LOEWE MC11 (60470) YEAR 1980.

The LOEWE MC11 (60470) is a26 inches color television with 16 programs VST synthesized tuning system and remote. The Ucontrolled tuning system was introduced first time In LOEWE with this model and the LOEWE MCS11, and was first Loewe featuring a Microprocessor-controlled television appliance with a local control  and/or a wireless or wire-connected remote control , with setting elements for the individual functions, on the actuation of which digital or analog setting information data for the control and switching on and off of variable and fixed appliance functions are generated, which data are stored in a store  and switched through for the setting of function setters, whith a data line  and/or a control line  for the special transmission of the control commands by means of addresses and data bus to the stores  associated logically interlinked with the function setters, characterised by the combination of the following features : a control-part processor  with several inputs, into which the input commands from the local control  and/or the remote control  and possibly present base value setters  are given in as digital or analog values serially through one input or parallelly through several inputs, which control-part processor  encodes the present input commands in a coding circuit or recodes them in suitable manner so that each command consists of a digital word with setting and address information data readable out by the function processors  associated with the function setters, a non-volatile readable store, which is associated with the control part and which stores the input commands or the equivalent digital words and transmits the setting information data and the address serially in the form of digital words at the output as data bus , and with function processors  which display bus decoders , data stores  and digital and/or analog function setters with associated digital-to-analog converters , at the inputs of which the serially written words are present simultaneously, of which, however, only that bus decoder  is activated, which is addressed by the address placed in front of the information data and which is freed through the control lines  (clock, DLEN), which function processors  display further inputs, through which the signals are fed in, which are to be influenced according to the setting commands and taken off from the chassis, in that a control and/or regulating circuit , which compares the preset data with data interrogatable through the control and/or regulating circuit  in the appliance and which in correspondence with the deviation of the actual value from the intended value readjusts the signal to be influenced or switches the signal passage, is connected to the data store  of the function processor.

The LOEWE MC11 Introduced the Monocarrier 110C7 30AX chassis, first time, developed by LOEWE and uses the (VALVO) PHILIPS 30AX SYSTEM CRT TUBE..The 30AX system, which Philips introduced in 1979, is an important landmark in the development of colour picture systems. With previous systems the assembly technician had to workthrough a large number of complicated setting-up procedures whenever he fitted a television picture tube with aset of coils for deflecting the electron beams. These procedures were necessary to ensure that the beams for the three colours would converge at thescreen for every deflection. They are no longer necessary with the 30AX system: for a given screen format any deflection unit can be combined  with any tube to form a single 'dynamically convergent' unit. A colour-television receiver can thus be assembled from its components almost as easily as a monochrome receiver. The colour picture tube of the PHILIPS 30AX system displays a noticeably sharper picture over the entire screen surface. This will be particularly noticeable when data transmissions such as Viewdata and Teletext are displayed. This has been achieved by a reduction in the size of the beam spot by about 30%. Absence of coma and the retention of the 36.5 mm neck diameter have both contributed to increased picture sharpness. Coma has been eliminated by means of corrective field shapers embedded in the deflection coils which are sectionally wound saddle types. The new deflection unit has no rear flanges. enabling uniform self-convergence to be obtained for all screen sizes. without special corrections, adjustments, or tolerance compensations. Horizontal raster distortion is reduced and no vertical correction is required. One of the inventions in 30AX is an internal magnetic correction system which obviates static convergence and colour purity errors. This enables the usual multiple unit to be dispensed with. together with the need for its adjustment !  New techniques have been employed to achieve close tolerance construction of the glass envelope. In addition, the 30AX picture tube incorporates two features whereby it can be accurately adjusted during the last stages of manufacture. One is the internal magnetic correction system. The other is an array of bosses on the cone that establish a precise reference for the axial purity positioning of the deflection unit on the tube axis and for raster orientation. During its manufacture, each deflection unit is individually adjusted for optimum convergence. The coil carrier also incorporates reference bosses that co-operate with those on the cone of the tube. ' Since every picture tube and every deflection unit is individually pre-aligned, any deflection unit automatically matches with any picture tube of the appropriate size. The deflection unit has only to be pushed onto the neck of the tube unit it seats. Once the reference bosses are engaged, the combination is accurately aligned and requires no adjustment for convergence, colour purity or raster orientation. With no multiple unit and a flangeless deflection unit, there is more space in the receiver cabinet. Higher deflection sensitivity means that less current is consumed, and consequently less heat is produced. This increases the reliability of the TV receiver again. 30AX means simple assembly. Any picture tube is compatible with any deflection unit of the appropriate size and is automatically self-aligning as well as being self-convergent. Now that the new Philips/Mullard 30AX tube has put in an appearance, some details can be filled in. The new tube has been developed from the 20AX, which has been in production since 1974, but brings with it several important advances. First, no dynamic convergence, static convergence, purity or raster correction adjustments are necessary. Secondly the new yoke design gives improved deflection sensitivity, a straight NS raster, and reduced EW raster distortion. Due to the close mechanical tolerances and the inclusion of positioning bosses on the tube bowl, the tube and yoke can be aligned simply by being pushed together - any 30AX yoke will automatically match any 30AX tube of the appropriate size. Thirdly the newly designed electron gun gives a sharper spot, with greater focus uniformity over the screen area. An internal magnetic ring is used to give correct purity and static beam convergence, in place of the multipole unit used in previous in -line gun tube designs. This results in a strikingly compact assembly. The automatic yoke/tube alignment does away with the need for preset mechanical tilt and shift adjustments which, Philips point out, correct one error by introducing another. The new tube is being produced in the 26, 22 and 20in. screen sizes. The power consumption of a set fitted with the 30AX is typicaly 100W compared to 120W with the 20AX system, at 1.2mA beam current and with an e.h.t. of 25kV. This compares with 88W for a set fitted with a 90° narrow -neck tube and hybrid yoke, under the same conditions.

