principles of the inductive devices described in my co-pending Application No. 411,189, filed February 18, 1954.

    As an alternative to the provision of an auxiliary secondary winding on the pilot control device this may be
    replaced by an independent or external source of supply,which may be either subject to or independent of supply voltage variation, provided such supply may be arranged with a center tapping if required.

    Feed-back arrangements may be employed for providing compensation against voltage drop due to the effects of load in various ways. These are preferably providedon the booster transformer unit and may comprise a current transformer in one or more lines of the main circuit,
    the secondary output of the transformer being rectified and arranged to energize an additional excitation winding on the booster transformer unit which in clfect increases the amount of the corrective boost voltage as the load increases.


    In brief:
    Telefunken (WAS) is a German radio and television apparatus company, founded in 1903, in Berlin, as a joint venture of two large companies, Siemens & Halske (S & H) and the Allgemeine Elektricitäts-Gesellschaft (General Electricity Company).

    The name "Telefunken" appears in:

    * the product brand name "Telefunken";
    * AEG subsidiary as Telefunken GmbH in 1955;
    * AEG subsidiary as Telefunken AG in 1963;
    * company merged as AEG-Telefunken (1967–1985);
    * the company "Telefunken USA" (2001). Now Telefunken Elektroakustik (2009)
    * the company "Telefunken semiconductor GmbH & Co KG" Heilbronn Germany (2009).
    * the company "Telefunken Lighting technologies S,L" (2009)

    The company Telefunken USA[1] was incorporated in early 2001 to provide restoration services and build reproductions of vintage Telefunken microphones.

    Around the turn of the 20th century, two groups of German researchers worked on the development of techniques for wireless communication. The one group at AEG, led by Adolf Slaby and Georg Graf von Arco, developed systems for the German navy; the other one, under Karl Ferdinand Braun, at Siemens, for the German army.

    When a dispute concerning patents arose between the two companies, Kaiser Wilhelm II decided that the two companies were to be joined, creating on 27 May 1903 the company Gesellschaft für drahtlose Telegraphie System Telefunken ("The Company for Wireless Telegraphy Ltd."), and the disputed patents and techniques were invested in it. This was then renamed on 17 April 1923 as Telefunken, The Company for Wireless Telegraphy. Telefunken was the company's telegraph address. The first technical director of Telefunken was George Graf von Arco.

    Starting in 1923, Telefunken built broadcast transmitters and radio sets.

    In 1928, Telefunken made history by designing the V-41 amplifier for the German Radio Network. This was the very first two stage, "Hi-Fi" amplifier which began a chapter in recording history. Over time, Telefunken perfected their designs and in 1950 the V-72 amplifier was born. The TAB (a manufacturing subcontractor to Telefunken) V-72 soon became popular with other radio stations and recording facilities and would eventually come to help define the sound of most European recordings. The V-72S was the only type of amplifier found in the legendary REDD-37 console used by the Beatles at Abbey Road Studios on every recording prior to Rubber Soul. Today the V-72 is still the most sought after example of Telefunken's design and over 50 years later continues to be the benchmark by which all other tube based microphone preamplifiers are measured. In 1932, record players were added to the product line.

    In 1941 Siemens transferred its Telefunken shares to AEG as part of the agreements known as the "Telefunken settlement", and AEG thus became the sole owner and continued to lead Telefunken as a subsidiary (starting in 1955 as "Telefunken GmbH" and from 1963 as "Telefunken AG").

    During the Second World War Telefunken was a supplier of vacuum tubes, transmitters and radio relay systems, and developed radar facilities and directional finders, aiding extensively to the German air defense against British-American Aerial Bombing. During the war, manufacturing plants were shifted to and developed in West Germany or relocated. Thus, Telefunken, under AEG, turned into the smaller subsidiary, with the three divisions realigning and data processing technology, elements as well as broadcast, television and phono. Telefunken had substantial successes in these markets during the time of self-sufficiency and also later in the AEG company. Telefunken was also the originator of the FM radio broadcast system. Telefunken, through the subsidiary company Teldec (a joint venture with Decca Records), was for many decades one of the largest German record companies, until Teldec was sold to WEA in 1988.

