Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical technology relics that the Frank Sharp Private museum has accumulated over the years .

Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.


Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:

- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,
or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.
So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........

..............The bitterness of poor quality is remembered long after the sweetness of todays funny gadgets low price has faded from memory........ . . . . . .....
Don't forget the past, the end of the world is upon us! Pretty soon it will all turn to dust!

Have big FUN ! !
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©2010, 2011, 2012, 2013, 2014 Frank Sharp - You do not have permission to copy photos and words from this blog, and any content may be never used it for auctions or commercial purposes, however feel free to post anything you see here with a courtesy link back, btw a link to the original post here , is mandatory.
All sets and apparates appearing here are property of
Engineer Frank Sharp. NOTHING HERE IS FOR SALE !

Thursday, April 28, 2011

INDESIT T12SI YEAR 1976.



















































The INDESIT T12SI It's a 12 inches B/W screen with 6 programs preselection and classic potentiometers tuning search for each program.

It can be powered even with a 12volt source with a special socket on the rear side.
(see photo deatailing the socket cable)

It doesn't weight much because it has not transformer in it but a special power supply converter.The horizontal deflection circuit for a television receiver is designed without a transformer so that the chassis is not feeded with a bulky trafo. The mains ac is rectified directly without a transformer and applied to a pump stage. The pump stage is coupled via a line transformer to the line output stage. Whilst the pump stage is connected electrically to the mains supply, the line output stage and the control circuits for the line output stage and for the pump stage are all electrically connected from the ac mains. 
In a television receiver, deflection circuits generate horizontal deflection signals at a line rate and vertical deflection signals at a field rate which are applied to respective horizontal and vertical output circuits. These output circuits in turn cause sawtooth currents to flow through the coils of the deflection yoke, thereby creating appropriate electromagnetic fields within the yoke to deflect electron beams across the display screen of a picture tube.
The previously described deflection circuits, as well as other receiver circuitry, may normally be powered by a regulated power supply which derives its output from horizontal rate energy generated by the horizontal deflection output circuit.
Was first 6 programs B/W television from INDESIT, earlyer model was with Rotary tuners.


THIS HERE IN COLLECTION IS AN ORIGINAL INDESIT ORBASSANO MADE.



INDESIT was originary from Orbassano Near TORINO In Italy and indeed the tv here today shown comes from there.

It was a very big industry conglomerate present in all European lands even In Norvay.

IT was fabricating domestic appliances like Washing machines (INDESIT K5) and dish washers and even fridges (almost lasting forever).

 Here you can see an INDESIT 2 doors Refrigerator from the same era of time like the TV above shown.

In the 70's they started producing tellyes and radios for cheap market but good products.


INDESIT has a very heavy controversed history which is made of high loss of work places for people, financial disasters, loss of market, closing of production location and finally a complete destruction of one of the bigger Italian industry on European level.

It was then brand name aquired by Merloni Elettrodomestici known as Ariston the reconverted to Indesit company......................

INDESIT INDUSTRY  was founded in 1953 in Turin with the denomination of Spirea, by three members: Armando Campioni, Adelchi Candellero and Filippo Gatta.
The society moved some years later to Rivalta of Turin, and another three times it changed denomination up to 1961 (one name was INDES after INDEL ), when it assumed the definitive social reason and the mark Indesit was born.

Indesit was producing "white" household electrical appliances like washing machines, refrigerators, freezers, dishwasher and kitchens,  television sets and shops fiscal recorders.

The company knew a swift productive and commercial development in the period of the economic boom, becoming the third one of the sector at national level .

 It conquered wide shares are in the national market which foreign countries of the household electrical appliances.

In the sixties and seventy, Indesit was counting quite eight productive installations, of which five to the North ( between Rivalta,  and Orbassano) and two in the South (Teverola and Carinaro (Council of Europe)), where they were used about 12.000 workers.

In the same period to the Indesit there was tried a system of televisional broadcasting to colours named ISA, whom the Torinese company proposed in 1972 to the RAI, but whom it was not accepted by the Italian Government, because not conformable to other European systems!!! .

There was acquired also the mark Hirundo, with which a line was proposed in the white sector (refrigerators, washing machines and other household electrical appliances), as well as apparatus in the brown sector, like radio to transistor branded Indesit-Hirundo. Such a mark today is not long time more used.

Indesit participated for 6 % in the Sèleco of Pordenone, to the epoch in which the control was held by Giovanni Mario Rossignolo, giving installations in disuse for the television sets manufacture. Zanussi and Rel were the greatest shareholders in Sèleco to that epoch.

In 1980, the Indesit went to crisis and was put into checked administration, of which it went out in 1984, when it was recapitalized for 74 milliard lire and there new members  entered. Still for the Torinese company the crisis continued and the recovery was not going; following this in 1985 it gave his electronic division to the Olivetti .

Much was the negotiations to find an industrial and financial partner, but the situation was so heavy to lead, in the same year, the company to the extraordinary administration, on the grounds of the law Prodi, and the Court of Turin appointed commissary the doctor Giacomo Zunino . For a long time now the work places had drastically decreased, and were reduced to a little more than 7.000 workers, the greatest part of which in case integration then unoccupied.