The well-known 20AX features of HI-Bri, Soft-Flash and Quick-vision are maintained in the new 30AX systern.  In their work on the design of deflection coils in the last few years the developers have expanded  the magnetic deflectionfields into 'multipoles', This approach has improved the understanding  of the relations between coil and field and between field and deflection to such an extent that  designing deflection units is now more like playing a difficult but fascinating game of chess than  carrying out the obscure computing procedure once necessary.

It has a Transistorized horizontal deflection circuits  made up of a horizontal switching or output transistor, a diode, one or more capacitors and a deflection winding. The output transistor, operating as a switch, is driven by a horizontal rate square wave signal and conducts during a portion of the horizontal trace interval. A diode, connected in parallel with the transistor, conducts during the remainder of the trace interval. A retrace capacitor and the deflection yoke winding are coupled in parallel across the transistor-diode combination. Energy is transferred into and out of the deflection winding via the diode and output transistor during the trace interval and via the retrace capacitor during the retrace interval.
In some television receivers, the collector of the horizontal output transistor is coupled to the B+ power supply through the primary windings of the high voltage transformer.
Audio connectors for external speaker and recorder are present.

It's an interesting fact that the cathode ray tube, which was amongst the very earliest thermionic devices, seems likely to be amongst the very last in everyday use. Receiving valves are largely things of the past, while timebase valves now belong in the service department. The development of the CRT continues apace however, and one cannot see any likelihood of its demise. Solid-state displays have been talked about, and demonstrated, but anything likely to compete on cost and performance grounds with the modern colour tube seems forever to be "at least ten years away". The early experiments with cathode-ray tubes were carried out in the last century. By the turn of the century, crude CRTs could be made. An early CRT, the Wehnelt hot cathode tube of 1905, is on display at the IBA's Television Gallery. By 1910, Alexander Campbell -Swinton had come to appreciate the possibilities of the CRT as a pick-up and display device for television, and put forward suggestions for such a TV system. It was a while however before the type of tube we know today appeared. The tubes of the 1910-30 era were gas focused devices (relying on residual gas to focus the beam), the vacuum pumps of the period producing only a poor vacuum. By the time of the start of the BBC's TV service in 1936 however the modern type of tube had arrived. It was a triode device with external focusing and a deflection angle of around 50°. The usual sizes were 9 and 12in., and the e.h.t. was about 5kV. Post-war developments during the 1950s saw some important innovations. The deflection angle went to 70°, then 90°, then 110°; multi -electrode gun assemblies with electrostatic focusing were introduced; the e.h.t rose to 20kV; improved phosphors became available; and the advent of the aluminised screen considerably improved the brightness and contrast (by reflecting all the phosphor light emission forwards) while overcoming the problem of ion bombardment. Meanwhile, colour had come. The principle of the shadowmask tube had been suggested in the 1930s, but development (by RCA) had to wait until proposals for an acceptable, practical colour broadcasting system were put forward. A regular colour service was started in the USA in 1954, and the receivers were fitted with 21in. shadowmask tubes. Early developments included the use of improved phosphors, but essentially the same tube confronted us with the advent of colour transmissions in Europe in 1967. As you all know, it had three guns mounted in a triangular formation, a dot-phosphor screen, a massive convergence system in two sections (radial and lateral), plus purity magnets and a large metal shield on which the degaussing coils hung. It also needed both NS and EW raster correction circuitry. The first versions in Europe had a deflection angle of 90° : when the 110° version came along in the early 1970s the convergence and raster correction circuitry required were even more complex, but the degaussing shield had disappeared inside the tube. At much the same time however the first major breakthrough in large screen tube design occurred (we put it that way because the innovating Sony Trinitron was at the time mainly a small screen tube) - the RCA PIL tube with its in -line guns, phosphor -striped screen, and slotted shadowmask. The design of the yoke to provide self -convergence in conjunction with the in -line gun arrangement meant that no dynamic convergence system was required, while some simple manufacturer preset magnets provided static convergence and purity correction. Sets using this tube first appeared in Europe in 1975, and meanwhile the PHILIPS 20AX system had come along. Over the last few years the pace of development has quickened to a striking extent. We've had quick warm-up cathodes, the hi-bri technology which increases the shadow mask's transparency, the contoured line screen, the super -arch mask, pigmented phosphors, soft flash to reduce flashover damage, redesigned focus arrangements, and increased use of an earlier development, the black -stripe screen. The latest generation of tubes require no NS raster correction circuitry, which is all part of a parallel development in yoke technology, while the need for EW correction is also in the process of being designed out. With the new Philips 30AX tube, the static convergence and purity system disappear inside the tube in the form of a small internal magnetic ring. It's all a long way from Wehnelt's hot -cathode tube of 1905. The latest colour tubes are compact and have all the various correction arrangements required built in. They are amazing feats of precision engineering, and a solid-state alternative seems as far away as ever. Is there any farther to go along this path? Well, single -gun colour tubes using the beam indexing principle are now understood to be a practical proposition for small screen tubes, so we can't be too sure.

The Loewe brand values have been shaped consistently over a long period of time. It all began in Berlin in 1923, with the brothers Dr. Siegmund and David Ludwig Loewe. Since then, one principle has always been adhered to: setting new standards with innovation for the senses.

Loewe established an impressive level of quality as early as 1931, with the first public television transmission worldwide. Loewe has been producing quality made in Germany at its location in Kronach since 1948. In the last 20 years, in addition to the Art 1 from 1985 becoming a design classic, Loewe has received numerous national and international awards.

In 2005, Loewe became the leading premium flat screen television provider. It made its breakthrough with the Loewe Individual: the first flat screen television with individualised housing versions, set-up options and inset colours. In 2008, with the Loewe Connect, Loewe heralded a new, digital television age where non-system end devices could be connected to a flat screen television set. One year later, Loewe combined uncompromising ultraslim design with leading state-of-the-art technology in the Reference range. In 2010, Loewe ultimately introduced the Mediacenter, which provides perfect entertainment networking throughout the home. Another step towards the future.

