Richtige Fernseher haben Röhren!
In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical technology relics that the Frank Sharp Private museum has accumulated over the years .
Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.
Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.
Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.
There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.
The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.
Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.How to use the site:
OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.
- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.
You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.
- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.
- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.
Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !
Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........
Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........
..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!
Have big FUN ! !
©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of
Engineer Frank Sharp. NOTHING HERE IS FOR SALE !
Monday, May 7, 2012
SALORA 1F6C YEAR 1980.
The SALORA 1F6C is a 22 inches color television with 16 programs and VSt tuning automatic search system.
Was first SALORA featuring the TMS1100 controller from Texas Instruments specially programmed to perform the functions to drive and operate tuning search system and operational remote functions.
With tuning system having a non-volatile memory for storing digital tune words is electrically updated by a microcomputer type architecture control circuitry. A ROM memory matrix is provided for the storage of VHF minimum and maximum binary tune words corresponding to each of twelve VHF channels in addition to a UHF minimum and maximum binary tune word encompassing all possible 72 UHF channels. Tuning of individual VHF and UHF chanels is accomplished by incrementing or decrementing a given tune word within the minimum and maximum limits established in the ROM memory matrix by means of a microcomputer processing approach.
Furthermore was first SALORA TV chassis with mains isolated chassis at primary side and featuring the VIDEOCOLOR PIL S4 CRT TUBE.
- Horizontal Beam Deflection and high voltage generating circuits realized with Thyristors circuits.
It's a very good system to use where the line scan coils require large peak currents with only a moderate flyback voltage an intrinsic characteristic of toroidally wound deflection coils. The basic thyristor line output stage arrangement used in all these chassis is shown in Fig. 1
it was originally devised by RCA. Many sets fitted with 110°, narrow -neck delta -gun tubes used a thyristor line output stage - for example those in the Grundig and Saba ranges and the Finlux Peacock , Indesit, Siemens, Salora, Metz, Nordmende, Blaupunkt, ITT, Seleco, REX, Mivar, Emerson, Brionvega, Loewe, Galaxi, Stern, Zanussi, Wega, Philco. The circuit continued to find favour in earlier chassis designed for use with in -line gun tubes, examples being found in the Grundig and Korting ranges - also, Indesit, Siemens, Salora, Metz, Nordmende, Blaupunkt, ITT, Seleco, REX, Mivar, Emerson, Brionvega, Loewe, Galaxi, Stern, Zanussi, Wega, Philco the Rediffusion Mk. III chassis. Deflection currents of up to 13A peak -to -peak are commonly encountered with 110° tubes, with a flyback voltage of only some 600V peak to peak. The total energy requirement is of the order of 6mJ, which is 50 per cent higher than modern 110° tubes of the 30AX and S4 variety with their saddle -wound line scan coils. The only problem with this type of circuit is the large amount of energy that shuttles back and forth at line frequency. This places a heavy stress on certain components. Circuit losses produce quite high temperatures, which are concentrated at certain points, in particular the commutating combi coil. This leads to deterioration of the soldered joints around the coil, a common cause of failure. This can have a cumulative effect, a high resistance joint increasing the local heating until the joint becomes well and truly dry -a classic symptom with some Grundig / Emerson sets. The wound components themselves can be a source of trouble, due to losses - particularly the combi coil and the regulating transductor. Later chassis are less prone to this sort of thing, partly because of the use of later generation, higher efficiency yokes but mainly due to more generous and better design of the wound components. The ideal dielectric for use in the tuning capacitors is polypropylene (either metalised or film). It's a truly won- derful dielectric - very stable, with very small losses, and capable of operation at high frequencies and elevated temperatures. It's also nowadays reasonably inexpensive. Unfortunately many earlier chassis of this type used polyester capacitors, and it's no surprise that they were inclined to give up. When replacing the tuning capacitors in a thyristor line output stage it's essential to use polypropylene types -a good range of axial components with values ranging from 0.001µF to 047µF is available from RS Components, enabling even non-standard values to be made up from an appropriate combination. Using polypropylene capacitors in place of polyester ones will not only ensure capacitor reliability but will also lower the stress on other components by reducing the circuit losses (and hence power consumption).
Numerous circuit designs for completely transistorized television receivers either have been incorporated in commercially available receivers or have been described in detail in various technical publications. One of the most troublesome areas in such transistor receivers, from the point of View of reliability and economy, lies in the horizontal deflection circuits.
As an attempt to avoid the voltage and current limitations of transistor deflection circuits, a number of circuits have been proposed utilizing the silicon controlled rectifier (SCR), a semiconductor device capable of handling substantially higher currents and voltages than transistors.
The circuit utilizes two bi-directionally conductive switching means which serve respectively as trace and commutating switches. Particularly, each of the switching means comprises the parallel combination of a silicon controlled rectifier (SCR) and a diode. The commutating switch is triggered on shortly before the desired beginning of retrace and, in conjunction with a resonant commutating circuit having an inductor and two capacitors, serves to turn off the trace switch to initiate retrace. The commutating circuit is also arranged to turn oft the commutating SCR before the end of retrace.
History of Salora
History starts beginning 1928 in Salo (Finland), where Messrs Nordell and Koskinen built crystal receivers for the new Finish broadcasting station. Rapidly other radios followed, on battery and in 1930 on home electricity. In 1945, after WO II, the company was renamed SALORA oy. This name was a combination of the town SALO and the product RAdio. "Salora" grew and 15,000 radios were produced yearly by 300 people.
In 1957 Salora started the production of black/white TV-sets and in the beginning of the seventies, 2,000 people were employed and they built 1,000 TV-sets per day. At the end of the fifties they started the production of wireless phones for the army and the railways.
In 1966 the export of televisions to Sweden was starting and at the end of the seventies 60% of the production was destined for export. In 1978 a co-operation was founded with NOKIA – under the name MOBIRA – for the production of mobile phones.
In 1981 monitors for IBM were taken into production as well. Thereafter, in 1982, the mobile phone division was sold to NOKIA and in 1984 NOKIA bought the majority of the SALORA shares. In the same year SALORA started to make TV-sets for a famous Japanese brand for the total European market. In 1992 NOKIA took over SALORA completely.In February 2006 the brandname SALORA is being secured and from now on Albers Trading B.V. will supply her complete range of products under the name SALORA.