Even though it was commissioned, the company improved gradually the accounts, and in 1987 it was purchased to the auction at Merloni Elettrodomestici's already known for the mark Ariston and until then principal competitor in Italy of the Indesit itself. In the operation the of the Marche group invested quite 50 milliard lire in the acquisition of the society, and another 100 milliards it were provided for the reorganisation and the curing .
Indesit became the first mark of the company, and the factories were maintained only of None, Carinaro and Teverola.



A brief note about on Television sets reliability and durability..........................

ANYONE with even the smallest experience of television engineering is bound to come up against that embarrassing question which is always so difficult to answer-"which TV shall I get?" The questioner is usually concerned about obtaining the cheapest and most reliable receiver that is available, and this same approach generally governs the choice between buying when new - restoring in this time. This is perfectly reasonable and often applies to other consumer products apart from TV. 
What does seem a little strange however is that no one ever seems to ask "which TV set gives the best picture?" Why not? Doesn't anyone care, or is the question too complicated to discuss? 
Yet the average person spends five and a half hours a day, every day, watching TV garbage:
The Propaganda TV Machine a.k.a. The Ministry of Truth delivers The Truth from The Government to the people.
At least, that's what they say. In fact, a Propaganda Machine is only employed by The Empire and used to brainwash people into Gullible Lemmings who believe that everything is all right when in fact, it isn't, and that the very people who could help them are their enemies..............

................... so the quality of the picture must be important........................ 

expecially for those football idiots so the they have the motivation to glue their assface on the screen all day long to discover better somewaht in their ignorance.
........Now................It is high time that people began to realise this simple fact, and to take an interest in the quality of the product that absorbs so much of their spare time. There are of course plenty of people who are genuinely interested in good picture quality. It is unlikely for example that so many readers of this Blog would be taking part in the magnificent TELEVISION colour receiver project, but more likely restoring  monochrome receivers or adapting old color ones, if they were indifferent to the quality of the picture obtained at the end of the day. But today times seems changing, the trend started by many readers of Obsolete Technology Tellye !  have had a significative rise up in recovering and restoring old CRT's TV's and started to build up collections by people in many lands worldwide.
 Good CRT  picture quality cannot however be achieved merely by connecting together the appropriate groups of circuits. Sometimes in fact even well established designs can present problems if they are assembled in a different way to the original or with non-standard components. 
So what constitutes good picture quality and what do you do when things go wrong? 
It is not much use delving into the textbooks because they are strangely unhelpful about this sort of thing.
  At least however we can here at Obsolete Technology Tellye !  establish some basic principles to use as a starting point. There is a difference between the kind of picture quality defects that you would expect to find in a manufactured receiver compared to one made by a home restorer / constructor. 
A CRT manufactured receiver usually has only minor faults and one wants to'assess how well it compares with the products of other set - makers.
Todays trade, threw a rather different light on matters however. Briefly, we found that during CRT boom periods for the setmakers reliability increased whilst during periods of diminishing sales a fall in the standard of reliability became evident, so you will find excellent sets from the 70s/80s. I had tended to think that a boom meant an attitude of anything goes to get as many sets out to meet the demand, with consequent corner cutting and use of whatever alternative components could be got hold of if necessary. The overriding point seems to be however that in boom conditions with a seller's market prices can be maintained and quality standards kept up whilst in flat market conditions there is overwhelming pressure on prices and reliability tends to fall. It is difficult to be too sure about this since the worst trading period coincided with the era of dual standard analog TV sets which may eventually but not certainly inevitably less reliable than the single -standard chassis which preceeded and succeeded them. It would however tie up  about the comparative reliability of colour and monochrome sets, since the era of colour boom coincides with a very flat period in monochrome set production and sales, that in talking about reliability means overall dependability rather than initial statistics for unboxed set condition. 

That all said is very applicable to todays times, with completely different technically means, reality where unfair market conditions focibly applied to European firms by an elite which has only the will and target to destroy European eritage at all levels with the main  point in destroying local economy.
It includes:

- A number of areas of law involving acts by one competitor or group of competitors which harm another in the field, and which may give rise to criminal offenses and civil causes of action.

- Trade libel, the spreading of false information about the quality or characteristics of a competitor's products, is prohibited at common law but still high present and unstopped.

- Various unfair business practices such as fraud, misrepresentation, and unconscionable contracts may be considered unfair competition, if they give one competitor an advantage over others expecially all from the so called ASIATIC MARKET.

Therefore:
All of todays apparates are literally absolute GARBAGE when new and resulting often broken when out of the box after purchase. Poor engineering, manufacturing and materials in the main part, combined with unfair massive import to Europe of such DUMP goods, at cheap prices in closed hard tight market (so they can be the only 2 3 competitor in foreign lands and all locals firms brought to death by heavy taxations, troublesome difficulties at all levels) and sold with medium to high prices respect to initial build costs !!
For that there can't be a comparation of reliability between a CRT TV SET and any one of todays sets, which often are resulting in a SCAM mainly under the technological part, emerging, even, from the first repair attempt !
......  And  in the end you will NEVER SEE a  restoring of ANY of the Actual todays electronic GARBAGE !

R.I.P.  EUROPE !




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