Loewe AG (pronounced [ˈløːvə]) is the parent company of the German Loewe group. The Loewe group develops, manufactures and sells a wide variety of electronic, electrical and mechanical products and systems, and specialises in the field of consumer and communication technology. The company was founded in Berlin in 1923 by brothers Siegmund and David L. Loewe. The company has its headquarters and sole production facilities in Kronach, Franconia. Today, the range has expanded to include televisions, Blu-ray players, DVD recorders, hard disk recorders, multiroom systems, speakers and racks. The trend is shifting from individual products to complete home entertainment systems. Loewe AG is also represented internationally by sales partners and subsidiaries. These include subsidiaries in the Benelux countries, France, Italy, Austria and the UK. There are exclusive Loewe Galeries acting as flagship stores in many cities around the world, including Madrid, London, Paris, Amsterdam, Rome, Copenhagen, Vienna, Moscow and Hong Kong.


LOEWE Company history
It all began in 1923 in Berlin, when Dr Siegmund Loewe and his brother David Ludwig Loewe established a radio manufacturing company called Radiofrequenz GmbH. Their work with the young physicist Manfred von Ardenne in 1926 led to the development of the triple tube, which was first used in the Loewe OE333 radio receiver. This tube prompted Loewe’s multi-tube production and is today lauded as the world’s first integrated circuit.

Television development began at Loewe in 1929. The company worked together with British television pioneer John Logie Baird. In 1931, Manfred von Ardenne presented the world’s first fully electronic television to the public on the Loewe stand at the 8th Berlin Radio Show.

When Hitler came to power in Germany, Siegmund Loewe had to emigrate to the USA in 1938, where he developed friendship with yet another forced emigrant, Albert Einstein.

In 1949, Siegmund Loewe regained possession of company property and took over as chairman of the supervisory board. In the 1950s, Loewe began producing the Optaphon, the first cassette tape recorder, and manufacturing televisions in Kronach. 1961 saw the first European video recorder, the Optacord 500, enter mass production.

In 1962, the family company tradition ended with the death of Siegmund Loewe. Subsidiaries of the Philips group took over the majority of shares. Under this management, which continued until 1985, the company increasingly specialised in the development and production of televisions.

In 1963, the first portable television, Loewe Optaport, was launched. It had a 25cm screen and built-in FM radio. The first Loewe colour televisions were launched along with the introduction of colour television in Germany. Loewe revolutionised television production in 1979 with a fully integrated chassis (everything on a single board). The first European stereo television followed in 1981.

In 1985, management made Loewe a privately owned company again after Philips sold its shares. In the same year, Loewe created the Art 1, a new generation of TVs with a focus on design.

The CS1 represented another international first in 1995 as the world’s first fully recyclable television. At this time, the course was also set for systematic further development as a multimedia specialist.

1998 marked two more milestones in the company history: the launch of the Xelos @ media, the first television with internet access, and that of the Spheros, the first Loewe flat-screen television. In the following year, Loewe AG became a publicly listed company.

With the Individual, the first flat-screen TV with individual housing options, set-up solutions and inset colours, Loewe took a decisive step and became a premium flat-screen TV manufacturer.

Loewe Connect, the world's first smart TV with fully integrated network capability for wireless access to picture, music and video files on a computer or external hard drive followed in 2008.

LED technology was adopted at Loewe in 2010 in the new Individual. In the following year, Loewe introduced 3D picture display to its Individual range.


LOEWE HISTORY IN GERMAN:
Loewe war und ist immer ein besonderer Betrieb - und bis ins 21. Jahrhundert aktiv und in privatem Besitz. Nicht nur «das erste IC», die Röhre 3NF ist da zu erwähnen, sondern auch die Mitentwicklung des elektronischen Fernsehens in Deutschland.

1923: Radiofrequenz-GmbH und Loewe-Audion GmbH, Berlin-Friedenau;
1926: Aktiengesellschaft D.S. Loewe, Berlin-Steglitz;
1930: Radio-Aktien-Gesellschaft Dr. S. Loewe;
1933 (nach): Löwe-Radio AG;
1942: Opta-Radio AG;
1949: Loewe-Opta AG;
1965: Loewe Opta GmbH, Kronach.
Radios: 1923 bis 1926, Loewe 1927 bis 1978. TV-Fabrikation danach.


Nach Studium der Physik und Elektrotechnik promoviert Siegmund Loewe (Berlin 6.11.1885-28.5.1962 USA) unter Max Wien mit magna cum laude zum Dr. phil. Er tritt bei der Firma Telefunken ein und wechselt 1915 zur Firma Huth, wo er die Leitung der Laboratorien und der Patentabteilung übernimmt. 1918 mietet Loewe in Berlin SW61 eine 7-Zimmer-Wohnung und erstellt mit einer kleinen Entwicklungsgruppe einen Telefonie-Röhrensender, dessen Sendungen in dem nicht weit entfernten Haus des Scherl-Verlages von Otto Kappelmayer zu empfangen sind. Um seine Kenntnisse zu erweitern, begibt sich Loewe in die USA. Einen ausführlichen Bericht von und über Loewe finden Sie in [1-99], woraus Sie erkennen können, dass Loewe das treibende Element für den Rundfunk in Deutschland war. Wie er gegen den Monopolanspruch von Telefunken/Lorenz/Huth (Funkkartell «Rundfunk GmbH») kämpfte und weitere Details finden Sie in [6-121].