    In 1959, Telefunken established a modern semiconductor works in Heilbronn, where in April 1960 production began. The works was expanded several times, and in 1970 a new 6-storey building was built at the northern edge of the area. At the beginning of the 1970s it housed approximately 2,500 employees.

    In 1967, Telefunken was merged with AEG, which was then renamed to AEG-Telefunken. During this era, Walter Bruch developed the PAL color television for the company, in use by most countries outside the Americas today (i.e. United Kingdom - PAL-I), and by Brazil (PAL-M) and Argentina (PAL-N) in South America.

    The mainframe computer TR 4 was developed at Telefunken in Backnang, and the TR 440 model was developed at Telefunken in Konstanz. They were in use at many German university computing centres from the 1970s to around 1985. The development and manufacture of large computers was separated in 1974 to the Konstanz Computer Company (CGK). The production of mini- and process computers was integrated into the automatic control engineering division of AEG. When AEG was bought by Daimler in 1985, "Telefunken" was dropped from the company name.

    In 2005, Telefunken Sender Systeme Berlin changed its name to Transradio SenderSysteme Berlin AG. The name "Transradio" dates back to 1918, when Transradio was founded as a subsidiary of Telefunken. A year later, in 1919, Transradio made history by introducing duplex transmission. Transradio has specialized in research, development and design of modern AM, VHF/FM and DRM broadcasting systems.

    In August 2006, it acquired the Turkish company Profilo Telra, one of the largest European manufacturers of TV-devices, with Telefunken GmbH granting a license for the Telefunken trademark rights and producing televisions under that name. In 2000, Toni Roger Fishman acquired The Diamond Shaped Logo & The Telefunken Brand Name for use in North America. The company "Telefunken USA" [2] was incorporated in early 2001 to provide restoration services and build reproductions of vintage Telefunken microphones. In 2003, Telefunken USA won a TEC Award for Studio Microphone Technology for their exact reproduction of the original Ela M 250 / 251 Microphone system. Telefunken USA has since received several TEC Awards nominations for the following microphone systems: the Telefunken USA M12 or C12 (originally developed by AKG), the R-F-T M16 MkII, and the AK47. The Historic Telefunken Ela M251 microphone system entered the MIX foundation's Hall of fame in 2006. In 2008, Telefunken USA won a second TEC Award for its new Ela M 260 microphone.

    As a result of a conference held in Frankfurt in May 2009, Telefunken USA has been renamed Telefunken Elektroakustik ("Electrical Acoustics") Division of Telefunken and awarded the exclusive rights to manufacture a wide variety of professional audio products and vacuum tubes bearing the Telefunken Trade Mark, in over 27 countries worldwide. Telefunken Elektroakustik now uses the Telefunken trademark for Professional Audio Equipment & Component Based Electronics, such as Capacitors, Transformers, Vacuum Tubes in North America, South America, Europe, Asia and Australia.
    TELEFUNKEN HISTORY:

    1903 – 1922
    TWO ARCH RIVALS. ONE INNOVATIVE COMPANY

    At the beginning of the last century, two rival research groups were working in the field of
    wireless telegraphy. The Slaby-Arco group was represented by the radio-telegraphy department
    of AEG, founded in 1899. The other as the Braun-Siemens group, represented by a company
    called Gesellschaft für drahtlose Telegraphie, System Prof. Braun und Siemens & Halske
    GmbH. Under the advice of Emporer Wilhelm II, the two groups merged to form the
    Gesellschaft für drahtlose Telegraphie mbH company on May 27, 1903. And the rest is history.




    A TELEFUNKEN FIRST
    The very first Telefunken customers were the German Army and the Imperial Navy.
    Telefunken was proud to deliver the first two transmitters for the new coastal radio station, Norddeich
    Radio, in November 1905. In October 1906, the expansion of a much larger Nauen station was
    completed with a range of 300 km and HF output of 10 kW. Welcome to the power of
    Telefunken.