Nach seiner Rückkehr aus den USA wird das Versuchslabor von Loewe zum Kristallisationspunkt der jungen Funktechnik. Im Dezember 1921 erhält Loewe Besuch von Lee de Forest, und sie verbessern gemeinsam Röhren. 1921 entstehen auch zwei grundlegende Patente für den Konus-Lautsprecher. Loewe eröffnet ein zweites Laboratorium und gründet 1923 die Loewe-Audion-GmbH für die Herstellung von Radioröhren sowie die Radiosender GmbH.

Im Dezember 1921 lernt der Realschüler Manfred von Ardenne den Radiopionier Loewe in einem Elektrikergeschäft kennen und ist darauf häufiger Gast in den Laboratorien von Loewe. Ein Autor schreibt, dass Loewe zum «Ziehvater» des jungen von Ardenne wird und er in der Familie aufgenommen ist, doch von Ardenne beschreibt dies in seinem Buch «Eine glückliche Jugend im Zeichen der Technik» (DDR) nicht.

Die wahrscheinlich 1923 gegründete Loewe Radio GmbH führt der jüngste Loewe-Bruder Bernhard. Das D bei D.S. Loewe steht für den älteren Bruder, David (Teilhaber).

Radiofrequenz GmbH und Loewe-Audion GmbH (1923-27):
Am 22.1.23 erwirbt Dr. Siegmund Loewe die seit 1918/19 bestehende Mechanische Werkstatt Grüttner & Lütgert in Berlin-Friedenau und gründet die Radiofrequenz GmbH. Die ersten Geräte sind für den Export bestimmt. Davon sind mir die Typen EA51, EA52 und EA54 bekannt. EA steht für «Empfangs-Apparat».

Im Jahr darauf stellt der Betrieb die Ziffer 9 vor die laufende Nummer. Der Sprung von EA958 auf EA980 deutet auf andere Artikel hin (z.B. Trichterlautsprecher und kombinierte Geräte etc.). Nachher ist keine Nummernsystematik mehr zu erkennen, ausser den Buchstabenkombinationen wie OE (Orts-Empfänger), FE (Fern-Empfänger), KV (KW-Vorsetzer), RO (Rückkopplungs-Ortsempfänger) etc.
1927 gibt Loewe den Namen Radiofrequenz auf und verwendet seinen eigenen Namen. Die drei Geräte OE333, 2H3N und NVG gibt es unter beiden Namen, da sie Loewe 1927/28 ohne neue Modelle weiter produziert. Mehr als eine Million dieser Geräte lassen sich zum Stückpreis von 39.50 RM verkaufen, und die Tagesproduktion erreicht zeitweise 2000 Einheiten.

Im Oktober 1923 gründet Loewe eine weitere Gesellschaft zur Herstellung von Rundfunkröhren mit dem Namen Loewe-Audion GmbH, ebenfalls an der Niedstrasse 5 in Berlin-Friedenau gelegen. Zuerst entstehen dort Wolfram-, dann Thoriumröhren als «Sparröhren». Im September 1924 meldet Loewe die grundlegenden Patente zur Dreifachröhre mit integrierten Bauteilen an, die 1926 als 3NF mit dem «Loewe Ortsempfänger OE333» einen legendären Ruf erreicht.

Loewe, Löwe, Opta, Loewe-Opta
Die Schrift «Loewe-Story» aus dem Hause Loewe-Opta zeigt die Abbildung eines «Detektor-Empfängers» mit zwei Steckspulen, der angeblich zur Eröffnung des Rundfunks bereitstand. Es ist aber ein umfunktionierter Sperrkreis für den Empfänger 2H3N, Baujahr 1927, was auch aus dem Firmenschild mit «Berlin-Steglitz» hervorgeht.

1926 entsteht die Aktiengesellschaft D.S. Loewe, Berlin-Steglitz. Als zweites Gerät unter der neuen Marke Loewe bzw. Loewe Radio gilt der auf der Funkausstellung im September 1926 gezeigte Fernempfänger 2H3N zu RM 150. Auch Lautsprecherboxen mit Loewe-Konus-Lautsprecher und Stoffbezug im «Südsee-look» sind nun erhältlich. Wegen der steigenden Anzahl Rundfunksender treten Trennschärfeprobleme auf, so dass die Dreifachröhre für den Einbezug einer Rückkopplung einen siebten Anschluss erhält. Diese «3NF7» baut Loewe ab 1928 in alle OE333, 2H3N und in das dritte Gerät, den RO433 ein. Die elektrische Schallplatten-Abtastdose LR150 erregt Aufsehen; Gewicht 260 g! Die Dose verlangt einen Abspielwinkel von 55 Grad. Die 3NF gibt es nun auch mit Oxydkathode als 3NFB mit einem Verbrauch von 0,13 statt 0,34 A Heizstrom - zudem beträgt die Verstärkung etwa das Doppelte. Weitere Details zu Firmengründungen von Loewe siehe [638967]. Es sind dies z.B. die Eudarit-Pressgut GmbH für Bakelitgehäuse etc. und die Ortophon-Apparatebau GmbH für den Lautsprecherbau.

1929 bringen die Loewe-Firmen den «Vollnetzanschluss-Empfänger R533» heraus, der mit einer nochmals verbesserten Dreifachröhre, der 3NFW mit indirekter Heizung, ausgestattet ist. 1929 entsteht Loewe's Berliner-Radio-Handels-Aktiengesellschaft. Die Baird Television Company Ltd., London, bietet Loewe die Auswertung und Entwicklung ihrer Schutzrechte und Entwicklungsarbeiten auf dem Fernsehgebiet in Deutschland an. Da dieses Angebot die finanziellen Möglichkeiten von Loewe übersteigt, regt Dr. Loewe eine Beteiligung von Zeiss Ikon, Dresden, und Robert Bosch, Stuttgart, an. Es kommt Mitte 1929 zur Gründung der Fernseh-AG in Berlin, die 1939 im Firmenverband Robert Bosch aufgeht.

1930 fasst Loewe verschiedene seiner Firmen unter dem Namen Radio-Aktien-Gesellschaft Dr. S. Loewe zusammen und mit dem EB100W (1931 EB100G) beginnt die Reihe der Empfänger mit integriertem Lautsprecher.

Im Auftrag der Loewe-Firmen bringt von Ardenne aus seinem eigenen Labor 1930 erste brauchbare Vorschläge zur Helligkeitssteuerung, um auf einem Bildschirm ein gut modulierbares Bildraster zu schreiben. Meine gasgefüllte Braun'sche Röhre aus dem Labor von Ardenne zeugt für die Forschung um 1926.

Auch auf der Senderseite entwickelt Loewe elektronische Medien auf der Grundlage des «Flying-spot-Abtasters», um Filme elektronisch übertragen zu können. Am 25.4.31 veranstalten Dr. S. Loewe und M. von Ardenne in den Lichterfelder-Laboratorien eine Vorführung vor der Fachpresse. Bald darauf kann Loewe die Qualität der mechanischen Systeme erreichen und übertreffen. Siehe [1-127f]. 1932 geht von Ardenne eigene Wege. 1933, ein Jahr vor den Mitbewerbern, erkennt Dr. Loewe die Notwendigkeit von Allstrom-Apparaten und bringt den 1-Kreis-Empfänger «Edda» auf den Markt. (Ganz so richtig ist das nicht: zumindest Emud kommt 1931 mit «Allstrom», EE). Zu der Zeit halten sich Wohnungen mit Gleich- bzw. Wechselstrom etwa die Waage und eine Familie, die umzieht, kann den transformatorlosen Apparat weiterverwenden. Der Apparat führt die Allstrom-Dreifachröhre WD33. Das Allstromkonzept führt Loewe auch für Mehrkreis- und Superhet-Empfänger mit den Röhren WG34, WG35 und WG36 fort.

Auf dem in England bestellten Sattelschlepper mit einer Fernseh-Sendereinrichtung steht anlässlich der Premiere vom Juli 1934 in London gross der Namenszug Radio A.G. D.S. Loewe. Das Regime in Deutschland lässt die Firma jedoch bald in Löwe-Radio AG umtaufen und 1942 in Opta-Radio AG. Loewe wandert 1936 in die USA aus und gründet dort die Loewe Radio Inc. Er hat 1938 aus dem Vorstand in Deutschland auszuscheiden.

1941-44 fertigen die Opta-Betriebe ausschliesslich Rüstungsgüter; Opta-Radios sind dann Fremdtypen [638966-19]. Man gliedert Grassman in den Opta-Betrieb ein. Es entstehen Auslagerungsbetriebe, z.B. in Oberlungwitz in Sachsen. In Berlin-Weissensee entsteht während des Krieges ein Betrieb für Röhrenbau [DRM94].

Noch im März 1945 verlagert das Unternehmen eine wichtige Kriegsfertigung nach Küps bei Kronach. Dies ist die Keimzelle der neuen Firma, denn 1948 kann S. Loewe seine Wiedergutmachungsansprüche durchsetzen und erhält das Sagen beim demontierten Hauptwerk in Berlin und der Auslagerungsstätte in Küps bei Kronach. In Küps fabriziert Loewe ab 1946. Gemäss «Loewe-Story» gibt es vor November 1947 den «Kronach», wahrscheinlich 547W, in einer Auflage von zwei Geräten pro Tag. Ein getrenntes Werk in Düsseldorf-Heerdt offeriert als Firma Opta-Spezial GmbH von 1950 bis 1954 Opta-Spezial-Radios [6-124]. Konsul Bruno Pieper wirkt als Generaldirektor.

Jedenfalls: Auf der Leipziger Messe von 1947 sind wieder Loewe-Entwicklungen zu sehen. Die Firma erzeugt 1950 mit dem «Optaphon» das erste deutsche Kassetten-Tonbandgerät. 1961 ist Loewe mit dem «Optacord 500», einer für den privaten Gebrauch konzipierten Video-Anlage, führend beim Bildschirmtext und baut vor allem modernste TV-Empfänger - ein Steckenpferd von Dr. S. Loewe. Er stirbt 1962.

Bis 1978 fertigt die Firma Radios in Berlin, löst diesen Betrieb aber auf. Der Mitarbeiterbestand bei Loewe beträgt Ende der 80er Jahre ca. 1500. Die Loewe Opta GmbH, Kronach, gehört in den 90er Jahren zu 51,9 % der Management GBR (Gesellschaft leitender Mitarbeiter der GmbH) und zu 48,1 % zu Matsushita (Panasonic), wobei eine gute gegenseitige Befruchtung für das Hauptprodukt, TV, zum Tragen kommt.

Loewe in Ostdeutschland:
Opta Leipzig, ab 1950 VEB Stern-Radio Leipzig genannt, geht 1952 im VEB Fernmeldewerk Leipzig auf. Die Radioproduktion endet 1950/51.

Nach dem Krieg versuchen Loewe-Mitarbeiter des Zweigwerkes in Oberlungwitz in Sachsen, Maschinen und Vorrichtungen nach West-Berlin zu transportieren, doch die Sowjets verlangen, dass diese Güter in die Röhrenfabrik Berlin-Weissensee gelangen.

Dieser Loewe-Betrieb arbeitet mit der Röhrenfabrik in Berlin.

Loewe hat auch in anderen Ländern Produktionsstätten, so z.B. in Grossbritannien. Vor allem aber auch Handelsniederlassungen, wie Loewe Radio S.A., 3 quai de Willebroeck, Bruxelles (adress in 1932).
 

German technology manufacturer Loewe declares bankruptcy:

 On October 1-2013 , Loewe, a producer of entertainment and communications technology, declared bankruptcy at the Cobourg district court.