    MEET DR. TELEFUNKEN

    Dr. Georg Graf Von Arco was the first Technical Director and Managing Director of the
    Gesellschaft für drahtlose Telegraphie mbH in 1903. He was also the holder of more than one
    hundred patents. Among other inventions, he initiated the high-frequency mechanical
    transmitter and the wavemeter. Necessity is the mother of invention. Or in this case, German
    inventions.


    1923 – 1936
    TELEFUNKEN GOES COMMERCIAL

    On April 17, 1904, the company changed its name to "Telefunken, Gesellschaft für drahtlose
    Telegraphie", and on July 26, 1932 Telefunkenplatte GmbH officially began its commercial
    activity with registered capital of 100,000 Reichsmarks.
    The station in the Telefunken building, Tempelhofer Ufer 9 in Berlin, began broadcasting
    concerts regularly two and a half months before the official start of the "Deutsche
    Rundfunkverkehr". The world tour of the Graf Zeppelin airship in 1929 got off the ground by
    using Telefunken transmitters, receivers and directional equipment exclusively.
    Also, on October 31, 1928, during the 5th Grand German Radio Exhibition in Berlin, Telefunken
    presented a television set with the Karolus-Telefunken system, a scanning process of film
    images through a Mechau projector with a Nipkow disk, in public for the first time.


    MEET TELEFUNKEN’S MAD SCIENTISTS

    Dr. Hans Bredow is considered to be the "Father of Broadcasting". He was employed at
    Telefunken from 1904 to 1919 as a Project Manager, and later as Managing Director.
    Prof. Dr. Walter Bruch developed the very first electronic television camera, with which he
    participated in the live broadcast of the Olympic Summer Games in Berlin in 1936. He also
    earned international fame by inventing the PAL color television system. He joined Telefunken's
    Television and Physical Research Department in 1935.
    These two innovators thought out of the “TV box” and helped shape and make Telefunken what
    it is today.


    WELCOME TO RADIO TELEFUNKEN

    The German radio station in Zeesen near Königswusterhausen (8 kW shortwave transmitter) was built by Telefunken and was officially placed in service on August 28, 1929. The Mühlacker radio station (60 kW output) was handed over on December 20, 1930. Telefunken is now in, and on, the air.


    TELEFUNKEN GOES FOR THE GOLD, SILVER AND BRONZE

    In 1935, Telefunken equipped the Olympic Stadium, the Maifeld and the Dietrich-Eckhardt
    Stage with electrical-acoustic equipment for the Olympics. On August 1, 1936 at the XI Olympic
    Summer Games in Berlin, an electronic television camera, known as the Ikonoskop, was used
    for the first time for a direct transmission. Again, another Telefunken first. And second. And third
    1936- 1954


    NOW PLAYING ON CHANNEL TELEFUNKEN

    The first fully electronic television studio equipped by Telefunken for the Deutsche Reichspost
    was opened with a live broadcast in August 1938. The 500 kW long wave transmitter in
    Herzberg, also known as the most powerful German broadcast transmitter, was supplied by
    Telefunken and began to operate on May 19, 1939.


    IT’S NOT A MERGER. IT’S A POWERHOUSE

    On September 24, 1941, AEG took over the 50% of Telefunken shares owned by Siemens &
    Halske AG valued at 20 million Reichsmarks. Thus, Telefunken became a 100% subsidiary of
    AEG. In exchange, Siemens & Halske AG received the shares of Eisenbahn-Signalwerken,
    Klangfilmgesellschaft mbH and Deutsche Betriebsgesellschaft für drahtlose Telegraphie
    (DEBEG) owned by AEG. Strength in numbers, indeed.


    POST WWII

    The reconstruction after the World War II posed a particularly difficult challenge to Telefunken.
    All production facilities and equipment were destroyed, disassembled or confiscated and many
    valuable experts were scattered around the world. Rebuilding began in West Germany and
    Berlin in 1945, and the production of tubes and transmitters was resumed the same year. But
    growth was on the way.