 
The long-established company was founded in Berlin in 1923 as Radiofrequenz Gmbh by physicist and electronic technician Sigmund Loewe and his brother Ludwig David Loewe. The firm was one of the first in Germany to produce electronic tubes for televisions, loudspeakers and resistors. The well-known physicist Manfred von Ardenne participated in the development of televisions by Loewe from 1929, which led to the first-ever electronic television broadcast in 1931 at the radio exhibition in Berlin.

As they were Jewish, the Loewe brothers were forced into exile after the assumption of power by the Nazis in 1933. Ludwig emigrated to the United States in 1934, and Sigmund in 1938. The company was subsequently “Aryanised” and reorganised for war production in 1939 for the German air force. At the end of the Second World War, in March 1945, the company moved to Kronach, although the main plant in Berlin Steglitz continued in existence until 1979.

Sigmund Loewe returned to Germany in 1946, took over the leadership of the firm and developed the first cassette recorder in the 1950s as well as the first European video recorder in 1961. In 1963, Loewe produced the first portable television.

Loewe was the head of his firm until his death in 1962. The majority shareholding subsequently went to concealed subsidiaries of the Phillips group, which sold their entire stake in 1985. Since 1999, Loewe AG has been listed on the stock market.

The orientation to customers with buying power was the basis of the company’s production for decades. Loewe developed the first television with Internet access in 1998. In 2005, the firm produced its first flat-screen model.

A crisis in 2004, caused by the firm’s failure to respond quickly to the development of flat-screen technology, was overcome with a capital injection from the Japanese firm Sharp and a drastic programme of budget cuts. This was worked out between the IG Metall trade union, the works council and company management.

Of the 1,250 employees, 300 were laid off, and those who remained had to work longer without any corresponding wage increase. In addition, they had to give up half of their monthly salary or a whole monthly wage. In this way, costs were reduced by 25 percent. In 2007, the company registered a surplus of €6.5 million and the workers received a one-off premium of €3,000.

“That was of course great for the people there,” said Christopher Schmitz from the Verdi union, as Verdi agreed to wage cuts at the Karstadt department store chain three years ago. “But Loewe is a complete one-off.” The workers would never normally see any of their money again.

The crisis at Loewe, which has been ongoing for five years, is a consequence of the global economic crisis that broke out in 2008. During this period, total sales have fallen from €374 million to €250 million. The groups that Loewe had targeted for a long time, such as skilled workers and specialists, who could afford to concern themselves with quality, have been rocked by the effects of the crisis with the loss of their jobs and wage cuts, or at least the permanent threat of this possibility.

At the end of 2012, there were still close to 1,000 employees working at the Kronach facility. In April 2013, after “constructive discussions with the works council and IG Metall,” 180 jobs were cut, including 130 in production. With the further announcement of 150 redundancies in September, Loewe has laid off around 35 percent of its workforce in less than six months with the support of the trade unions and works council.

Loewe’s competitors in the high-end sector are also suffering due to the crisis. The Danish entertainment and electronics concern Bang & Olufsen reported heavy losses. The firm is the second largest European company in the industry and registered a shortfall of €9 million in the last quarter.

On October 1, Loewe, a producer of entertainment and communications technology, declared bankruptcy at the Cobourg district court.

Two weeks previously, the company, which is based in Kronach, announced that it would make 150 of its 800 workers redundant as part of a restructuring process to take “measures to adjust the cost base.” The ailing company was seeking new investors by laying off the workers. The measure was “an essential precondition for the intervention of an investor and the maintenance of the whole company,” said Matthias Harsch, the chief executive of the board of Loewe AG.

Earlier this year, in July, Loewe applied for bankruptcy protection, which involved the establishment of a restructuring plan that was supervised by an administrator appointed by a court. The company was thereby granted three months’ protection from its creditors, and it introduced restructuring measures. The expiration of the period of bankruptcy protection has now led to actual bankruptcy proceedings.

In the middle of the Bavarian election campaign in August, state president Horst Seehofer of the Christian Social Union (CSU) pledged state guarantees for the company if an investor could be found.

Then in September, Loewe announced a partnership agreement with Hisense, a Chinese producer of televisions and kitchen appliances. The company is the fourth largest producer of televisions globally, has its headquarters in Kingdao in eastern China, and was considered a possible investor. According to Spiegel Online, both companies had recently begun joint distributions in Austria, which was viewed as a test market.

However, Hisense had not committed to any financial assistance, as the Frankfurter Allgemeine Zeitung ( FAZ ) reported. FAZ went on to explain that there was also “a group of British financiers who want to give Loewe a new strategic direction.” If the company does not find an investor by the end of October, it will be dismantled.

Loewe reported losses in August of close to €15 million (US$20 million), after three loss-making years in a row. The company’s liquidity fell from €27 million to just €8 million, while its capital shrank from €48 million to €25 million. The bankruptcy announcement at the beginning of October caused Loewe’s stock to drop immediately by 50 percent.

Loewe specialised for decades in expensive televisions and high-end entertainment equipment. It has now changed its sales strategy and wants to open up to “the mass market” of cheap televisions and loudspeakers, because “the specialised trade only accounts for 25 percent” of the market, as Harsch told Der Spiegel in an interview.

In order to sell goods cheaply in major stores, production was to be outsourced to Asia. A facility would continue in Kronach for the manufacturing of “high-end appliances.” However, in future, it will not be production in Germany that is important, but rather the label “engineered and designed in Germany.” “We are not a producer of appliances any more, and that’s what I’m trying to persuade the firm,” Harsch said in the same interview.

21/03/2014: Münchener Investor übernimmt Loewe:

Kronach Nach langem Bangen hat der traditionsreiche Fernsehgerätehersteller Loewe einen Investor gefunden und hofft nun auf eine bessere Zukunft. Das Münchner Finanzunternehmen Stargate Capital übernimmt das oberfränkische Traditionsunternehmen, hieß es in einer am Freitagabend veröffentlichten Mitteilung. „Wir sind sehr froh, dass es nach den Turbulenzen der letzten Wochen gelungen ist, einen starken Partner für Loewe zu finden“, erklärte Vorstandschef Matthias Harsch. „Loewe kann nun endlich neu durchstarten.“

Ein notarieller Kaufvertrag über den gesamten Geschäftsbetrieb sei bereits von beiden Seiten unterzeichnet worden, hieß es. Der neue Eigentümer führe den Geschäftsbetrieb am Standort Kronach einschließlich der Produktion fort. Zudem übernimmt Stargate Capital auch die internationalen Tochtergesellschaften. Von den aktuell rund 525 Mitarbeitern dürfen jedoch nur 430 bleiben. Von der Börse will sich Loewe verabschieden.

Durch die Übernahme von Stargate Capital blieben mehr Arbeitsplätze erhalten, als es bei den Erwerberkonzepten aller anderen Kaufinteressenten vorgesehen war, betonte Loewe-Finanzvorstand Rolf Rickmeyer. Die 95 Mitarbeiter, die nach dem Einstieg des Investors nicht übernommen werden sollen, stammen vor allem aus der Produktion und sollen bis Ende September weiterbeschäftigt werden. Von Oktober an sollen sie dann in eine Transfergesellschaft wechseln können. „Dass nicht alle Arbeitsplätze gerettet werden können, bedauere ich umso mehr, als es nicht zuletzt das Verdienst der Mitarbeiter ist, dass Loewe diese schwere Zeit überstehen konnte“, sagte Rickmeyer.


Seit einem Jahr war Loewe inständig auf der Suche nach einem Retter. Im Frühjahr 2013 schockte der Hersteller von Premium-TVs mit der Nachricht, dass die Hälfte des Grundkapitals bald aufgezehrt sei. Im Herbst folgte der Antrag auf Insolvenz in Eigenverwaltung. Mitte Januar dieses Jahres schien es so, als sei mit dem Investor Panthera bereits ein Retter gefunden. Doch vor einem Monat trat die private Investorengruppe völlig überraschend vom Kaufvertrag zurück.

Nach dieser erneuten Hiobsbotschaft für die bei Loewe verbliebenen Mitarbeiter trat Stargate Capital auf den Plan. Das Finanzunternehmen aus München ist auf Investments in mittelständische Unternehmen spezialisiert. „Mit Stargate Capital haben wir vor allem einen Investor gefunden, der eine langfristige Strategie verfolgt mit dem Ziel, Loewe wieder zu alter Stärke zurückzuführen“, erklärte Vorstandschef Harsch.

Über den genauen Kaufpreis schwiegen beide Seiten. Er liege „im oberen einstelligen Millionenbereich“, hieß es lediglich. In den kommenden Jahren seien Investitionen im mittleren zweistelligen Millionenbereich geplant.

 UPDATE: 01.07.2019 With Loewe, it's over now, here is why..............

The plant in Kronach remains largely deserted from this Monday on: The Upper Franconian TV manufacturer Loewe ceases operations. Most of the more than 400 employees no longer show up for work.

Loewe has been in a crisis for years and now, at least for the time being, the production of televisions in Kronach, Upper Franconia, has come to an end. On Monday, the bankrupt manufacturer with a long tradition ceases operations. The majority of the more than 400 employees are released from work and do not have to come to work. According to the provisional insolvency administrator Rüdiger Weiß, only a core team of ten to fifteen employees remains.

The remaining few employees will continue to look for a rescuing investor in the coming months. One of the most urgent tasks for the insolvency administrator and the Loewe works council is now to negotiate a social plan for the workforce. According to Weiß, he hopes to be able to conclude this by mid-July.

Although the employees are currently released from their duties and no longer receive a salary from Loewe, no one has been dismissed so far. This can only be done after an agreement has been reached on a social plan and a reconciliation of interests. According to Weiß, if no investor is found, the employment contracts could be kept until the end of October at the latest.

Dispute with IG Metall

According to the insolvency administrator's assessment, it will take that long even in the event of another rescue until there is clarity. "We expect the investor process to take another four months," said Weiß. "We will do everything we can to find someone, there have already been initial discussions with investors.

For Loewe, this is the second crisis in a few years to threaten its very existence. "Loewe has been running a loss-making business for years," said Weiß. "Everyone in the company agrees that the compensation structure is not appropriate. To cover personnel costs alone, annual sales of EUR 150 million would be required; for a black zero, we would need sales of EUR 180 million. In fact, it was 120 million in the end."

However, there are fierce disputes with the trade union. The Bavarian IG Metall district manager Johann Horn accuses the British investment company Riverrock of deliberately refusing Loewe new loans. There is some evidence that "the financial investor Riverrock is waiting until Loewe has finally bled out, only to earn money with the ruins of the company afterwards," Horn recently said. In addition, he pointed out that the investor wanted to implement such drastic wage cuts and worse working conditions.

Postbank plays an important role

According to IG Metall, Riverrock has kept Loewe afloat in the past with a double-digit million euro loan, but has now refused a new loan. The former management has also pledged the Loewe brand name to Riverrock.

The preliminary insolvency administrator rejects these accusations: "I cannot understand the criticism of IG Metall," said Weiß. In the presence of the union, all possible models for restructuring had been agreed. "We needed EUR 5.5 million to continue operations until the end of the year and a further EUR 3.4 million for a qualification and employment company for all employees.

According to Weiß, Riverrock was willing to finance this company - but made it dependent on Postbank's decision to take over Loewes' outstanding debts, to pay them on behalf of Loewes and to collect them from customers. So far, Postbank has refused to do so.