    THE TELEFUNKEN COME BACK

    In 1953 Telefunken already comprised six plants and five sales offices in Berlin, Ulm,
    Frankfurt/Main and Hanover again.The range of products consisted of long-range
    communications systems, radio and television transmitters, marine radios, commercial
    receivers, directional and navigation systems, radar devices, deci and UHF directional radio
    connections, mobile radio systems, portable radio systems, HF heat generators, measuring
    equipment, electro-acoustical systems, music centers, record players, transmitter tubes, radio
    tubes, special tubes and quartz crystals. As you can see, Telefunken was relentless and has
    come a long way.


    PROF. DR. DR. WILHELM T. RUNGE THE FIRST

    Prof. Dr. Dr. Wilhelm T. Runge (1895-1987) performed trailblazing work in radio and radar
    technology and played a significant role in the development of microwave in Germany. He was
    especially renowned internationally in the field of high-frequency technology. As well as for
    having a few, very important titles before his name.


    1955 – 1962
    AS TELEFUNKEN GROWS, SO DOES ITS NET WORTH

    The name of the company was changed to Telefunken GmbH on January 4, 1955. Due to the
    expanded business activities of Telefunken, AEG increased the capital of the company to DM
    100 million in 1958.


    THE FIRST GERMAN STEREO STUDIO. BROUGHT TO YOU BY TELEFUNKEN

    The Sender Freies Berlin (SFB) station ordered the first German stereo studio in 1961. The
    harbor radar system, supplied by Telefunken, was officially placed for service in Hamburg
    Harbor in August 1962, while the first German transistor receiver (six transistors) was produced
    in a test series in 1956. Prof. Dr. Walter Bruch filed the fundamental PAL "time decoder" patent
    on December 31, 1962. It was the first German stereo studio of its kind, and Telefunken sought
    to it that there was nothing else quite like it.


    1963-1978
    WHAT’S IN A NAME?

    Telefunken GmbH became Telefunken AG on July 5, 1963. On June 23, 1966, the General
    Shareholder Meeting of AEG passed a resolution to integrate Telefunken AG into Allgemeine
    Elektrizitäts-Gesellschaft. Based on an operating lease agreement, the business activities of
    Telefunken were transferred to AEG effective January 1, 1967, and were continued under the
    combined name AEG-Telefunken. In March 1968, AEG-Telefunken developed a new mediumrange
    radar system (Type SER-LL), which was able to detect targets at an altitude of 24,000
    meters at a distance of 280 kilometers. Telefunken expands on land, as well as in the air.


    TAPE RECORDERS WORTH MILLIONS

    AEG-Telefunken delivered the two-millionth tape recorder, a Magnetophon 204 TS, on August
    5, 1969. The ten-millionth black-and-white television picture tube was produced in Ulm on
    January 27, 1970. The numbers are astounding. As is Telefunken.AEG-Telefunken delivered the
    two-millionth tape recorder, a Magnetophon 204 TS, on August 5, 1969. The ten-millionth
    black-and-white television picture tube was produced in Ulm on January 27, 1970. The
    numbers are astounding. As is Telefunken.


    ECONOMIC SLOWDOWN

    There was a worldwide economic slowdown in the wake of the oil crisis in 1974. The
    competition in consumer electronics sector also became more difficult due to Japanese
    suppliers. The only profitable divisions of the company at this time were telecommunications
    and traffic technology. But Telefunken, as usual, was known for their resilience.


    1979- 1983
    THE NAME GAME CONTINUES

    The name of the overall company was changed to AEG-Telefunken Aktiengesellschaft on June
    21, 1979. The "Aktiengesellschaft" [stock corporation] suffix was necessary due to a new law in
    the European Community. In 1979, AEG-Telefunken supplied the complete telecommunications
    and high-voltage equipment for the International Congress Center (ICC) Berlin, valued at DM 50
    million. In January 1983 the company received an order for simulation systems for electronic
    battle simulation for training Tornado crews of the German Luftwaffe and Navy. The total value
    was at DM 37 million. The net worth: priceless.


    TOUGH TIMES FOR TELEFUNKEN

    Court composition proceedings were opened against the assets of AEG-Telefunken AG by the
    District Court in Frankfurt / Main on October 31, 1982.
    The District Court Frankfurt / Main confirmed the composition of AEG-Telefunken AG in
    accordance with the petition filed and closed the proceedings on September 19, 1984.
    Even during this difficult financial situation, AEG-Telefunken continued its business and founded
    AEG-Telefunken Nachrichtentechnik GmbH (ATN), in Backnang, Germany, together with
    Bosch, Mannesmann and Allianz Versicherungs-AG in 1981, as well as Telefunken electronic
    GmbH (TEG) in the field of electronic components (semiconductors) together with United
    Technologies Corporation (UTC), USA in 1982.
    On July 1, 1992, AEG-Telefunken and Deutsche Aerospace (Dasa) founded Telefunken
    Microelektronic GmbH (TEMIC), into which Telefunken Elektronic GmbH was integrated among
    others. But Telefunken was determined to prevail.


    A FINAL, BUT NOT LAST, TURN

    Effective March 31, 1983, the French group Thomson-Brandt S.A. took over 75 percent of the
    AEG-Telefunken shares in Telefunken Fernseh und Rundfunk GmbH, Hanover, Germany,
    including its German and foreign subsidiaries. The remaining 25 percent were supposed to
    follow on January 31, 1984. Daimler-Benz AG entered the company in autumn of 1985 and
    decided in Autumn 1995 to dissolve the legal entity and transferred the remaining assets to
    EHG Electroholding GmbH. Thus, the history of the company was over. But not that of its
    brands.
    A historical overview is offered by the company archive of AEG-Telefunken in the "Deutsches
    Technikmusem Berlin", Trebbiner Str. 9, 10963 Berlin.


    1984 – 2004
    INNOVATION YESTERDAY. TODAY. AND TOMORROW

    Currently, the Telefunken brand and name rights lie with Telefunken Licenses GmbH,
    Frankfurt/Main, Germany. This company is one hundred percent subsidiary of EHG
    Elektroholding GmbH, Frankfurt/Main.
    EHG, on the other hand, is the legal successor of AEG Aktiengesellschaft. The licensor is
    Licentia Patent-Verwaltungs GmbH, Frankfurt/Main, Germany. A differentiation is made
    between brand licensing agreements, name use agreements and combined agreements. And
    third-party use always requires the written approval of the licensor.
    In 2003, Telefunken can look back at one-hundred years of brand history. In the past,
    Telefunken was associated with significant technical developments and enjoyed the reputation
    of a successful German company.
    The Telefunken brand is registered in the official trademark registries of 118 countries. It
    continues to be used under a variety of licensing agreements.
    These are the topics that can be found in the commemorative volume "Telefunken After 100
    Years - The Legacy of a Global German Brand."
    Whether discovered on this website or in book, these topics should not only focus attention on
    the past, but also simultaneously highlight the beginning of a strong Telefunken brand. Simply
    put, it’s not just about where we’ve been. But also where we’re going.


    2004 – 2009
    TELEFUNKEN TODAY

    Since December 2007, the trademark-right TELEFUNKEN rests with TELEFUNKEN Holding
    AG, Frankfurt. Currently, TELEFUNKEN is the owner of more than 20,000 patents and active in over 130 countries around the globe.
    Today, TELEFUNKEN stands for innovation and progress in the ever-changing world of
    information and communications technology and is strictly focused on consumer quality – from
    design concept to execution. And because of its strong heritage and long-standing tradition,
    Telefunken has a high brand-awareness and a clear positioning in the field of premium
    products.