Literature

• 75 Jahre Loewe (1923-1998). Und die Zukunft geht weiter, author's edition 1998
• Kilian J.L. Steiner: Ortsempfänger, Volksfernseher und Optaphon. Die Entwicklung der deutschen Radio- und Fernsehindustrie und das Unternehmen Loewe 1923-1962. Klartext Verlag, Essen 2005, ISBN 978-3-89861-492-4
• Frank Keuper, Jürgen Kindervater, Heiko Dertinger, Andreas Heim (Hrsg.): Das Diktat der Markenführung. 11 Thesen zur nachhaltigen Markenführung und -implementierung. Mit einem umfassenden Fallbeispiel der Loewe AG, Gabler Fachverlage, Wiesbaden 2009, ISBN 978-3-8349-0852-0

References

• "Loewe klang 5 active speaker - Winner - Entertainment - German Design Award". www.german-design-award.com (in German). Retrieved 2017-09-13.
• https://www.loewe.tv/de/legal/impressum
• 
  
• "German technology manufacturer Loewe declares bankruptcy"
• 
  
• Loewe AG: self-administration insolvency, a corporate press-release
• 
  
• "Investor consortium to rescue high-end TV maker Loewe". Deutsche Welle. Retrieved 17 January 2014.
• 
  
• "Münchener Investor übernimmt Loewe". Handelsblatt. Retrieved 6 January 2015.
• 
  
• "German Design Award Winners".
•  
•  

Einzelnachweise

loewe.tv: Impressum
Loewe bild 7 - Gold - Entertainment - German Design Award. Abgerufen am 9. Oktober 2017.

http://www.nordbayerischer-kurier.de/nachrichten/loewe-gliedert-markenrechte-aus_627658

NDR: Manfred von Ardenne - Herr des Fernsehens. Abgerufen am 9. Oktober 2017.

NDR: Manfred von Ardenne - Herr des Fernsehens. Abgerufen am 9. Oktober 2017.

Loewe. Abgerufen am 13. September 2017 (englisch).

Radioapparate. In: Berliner Adreßbuch, 1924, Teil 2, S. 475.

Kilian J. L. Steiner: Die „Arisierung“ der Radioaktiengesellschaft D. S. Loewe in Berlin-Steglitz. In: Christof Biggeleben u. a.: „Arisierung“ in Berlin. Metropol Verlag, Berlin 2007, ISBN 978-3-938690-55-0, S. 226.

radiomuseum-bocket: Der OE333 Ortsempfänger. Abgerufen am 8. November 2016.

radiomuseum.org: Ortsempfänger OE333. Abgerufen am 28. Januar 2016.

radiomuseum.org: Röhre 3NF. Abgerufen am 28. Januar 2016.

Die Loewe-Röhre 3NFB – Analyse einer Mehrfachröhre. (PDF; 170 kB)

Kilian J. L. Steiner: Die „Arisierung“ der Radioaktiengesellschaft D. S. Loewe in Berlin-Steglitz. In: Christof Biggeleben u. a.: „Arisierung“ in Berlin. Metropol Verlag, Berlin 2007, ISBN 978-3-938690-55-0, S. 226.

Kilian J. L. Steiner: Die „Arisierung“ der Radioaktiengesellschaft D. S. Loewe in Berlin-Steglitz. In: Christof Biggeleben u. a.: „Arisierung“ in Berlin. Metropol Verlag, Berlin 2007, ISBN 978-3-938690-55-0, S. 226.

Joachim Hofer: Loewe will leben. In: Handelsblatt. 17. Juli 2013, S. 16 f.

Letzte Chance für Loewe. In: Handelsblatt. 17. Juli 2013, S. 1.

Loewe hofft auf den reichen Retter. Handelsblatt, 16. Juli 2013, abgerufen am 16. Juli 2013.

Loewe schwört trotz Krise auf Luxus-Geschäftsmodell. inFranken.de, 31. Juli 2013, abgerufen am 1. August 2013.

Loewe: Partner kommt aus China. inFranken.de, 31. Juli 2013, abgerufen am 1. August 2013.

Loewe: Kapitalmaßnahmen auf den Weg gebracht. (Nicht mehr online verfügbar.) Loewe AG, 7. August 2013, archiviert vom Original am 5. Oktober 2013; abgerufen am 1. September 2013.  Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.

Restrukturierungsprozess vor dem Abschluss. (Nicht mehr online verfügbar.) Loewe AG, 16. September 2013, archiviert vom Original am 26. September 2013; abgerufen am 17. September 2013.  Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.

TV-Hersteller Loewe meldet Insolvenz an (1. Oktober 2013)

Loewe AG: Insolvenzverfahren in Eigenverwaltung bestätigt. (Memento des Originals vom 4. Oktober 2013 im Internet Archive)  Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis. Ad-hoc-Meldung auf: corporate.loewe.tv, 1. Oktober 2013.

TV-Hersteller in der Krise: Loewe meldet Insolvenz an. auf: spiegel.de, 1. Oktober 2013.

Bevollmächtigter gibt sich für Loewe optimistisch. FAZ.net. 13. Oktober 2013

Insolventer TV-Hersteller: Loewe-Käufer machen Rückzieher. Spiegel Online, 24. Februar 2014, abgerufen am 24. Februar 2014.

Stargate Capital übernimmt Loewe, Handelsblatt, am 21. März 2014

Neue Hoffnung für Loewe: Finanzinvestor übernimmt TV-Gerätebauer. In: Heise Online. 22. März 2014, abgerufen am 23. März 2014.

Loewe findet neuen Investor. In: Süddeutsche Zeitung. 22. März 2014, abgerufen am 23. März 2014.

Andreas Wilkens: Loewe-Rettung in trockenen Tüchern. 9. April 2014, abgerufen am 9. April 2014.

Loewe: 2016 noch kein Gewinn | Nordbayerischer Kurier. Abgerufen am 28. August 2017.

Loewe. Abgerufen am 9. Oktober 2017 (englisch).