    " It is ironic that in the years since the introduction of PAL, Telefunken – the company that invented PAL – disappeared from the market after they were bought in the 1980s by the French company Thomson – a former SECAM protagonist.
    There is further irony in the fact that even as the majority of European and Asian TV viewers benefit on a daily basis from their PAL standard TV pictures, the worldwide transition from analog to digital TV spells the end of this color standard as well as many other TV transmission standards.
    What we have known as PAL, SECAM, or NTSC is now increasingly known as simply digital RGB or Y, Cr, and Cb color component signals encoded in a DVB (Digital Video Broadcasting) signal or one of its many variants such as DVB-T, DVT-S, DVB-C, DVB-H, or similar ones like your ATSC.
    In the future, all this may in turn disappear into an abstract IP (Internet Protocol) packet, which would make traditional distribution channels obsolete. For example, major areas in Germany, and all of Austria may terminate their analog transmissions, replacing them with DVB-T or DVB-S only.
    We will find out whether the 55th anniversary of PAL in 2018 will generate much of a resonance, if all analog TV transmissions – whether terrestrial, satellite, or cable – have been brought to an end. "


    Some References:

    • M. Friedewald: Telefunken und der deutsche Schiffsfunk 1903–1914. In: Zeitschrift für Unternehmensgeschichte 46. Nr. 1, 2001, S. 27–57
    • M. Fuchs: Georg von Arco (1869–1940) – Ingenieur, Pazifist, Technischer Direktor von Telefunken. Eine Erfinderbiographie. Verlag für Geschichte der Naturwissenschaften und der Technik, Berlin & München: Diepholz 2003
    • L. U. Scholl: Marconi versus Telefunken: Drahtlose Telegraphie und ihre Bedeutung für die Schiffahrt. In: G. Bayerl, W. Weber (ed.): Sozialgeschichte der Technik. Ulrich Troitzsche zum 60. Geburtstag. Waxmann, Münster 1997 (Cottbuser Studien zur Geschichte von Technik, Arbeit und Umwelt, 7)
    • Telefunken Sendertechnik GmbH: 90 Jahre Telefunken. Berlin 1993
    • Erdmann Thiele (ed.): Telefunken nach 100 Jahren – Das Erbe einer deutschen Weltmarke. Nicolaische Verlagsbuchhandlung, Berlin 2003, ISBN 3-87584-961-2
    •  

    Einzelnachweise:

    Schreibweise mit c siehe: - AEG-Teilschuldverschreibung von 1962

    Marke „Telefunken“ in der Registerauskunft des Deutschen Patent- und Markenamtes (DPMA)

    E. Thiele (Hrsg.): Telefunken nach 100 Jahren: Das Erbe einer deutschen Weltmarke. Nicolai, Berlin 2003, S. 19

    Kurt Kracheel: Flugführungssysteme (Die Deutsche Luftfahrt, Band 20). Bernard&Graefe Verlag, Bonn 1993, ISBN 3-7637-6105-5, S. 119.

    Operette 50W UKW. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Autosuper IA 50. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Farbfernseh-Tischempfänger PALcolor 708T. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Mini Partner 101. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Olympia-Partner. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Magnetophon 3000 hifi. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Fernseh-Tischempfänger FE8T. In: radiomuseum.org. Abgerufen am 28. Januar 2016.

    Israelischer Konzern Elbit Systems eröffnet Büro in Berlin. In: bundeswehr-journal. 13. April 2018, abgerufen am 18. Januar 2019.

    Telefunken Semiconductors Heilbronn: Die Lichter sind für immer aus, swr.de, 27. Februar 2015

    LDL Berlin: Geschäftshaus Mehringdamm 32 & 34

    LDL Berlin: AEG-Glühlampenfabrik

    LDL Berlin: AEG-Telefunken-Gerätewerk

    Telefunkenwerk Celle. vergessene-orte.blogspot.com

    Ludwig Leisentritt: Die historische Entwicklung von Zeil am Main, hbrech.tripod.com
     
    R.I.P.  TELEFUNKEN